How Had I Never Seen..."Bram Stoker's Dracula"

By Michael Cusumano

“You haven’t seen Bram Stoker’s Dracula?” my girlfriend gasped, stopping her laundry folding dead.

This caught my attention as it upset the established dynamic of our relationship. I am the one who interrupts every conversation with some version of “What? You’re telling me you’ve never seen [insert name of film no one has ever watched outside a film studies program]?!"

She then reflected on how gorgeous Coppola’s vampire opus is and chastised herself for not owning it. This again was a reversal of the natural order. I wake up with night sweats at the thought that there is a great movie somewhere I don’t own. She owns approximately seven DVD’s she acquired by accident in the early 00’s which she stores in a dusty case next to "Jagged Little Pill" and her old Microsoft startup discs.

I immediately turned off what I was watching and popped on the Coppola film...

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Horror Actressing: Sadie Frost in "Bram Stoker's Dracula"

by Jason Adams

Are you wearing the dress or is the dress wearing you? That is the question, the one every fashionista asks -- it's not just comfort but confidence; the former might assist with the latter but if you've got enough of the latter you can overcome any obstacle, good taste be damned. Like how exactly does one give a performance for the ages encased inside a neck ruffle that could be captured on the cameras of satellites orbiting the Earth? Don't ask me, ask Sadie Frost, who yanked those satellites out of the skies and stared 'em down into submission with her take on the character of "Lucy" in Francis Ford Coppola's 1992 re-imagining of the classic vampire tale.

Nobody save Gary Oldman with his prosthetics parade was asked to do more inside of Eiko Ishioka's Oscar-winning kabuki-inspired outfits than Frost was...

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Beauty vs Beast: Napalm Mornings

Jason from MNPP here with this week's "Beauty vs Beast" -- Francis Ford Coppola's film Apocalypse Now has been coming up in conversation a lot lately, and not just because my boyfriend kept accidentily getting the title of Gregg Araki's TV show Now Apocalypse backwards. The film is celebrating its 40th anniversary this Friday, and besides doing a screening and conversation about the film at the Tribeca Film Fest last week Coppola's putting out what he's calling a "Final Cut" in August, in theaters and on blu-ray. It falls somewhere between the original release and the 2001 Redux cut, apparently. But no matter the cut it's the tension between Captain Benjamin L. Willard (Martin Sheen) and Colonel Walter E. Kurtz (Marlon Brando) that remains the the backbone of the film, and that's what we're investigating today...

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PREVIOUSLY Two weeks back most of us still hadn't seen Avengers Endgame, and now two billion dollars worth of us have. But all that money couldn't help Chris Pratt, who lost the contest against Thanos 70 to 30%. Suck it, Star-lord. Said Tom G:

"Just like Jennifer Lawrence ran circles around [Pratt] in Passengers, Brolin literally ran galaxies around him."

The Furniture: 25 Years Trapped in Castle Dracula

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. 

Bram Stoker’s Dracula turns 25 years old today. It is, appropriately, not dead. Not that a film can die, exactly, but this one has held onto its toothy vigor with particular success. Even the ridiculous way Keanu pronounces “Bewdapest” still charms. Eiko Ishioka’s Oscar-winning costumes seem simultaneously ancient and way ahead of their time. The same goes for the Oscar-winning makeup, which transforms Gary Oldman across centuries with bewildering commitment. The visual effects, which went unnominated, remain thrilling, a dizzying phantasmagoria of cinematic shadow-puppetry.

But I’m here to rave about the only nominated category that the film didn’t win. Production designer Thomas E. Sanders and art director Garrett Lewis were nominated, but they lost to Howards End. Hard to argue with that, of course. Yet their work on Bram Stoker’s Dracula is just as worthy in its complexity, engaging with the material deep within the extravagance and color. Sanders and Lewis demonstrate a creativity well beyond the Gothic castles and thick cobwebs of the genre’s lesser films, shining a newly bloodstained light on this most famous of vampire stories.

The home of the monstrous count itself is a perfect example. Dracula lives in a decaying tower, but a fraction of his former seat of power. It hovers over a cliff in a remote corner of Transylvania, all but removed from the eyes of the living. It cascades upwards, every story more mangled than the last...

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The Furniture: How Subtly Is Paris Burning? (Not Very)

"The Furniture" our weekly series on Production Design. Here's Daniel Walber

This week marks 50 years since the release of Is Paris Burning? (not to be confused with documentary classic Paris is Burning) an epic that hasn’t quite stood the test of time. In the tradition of The Longest Day, it harnesses a cast of thousands to tell the story of a single, crucial moment of World War Two: The liberation of Paris. French stars like Jean-Paul Belmondo and Alain Delon take roles in the Resistance, while the likes of Kirk Douglas and Glenn Ford play American generals. There are cameos from Simone Signoret, George Chakiris and Anthony Perkins, to name only a few.

Directed by René Clément with a script by Gore Vidal and Francis Ford Coppola, you’d think it would be more popular. Still, it’s worth revisiting, and not only for its two Oscar nominations (art direction and cinematography).The film’s visual ambition is often astonishing. Its commitment to accuracy caused at least one unlucky Parisian passerby that the Wehrmacht had actually returned. Everything is bold, nothing subtle.

Production designer Willy Holt, an American who mostly worked in France, later worked on Julia and Au revoir les enfants. Art director Marc Frederix designed for films as disparate as Moonraker and Love and Death, while his colleague Pierre Gufroy won an Oscar for Roman Polanski’s Tess. Clearly, the talented group was more than up to the task of winding back the clock 20 years on one of the world’s most recognizable cities.

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