WATCH AT HOME!
Film Bitch History
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

 

Powered by Squarespace
Comment Fun

10th Anniversary: A SERIOUS MAN

"I have never seen a film that mixes laugh-out-loud comedy so intimately with dead serious philosophical questioning. It packs so much into its short runtime. " - Dr strange

"This movie is one of my favorites - Michael Stuhlbarg the biggest reason, he's so heartbreakingly fantastically good in everything." -Rebecca

Keep TFE Strong

We're looking for 500... no 461 Patron SaintsIf you read us daily, please be one.  Your suscription dimes make an enormous difference. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

Interviews

recent

Directors (For Sama)
Lulu Wang (The Farewell)
Ritesh Batra (Photograph)
Schmidt & Abrantes (Diamantino)
Jia Zhang-ke (Ash is Purest White)

What'cha Looking For?
Subscribe

Entries in Geza Rohrig (3)

Monday
Feb042019

Beauty vs Beast: Lesbian Love Song

Jason Adams from MNPP here -- at the Tribeca Film Fest last year I weirdly reviewed two movies involving Alessandro Nivola and Orthodox Judaism. The first one is called To Dust and Nivola (along with his wife actress Emily Mortimer) produced it -- it stars Son of Saul's Géza Röhrig and Matthew Broderick as an extremely odd couple grappling with the afterlife. Here is my review, and you can watch the trailer over here. To Dust is finally hitting some theaters this weekend, and I highly recommend seeking it out. I really dig it.

The other movie I reviewed at Tribeca 2018 was Sebastian Lelio's Disobedience, which came out last year and which in a just world we'd be celebrating its several Oscar nominations just about now. Hey I did my part -- Disobedience got mentions in both end-of-year polls I have a say in, The Team Experience Awards here on this site as well as the Dorian Awards for the GALECA guild of LGBT critics. But being a great film is its own reward, and Disobedience will be remembered for a very long time as such. Now let's face off its Rachels -- McAdams is Esti, the one who stayed, and Weisz is Ronit, the one who went away...

 

PREVIOUSLY Last week's Can You Ever Forgive Me poll was as close as two friends sweeping up cat turds could be, but Melissa McCarthy got the best of Richard E Grant in the end with 53% of the vote. Said /3rtful:

"Unprepared for how emotionally affected I would be by this movie. I think the casting of McCarthy and those initial cut trailers gave no clue of the emotional wallop this movie carries."

Sunday
Apr222018

Tribeca 2018: To Dust

by Jason Adams

Shmuel is a sinner. He keeps repeating that. This is a sin, this is a sin. His children are convinced he's possessed, and he kind of is. He haunts graveyards; he rows them into the middle of a lake and makes them cry. He stuffs a plastic bag over the head of a large pig and suffocates it in front of a community college science professor. Things are nuts!

Shmuel's wife has just died from cancer, see, and he's having troubles reconciling what that means. Not in the spiritual sense - Shmuel is a Hasidic man, and such things probably ought to concern him more than they do - but in a more practical sense...

Click to read more ...

Saturday
Dec192015

Interview: Director and Star of 'Son of Saul' on Making Art in a Politically Correct World

Jose here. The evils of the Nazi regime have been documented in myriad ways, and in practically every medium possible. Film in particular, has created a subgenre that consists of harrowing stories about concentration camps, the diabolical genocide of the Jews, and other events that put all the human race under a shameful light. However, perhaps because of Hollywood’s tendency to overpraise the human spirit, and its relentless need to “inspire”, Holocaust films have become a “niche” meant to help actors and directors win awards. Holocaust films in a nutshell always go for the emotional and rarely, if ever, attempt to touch the intellectual.

Enter first time director László Nemes, who caught Cannes by surprise with his unique Son of Saul, which has just opened in US theaters, a film that dispenses of each and every cliché you’ve seen played in every other Holocaust movie. There are no string-filled overwrought scores, no movie stars losing weight, gaining accents or donning beards, and most surprisingly, there are no attempts at oversimplifying the Holocaust as anything other than a series of personal infernos lived in a collective reality. The inner hell in this case, is that of Auschwitz prisoner Saul (Géza Röhrig), a Sonderkommando member, who one day makes a gruesome discovery that drives him to make a decision that might have deadly results.

The interview after the jump...

Click to read more ...