Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in foreign films (713)

Thursday
Sep032015

Official Foreign Film Submission Oscar Charts. Plus Trailers

Twenty-one Official Submissions for the 2015 Foreign Language Film Oscar race have been announced! That's just under a third of the list given the usual amount of submissions but things are already weird and wild with a colorful LGBT drama (Xenia from Greece), a disaster movie (The Wave from Norway), more documentaries than usual already including animated and 3D offerings (Palestine, Switzerland, and Panama), alongside your more usual type of competitor like World War II focused entries (Germany and Hungary, which I'm currently predicting for nominations) and historical epics (South Korea)

The foreign film charts are a major project each year behind the scenes and we're so proud to have raised the profile of this awards category over the past 15 years. The Film Experience was literally the first website to cover it in detail (all the way back to our humble beginnings) and slowly but surely the fever spread. As did all things Oscar. Now, everyone does it! It's no longer "ours" so to speak -- not that one can own an Oscar topic -- but we're still justified in feeling the pride of original adoption. And if we don't pat ourselves on the back who will since we get no damn respect from the larger online film culture. Ahem.

Greece's XENIA and South Korea's THE THRONE

MAIN FOREIGN FILM PAGE

Current Predictions and All Time Stats & Trivia on This Category

SUBMISSION CHARTS

Afghanistan through Estonia
Will Brazil send The Second Mother? Will Argentina send festival-premiering crime drama The Clan? Info on Official entries from Austria, Bosnia and Herzegovina, China, and Croatia.
Ethiopia through The Netherlands
Mexico has a 14 film shortlonglist. Info on official entries from Finland, Germany, Greece, Guatemala, Hungary, Iraq, Japan, Kazakhstan, and Luxembourg
New Zealand through Vietnam
Speculation on The Philippines. Info on official entries from Norway, Palestine, Panama, Romania, South Korea, Sweden, Switzerland, and Venezuela

AFTER THE JUMP... TRAILERS FOR 16 OF THE 21 SUBMISSIONS (THE ONES I COULD FIND) IF YOU'RE INTERESTED

Click to read more ...

Tuesday
Sep012015

European Film Awards - Vote for the 'People's Choice'

Have you ever been to Berlin? The annual European Film Awards will be held there this year just 102 days. As part of their annual tradition if you vote on their People's Choice Awards you can be entered to win a trip to the show.

This year's People's Choice slate (the only category thus far announced) feels slightly more "behind" than usual or perhaps we misremember past years? Generally the EFA titles are a mix of current and previous Oscar seasons (due to scattered release dates) but this year's batch feels especially 2014 heavy. On the down side this means it's less helpful in seeing which films are making inroads to general critics prizes and Oscar love down the road... in that they already have or haven't. On the plus side, potential voters will have seen more of them. YOU CAN VOTE RIGHT HERE... They also have an official facebook page up now.

The 10 Nominees...  

  • A Pigeon Sat on a Branch Reflecting on Existence d. Roy Andersson
    Just announced as Sweden's Oscar submission! This auteur's unique 'vignettes in absurdist tableaus' sensibility must be experienced to be believed. Reviewed / Best of 2015 (Thus Far)
  • Force Majeure d. Ruben Östlund
    Sweden's acclaimed awards magnet was a big Oscar snub in the Foreign Film category last season... though it was up for Best Film at the EFAs. Is the American remake still planning to go ahead despite being a terrible idea? Reviewed / Blurbed / Top 20 of 2014 
  • The Imitation Game d. Morten Tyldum
    Last year's Best Picture contender qualifies as European because...? Perhaps it's the Norwegian director. But it's a US/UK production so it feels strange to see it here. Past Articles.  
  • Leviathan d. Andrey Zvyaginstev
    Russia's Oscar nominated and Golden Globe winning hit last season. Past Articles.
  • Marshland d. Alberto Rodríguez
    A serial killer drama from Spain.



  • Samba d. Oliver Nakache & Eric Toledano
    Omar Sy (The Intouchables) and Charlotte Gainsbourg headline this French film about a struggling Senegalese immigrant and a woman trying to get her life back together
  • Serial (Bad) Weddings d. Philippe de Chauveron
    A French comedy about a Catholic couple whose four daughters all get married to men of different origins and religions
  • The Salt of the Earth d. Wim Wenders & Juliano Riberio Salgada
    Best Documentary Nominee at the Oscars. On the international journeys of Brazilian photojournalist Sebastião Salgado. Discussed
  • Victoria d. Sebastian Schipper
    Winner of 6 Lola Awards. Germany couldn't really select this hard-partying drama about a girl who gets mixed up in a bank robbery for their Oscar submission -- too much English in it -- but it's won raves and a lot of attention for its one take trick. That's right, a 140 minute movie all in one continuous shot without Birdman's tricks. Laia Costa and Frederick Lau star and took the German Oscars (the Lolas) for Best Actress and Best Actor.
  • White God d. Kornél Mundruczó
    Hungary's Oscar submission last season (not nominated), an allegorical film featuring rampaging packs of wild dogs, has been riveting moviegoers since its 2014 Cannes debut. Now on DVD. Reviewed / Interview

I'll have to choose between the two Swedish films for my personal vote. Who gets yours?

 

Thursday
Aug132015

Germany's Submissions for Oscar Consideration


Having had no luck scoring a nomination for the Best Foreign Language Film Oscar since Michael Haneke's The White Ribbon six years ago, Germany has just announced the shortlist for consideration as the country's entry for the 88th Academy Awards. The eight films listed are:

  • 13 Minutes (Elser) by Oliver Hirschbiegel
  • Head Full of Honey (Honig im Kopf) by Til Schweiger
  • Jack by Edward Berger
  • Labyrinth of Lies (Im Labyrinth des Schweigens) by Giulio Ricciarelli
  • Sanctuary (Freistatt) by Marc Brummund
  • Schmidts Katze by Marc Schlegel
  • Victoria by Sebastian Schipper
  • We Are Young. We Are Strong. (Wir sind jung. Wir sind stark.) by Burhan Qurbani

Let's take a closer look...

Click to read more ...

Wednesday
Jul292015

Nina Hoss on Searching for the Soul and Identity in 'Phoenix'

Jose here.

In her six films with director Christian Petzold, Nina Hoss has explored the roles women have played in German history during the twentieth century, in Jerichow she played a postmodern femme fatale trying to convince an Afghanistan veteran to kill for her, in Wolfsburg she played a mother being wooed by the man who ran over her son, in Barbara she was a doctor trying to escape East Germany in the 1980s, and in the post-WWII set Phoenix, which might be their greatest collaboration to date, she plays Nelly, a former cabaret singer who survived a Nazi concentration camp, but was left brutally deformed. As she tries to reclaim her past life through a surgery described as a recreation, rather than a reconstruction, she must come to terms with the fact that she is now living in a world that has very little to do with the one she left behind.

Hoss’ layered performance as Nelly is the kind of work that should be garnering awards buzz, as it helps her establish herself as one of the best living actresses, and places her as Petzold’s greatest collaborator, rather than his muse. In 2014, English speaking audiences got their first taste of Hoss’ brilliance as she managed to steal the show in A Most Wanted Man and Homeland (her character is returning for Season 5) and asPhoenix makes its Stateside debut, it’s about time we all start talking about Hoss more frequently. I had a chance to talk to her to discuss her work in Phoenix and how it relates to classic Hollywood films, as well as her preferred acting method and the career path she might take years from now.

Our interview is after the jump...

Click to read more ...

Wednesday
Jul082015

Best Shot Visual Index: Crouching Tiger Hidden Dragon (2000)

I was so certain that I owned Crouching Tiger Hidden Dragon that I didn't bother to rent it at all for this week's Hit Me With Your Best Shot episode. Come Tuesday night I discover that my dvd had vanished into the clouds after apparently leaping from its perch near the top of the dvd shelf. Worse still it's not available for rental on iTunes or Amazon but only for purchase and if I'm going to purchase something I still want the physical object. Old school! Which means that I will be late yet again with my own entry as the host which is all but inexcusable but par for the course this week (experiencing meltdowns backstage - this too shall pass?). But an unexpected development, just this week the sequel -- the reason we were doing this, was moved back to 2016 from its expected August bow.

But please do visit these articles elsewhere on Ang Lee's much Oscar nominated, much earning, much ripped off classic. I know I will. The film won 4 Oscars including cinematography for Peter Pau and probably just missed the Best Director win too since Ang Lee took the Globe, DGA and BAFTA that year. Imagine if he'd taken the Oscar that year. He'd have 3 wins by now.

CROUCHING TIGER'S BEST SHOTS
(click on the pics for corresponding articles)
ACCORDING TO THESE 9 BLOGS

 Almost like Cupid’s arrow...?
-I Am Derreck 

When you look at this image, you could easily mistake the film for a traditional Western... 
-Film Actually  

That Crouching Tiger, Hidden Dragon focuses on the traditionally Chinese conflict between reason (li) and emotion (qing) is unsurprising, the way the movie expresses the conflict through images, however, is anything but. 
- Coco Hits NY

 If I made a list of ‘top 10 overrated movies’ this would definitely make that list...
-54 Disney Reviews

a portrayal of love as the light in the darkness...
-Antagony & Ecstacy 

Lee's romanticism is also utilized simply to make interesting, unexpected choices... 
-The Entertainment Junkie

Honestly, it’s not a surprise that this is the same director as Brokeback Mountain when you come to think of it, since it’s clear that the man knows how to make emotional self-imprisonment believable and dangerous...
-Movie Motorbreath 

It's all about Zhang Ziyi. For someone so small, she has immense screen presence...
-Sorta That Boy 

Where is Michelle Yeoh's international superstardom?
-Paul Outlaw

And finally...

Nathaniel's Placeholder Best Shot
For the record, in closing, this is the single image that my mind races to first when I am reminded of the film. I'm not saying it will be my "best" upon a close rewatch inspection, but I remember the whole scene vividly and fondly and the entire movie felt this way to me the first time I saw it; a magical film transcending the standard laws, balancing delicately and easily in the treetops while breathing rarified instant-classic air.

I'll update this list when more articles come in including my own - you should still join us since the sequel is delayed and we can continue to add articles. Perhaps I'll choose a shot from each half hour as penance? It's been so long since I've seen it and I'm eager to have it memorized again before the possibly ill advised sequel arrives which is no longer next month but early 2016.


NEXT WEDNESDAY: IT'S A MUST MUST MUST MUST PLAY AT HOME EPISODE.
Sunset Blvd (1950). But you can't choose the infamous "close-up" for Mr DeMille at film's end so if that's your shot your choice must be "second best shot". I am starting on this one FRIDAY so that there is no way in hell I'll be late for my own event next Wednesday. If you've always wanted to try "best shot," here's you classic opportunity with a film from Old Hollywood about Even Older Hollywood that nonetheless never gets old.