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Entries in Guillermo del Toro (54)

Wednesday
Nov042015

11 Tweets: Kate Fandom, Bradley Trash, Princess Fatigue

You guys! I leave for Los Angeles in the morning and am feeling so overwhelmed. In a good way of course. Oscar season has basically gone from 0 to 60 while I puttered around my apartment not working fast enough.

In this week's tweet roundup Andie MacDowell sort of announces a very exciting new project (sex, lies and videotape is still her best work), Xavier Dolan announces his love for Kate Winslet, Adele questions DiCaprio, and Guillermo del Toro geeks out about 70s movies  after the jump...

 

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Sunday
Oct182015

Bridge of Martian Spies with Crimson Goosebumps

Family movies continue to be a fairly safe bet for box office glory as Goosebumps took the top spot despite an extremely competitive weekend. Perhaps its secret was that it had no direct competition except for the month old animated picture and, vaguely if you're stretching, the new del Toro picture. People are calling Crimson Peak a flop but that's unduly harsh. With a budget of only $55 million he didn't overspend and, despite media's interest in him, and expectations always saying otherwise he's never been a mainstream director. His biggest hit Pacific Rim certainly didn't earn more than double the gross of any of his other pictures globally because it was awash in del Toro idiosyncracies. It was a straight up, giant robots fighting monsters movie and easy to mistake for Transformers vs Godzilla if you squinted.

Box Office charts and more on the new films after the jump...

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Thursday
Oct152015

More drama please, Crimson Peak

Here's Murtada to review of the new wide release Crimson Peak.

Visually Guillermo Del Toro’s Crimson Peak is a big sumptuous meal. So visually full at all times that it masquerades a thin plot and uninteresting lead character and almosts gets away with fooling us into thinking it a great film. The compelling visuals keep it enticing throughout: Huge frilly sleeves on the dresses; red smoke flaring up from creeks on the floor; a creepy black skeleton hand moving ominously. It never stops.

More...

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Monday
Oct122015

Beauty vs Beast: A Better Pan

Jason from MNPP here with this week's "Beauty vs Beast," pitting another dastardly villain against a doe-eyed do-gooder and asking you to choose. We've been anticipating Guillermo Del Toro's Crimson Peak for so very long that it feels crazy it's finally out this week; we're not alone - lean out your window and you can surely hear the Hiddleston fans squealing in the streets. So let's look back at Guillermo's last non-giant-robot non-comic-book-demon based entertainment, the roundly admired if not downright adored Pan's Labyrinth. Can you believe that film is over nine years old? Take a look at a picture of actress Ivana Baquero these days if you don't believe me. Speaking of...

PREVIOUSLY Last week was All About Winslet (not that every week isn't all about Winslet really) with her 40th birthday and the release of Steve Jobs (did you guys see it this weekend? Wasn't it awesome?), and so we faced her off with her foremost collaborator, Leo the second time around in Revolutionary Road. Y'all went with Kate, because of course you did, she's Kate. Said Bryan:

"I love both of them in this movie, but the close up of Kate smoking at the table after Michael Shannon's blow-up is actorly perfection. Maybe the most severe and intense she's ever been. I also love how she threatens to scream if he says another word... I wish more casting directors would take note of her ability at playing unpredictability / mental illness."

Monday
Oct052015

Curio: We're at (Crimson) Peak Excitement

Alexa here with your weekly art appreciation.  The internet excitement over the release of Crimson Peak is at a fever pitch: Gothic romance! Tom Hiddleston sex scenes! Giant creepy Victorian house! Tom Hiddleston being sexy!  It's like fanfiction come to life.  Of course, the return of Guillermo Del Toro's visual sumptuousness brings its own excitement, especially for some visual artists out there. Little White Lies filled its latest issue with art inspired by the film; they're also curating an exhibition celebrating all of Del Toro's films, with an artist interpreting each film as a Victorian-era gothic book cover.

Here are some other creations I've spotted recently that were perhaps made during repeat viewings of the trailer. See them after the jump...

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