100 Most Popular Foreign-Language Films of 2019

Our year in review party . A different list each day! Here's Nathaniel R...

With Parasite sucking up so much awards oxygen, it's easy to let the good news slip by that it was hardly the only great film out there that played with subtitles. Pedro Almodóvar and Zhang Yimou's return to triumphant form (and box office success) with Pain & Glory and Shadow, respectively, were just two of many other goodies that delighted cinephiles and critics at movie theaters and festivals this year. 

Yes, it's time for our annual look back at international non-English language fare in cinemas. [For comparisons sake here are the lists from 2018, 2017 and 2016] For the purposes of the following list we skipped documentaries and animated films to keep the list more focused (and avoid arguments about dubbed versions or whatnot). Please note: This list does not include Portrait of a Lady on Fire since it's not getting a proper release until 2020. It made a very strong $118k in its Qualifying Week before getting pulled.

TOP 100 FOREIGN LANGUAGE FILMS OF 2019
Domestic Box Office Grosses Only - Figures as of March 12th, 2020
🔺= still in theaters | ★ = TFE recommends

01 ★🔺 Parasite (Neon, South Korea, October 11th) $53.1
Bong Joon-ho's Palme D'Or winner took American arthouse theaters by storm and expanded beautifully through word of mouth and aggressive smart publicity from Neon, making it the biggest foreign hit in the States since Hero (2002/2004)...

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Looking back at 2019 Filmmaker Interviews

by Murtada Elfadl

2019 gave me the chance to speak to a few filmmakers about their films, their process, what they think their art contributes to the world. These filmmakers came from all over the world, and the breadth of their experiences and the topics they tackled is astounding. As the year comes to an end and we look back at the moments that stood out, here are some of the most fascinating insights I heard.

Recently The Farewell was not allowed to compete in the main film categories at the Golden Globes, and accepted only as a “foreign” film when its story is quintessentially American. After all the United States is a country of immigrants. Some people’s insistance on calling The Farewell foreign when it's so American just indicates that they don't think anyone whose 1st language isn't English is American enough despite their contributions to this country. When I talked to Lulu Wang during the summer, I asked her if she thinks her film being not entirely in English might limit its appeal...

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Best International Feature: Norway, Taiwan & Mexico's contenders

by Cláudio Alves

In a few days, we'll know the ten finalists for the Best International Feature Oscar. Until then, I shall continue exploring some of the 91 submissions. This batch includes last year's champion, Mexico, a prize-winning literary adaptation from Norway and a queer tragicomedy from Taiwan that's currently on Netflix. They're a varied bunch and represent the offerings of countries that have previously achieved great success with the Academy.

First, let's peruse the wintry wonders of the Scandinavian submission…

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Best International Feature: Italy, Palestine & Indonesia's contenders

by Cláudio Alves

We're just two weeks away from knowing the 10 finalists for the Best International Feature Oscar. It'll happen on December 16th and, as we wait away the days, it's a good time to investigate the 91 submitted films. Some of them have already been reviewed here at The Film Experience, like Senegal's Atlantics, South Korea's Parasite and Spain's Pain and Glory, among others. Still, there are many less talked about films that deserve attention too, spanning from nationalities that have been overrepresented in the Academy's history to others that have still to conquer their first nomination.

Think of Italy's newest crime epic, Palestine's offbeat comedy or Indonesia's lyrical reveries through a dancer's memories…

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Centennial: Gillo Pontecorvo

100 year ago today in Pisa, Italy, the director Gillo Pontecorvo was born.

He only made five narrative features in his career, which is surely one of the reasons that he's overshadowed in cultural memory by the far more prolific mid 20th century Italian giants Vittorio de Sica and Federico Fellini. Still Pontecorvo's two best known films were both nominated for the Best Foreign Film at the Academy Awards, the concentration camp drama Kapò (1960) and the resistance/war drama The Battle of Algiers (1966). The latter, which won the Golden Lion at Venice in its year, is still revered as a masterpiece. Have you seen either of these classics?