Can You Ever Link Me?

• In Contention Alfonso Cuarón could tie Walt Disney's record this year for most nominations for a single person in one year (six). And he could break the record for most nominations for a single person from a single film (four)
• /Film Katherine Langford (Love Simon, 13 Reasons Why) added to the cast of Infinity War's sequel
• Variety Extremely sad to report that Filmstruck is shutting down next week. It had become the go to streaming place for cinephiles once Netflix started having such crappy movie selections
• Next Best Picture if you're not sick of hearing me rave about Can You Ever Forgive Me? yet, I'm the guest on this podcast doing that again.

• TFE in case you missed it, our podcast on the same movie
• The Daily Beast hateful conservatives now targeting Netflix's brilliant Big Mouth series which is all the more reason why all of you should watch it. It's awesome.
• /Film this is kind of non-news given the caginess of the statements but TriStar is still hoping to mount a Labyrinth sequel with Jennifer Connelly reprising her role 30+ years later
• MNPP 13 moustaches of Halloween - fun series, now with more Sam Elliott and Vincent Price
• /Film to celebrate Dario Argento a ranking of his features. His most famous film, Suspiria, is NOT number one!
• Next Best Picture on recent under 15 minute performances nominated for Oscars with some possibilities this year like Sam Elliott and Daniel Kaluuya

Off Screen or Behind the Scenes
• Wall Street Journal thinks there is an atmosphere of fear at Netflix with their quick firings
• Variety Boy George interview as Culture Club releases their first album since 1999. It's called "Life" -- ftr I think "Colour By Numbers," their 1983 album is one of the most perfect albums ever recorded
• Playbill 10 plays and musicals that only require 2 actors
• Playbill Wicked is about to turn 15. Kristin Chenoweth and Idina Menzel are sharing two things they added to the musical that weren't in the original script/score.
• Fast Company examines the state of Hollywood's middle class. Turns out the proliferation of content isn't good for everyone and the reasons why aren't all that apparent from the outside (shouldn't more content mean more job opportunities?). Note: this website has annoying ads that are confusing to get out of in order to read the article (hint) scroll down without hitting that scroll down sign! 

Last Chance Filmstruck: Unzipped, High Noon, Metropolis, Etc...

by Nathaniel R

Are you going to wait for the train downstairs? Why don't you wait here?"
     -Katy Jurado to Grace Kelly in High Noon (leaves Filmstruck May 31st)

Y'all. I have a really really hard time with how quickly titles come and go on so many different streaming services. Ugh! I do not like other people curating my movies for me. I'm too much of my own cinephile for that. I want to see what I want to see when I want to see it and usually for highly specific reasons that don't go well with the timetables of corporations! Nevertheless the world is not made to cater to my personal whims (imagine that!?) so I've had to adapt. I have ponied up for FilmStruck and its Criterion Channel entirely because they have more classics than other streaming services. This still hasn't remotely solved all the "where to find things" woes. Though Hulu, Prime, and Netflix are okay for the majority of movies that aren't more than 5-10 years old, everything else remains super-patchy at best and you're stuck with whatever any of these services feel like streaming for you in a given month. This is ESPECIALLY true of movie musicals which literally no service does a good job with. The lack of musicals has always been my primary beef with the Criterion Collection

Enough complaining! Filmstruck/Criterion does have plenty of goodies. As with all the other streaming services they play peek-a-boo with the titles, though. So let's play Streaming Roulette for everything that's LEAVING the service shortly...

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Streaming: Netflix is still a mini-haven for foreign films

The Wailling was the 3rd most popular South Korean movie in the US last year after Train to Busan and The Handmaidenby Brian Zitzelman

The accepted mindset is that Netflix Instant is no longer a paradise for cinephiles. There are countless things to binge, sure, but large swaths of those are the service's original series and TV series from other networks. For moviegoers interested in material beyond the recent blockbusters or Hollywood fare, the pickings are much much slimmer than they once were. For example, those spurred to view the work of Meryl Streep after her powerful speech at Sunday's Golden Globes have only five streaming options, two of them being documentaries. A Hepburn fanatic, be it for Katharine or Audrey, has but two pictures to choose from.  

Yet there remains one avenue where Netflix secretly and continually excels; foreign cinema...

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