A Happy New (Twitterful) Year

2016 is upon us. So far it's been a wash since a cold has attacked me without warning but while I sleep and stay hydrated (not simultaneously) and procrastinate here are some favorite tweets of the week. But the year started beautifully with two of our favorite film thinkers and Oscar historians Nick Davis and Mark Harris announcing new projects. Nick will be expanding his "Best Actress" section and Mark Harris will be celebrating 1966 movies all year as he preps for the 50th anniversary of those Best Picture nominees he celebrated in his first book "Pictures at a Revolution" which was on the Best Pictures of 1967.

Our first tweet is a perfect message for the "survey the greats" season we're in via filmmaker Guillermo del Toro. Our friend Nick has an interesting solution to this favorites versus perfection equation. He has two top 100s, greatest and favorites. He just wrote a huge batch of new essays which you should really read. Recent pieces include two movies that are accidentallly perfect for New Year's week including Strange Days and When Harry Met Sally (on the "greatest" list)  movies like Movies become "favorites" for so many reasons, whether that's great experiences at the theater where we saw them or, the ease at rewatching them, or just the slow dawning realization that this one you just love whatever its shortcomings (this is me with Burlesque which showed on cable in a loop in 2015 and I couldn't look away.)

Favorite movies don't have to be perfect movies. Like in any relationship, Love is what makes them stick around.

— Guillermo del Toro (@RealGDT) December 29, 2015

 MORE AFTER THE JUMP including but not limited to Blanchett, Damon, Gleeson, Isaac ...and Eartha Kitt as 2016's Patron Saint?

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Jason Gives Thanks

Howdy folks it's Jason here - with this week's "Beauty vs Beast" we gave some thanks for two classic Christina Ricci performances (have you voted yet?) but it's a rich world with lots of good to great stuff in it so here are a few more things that have brought a big dumb smile to my big dumb face this year.

- For Getting On and the spectacular showcase it's given three crazy talented actresses (not to mention all the smaller roles they fill in with even more under-used gems), letting each of them be both hysterically funny and heartbreaking within the matter of milliseconds (and for introducing the phrase "anal horn" into my vocabulary - that one's a keeper!)

- For the venom that dripped off of Rose Byrne's every ace line reading in Spy (this scene in particular)

- For whoever is tailoring Chad Radwell's khakis on Scream Queens so they're more obscene than if Glen Powell was wearing nothing at all (don't get me wrong, he looks good that way too)

- For the way that Donald Sutherland says the word "PLUCKED" at Julianne Moore in Mockingjay Part 2, which will become my ringtone the minute the clip is available

- For the way that the camera made sweet love to every golden angle of Matthias Schoenaerts in Far From the Madding Crowd (runner-up: Alexander Skarsgard in Diary of a Teenage Girl)

- For the Film Society of Lincoln Center here in NYC, which has spent the last several months spinning from the New York Film Festival (Carol and The Lobster holla) to their annually wonderful "Scary Movies" program to the currently running Todd Haynes retrospective to the upcoming David Lynch & Douglas Sirk series that will swallow whole my holidays -- it's like they're programming one of my favorite screens in the city (at Walter Reade) just for me and me alone, and I like that

- Related to the previous, I am beyond thankful for having gotten to see Bernard Rose's 1988 gem Paperhouse on a big screen, something I've been waiting to do for 25 years

- For Greta Gerwig in Mistress America, who gave yet another stellar comic performance that we'll be grooving on decades from now, long after whatever wins the Best Actress trophy is remembered as much more than a statistic #justiceforcomicbrilliance

- For Catherine Keener's wig on Show Me a Hero

- For Golden Girls repeats (a perennial blessing but Keener's wig made me think of it)

- For Guillermo Del Toro's infatuation with oozing wounds and puffy sleeves and incest, maybe not in that specific order

- For Furiosa!

- For Nathaniel who generously opened up the doors to The Film Experience and let this lunatic in. And of course for all you wonderful people out there in the dark, indulging my whims week after week and offering up some of the funniest randomest and smartest retorts on the web - as a wise old woman in little girl ringlets once said you are all the wind beneath my wings. Fly away, you let me fly so high, oh you, you, you.

While Jason Adams wishes his parents had named him after the killer in the Friday the 13th movies, he takes comfort in the fact that on their first date they went to see The Exorcist. He writes lots of daily nonsense at My New Plaid Pants, mostly about movies and dudes in movies, not necessarily in that order.  [Follow Jason on Twitter]. All of Jason postings here.

More "About" Team Experience.

11 Tweets: Kate Fandom, Bradley Trash, Princess Fatigue

You guys! I leave for Los Angeles in the morning and am feeling so overwhelmed. In a good way of course. Oscar season has basically gone from 0 to 60 while I puttered around my apartment not working fast enough.

In this week's tweet roundup Andie MacDowell sort of announces a very exciting new project (sex, lies and videotape is still her best work), Xavier Dolan announces his love for Kate Winslet, Adele questions DiCaprio, and Guillermo del Toro geeks out about 70s movies  after the jump...

Studying lines & very excited to get back to work leave next Monday for 7 weeks best character since Sex Lies ...lots to dig into ☺️☺️☺️

— Andie MacDowell (@AndieMacDowell3) November 3, 2015

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Bridge of Martian Spies with Crimson Goosebumps

Family movies continue to be a fairly safe bet for box office glory as Goosebumps took the top spot despite an extremely competitive weekend. Perhaps its secret was that it had no direct competition except for the month old animated picture and, vaguely if you're stretching, the new del Toro picture. People are calling Crimson Peak a flop but that's unduly harsh. With a budget of only $55 million he didn't overspend and, despite media's interest in him, and expectations always saying otherwise he's never been a mainstream director. His biggest hit Pacific Rim certainly didn't earn more than double the gross of any of his other pictures globally because it was awash in del Toro idiosyncracies. It was a straight up, giant robots fighting monsters movie and easy to mistake for Transformers vs Godzilla if you squinted.

Box Office charts and more on the new films after the jump...

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More drama please, Crimson Peak

Here's Murtada to review of the new wide release Crimson Peak.

Visually Guillermo Del Toro’s Crimson Peak is a big sumptuous meal. So visually full at all times that it masquerades a thin plot and uninteresting lead character and almosts gets away with fooling us into thinking it a great film. The compelling visuals keep it enticing throughout: Huge frilly sleeves on the dresses; red smoke flaring up from creeks on the floor; a creepy black skeleton hand moving ominously. It never stops.

More...

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