BYO YNMS x 3: Shape of Water, The Snowman, Proud Mary

Having an entirely unproductive day. (It happens). But the trailers are coming fast & furious. Are you a yes no or maybe so on three following pictures. Do tell.

THE SHAPE OF WATER

YES - Sally Hawkins. This could well be magical. 
NO - Guillermo Del Toro tends to be more of a genius in concept than in execution
MAYBE SO - Hate it when trailers show the whole movie. In some ways this feels like a demented fan fiction version of the 10 minutes near the end of Ron Howard's Splash. Is there more to it than this?

THE SNOWMAN

YES - Tomas Alfredson is a very impressive director (Let the Right One In and Tinker Tailor Soldier Spy) who is pretty great and sustaining tension for a whole running time. He's gathered his usual array of impressive craftsmen in all departments
NO - Is any single subgenre more plagued by violence against women as its ignition or more overworked than the serial killer procedural?
MAYBE SO - How's the chemistry between Fassbender and Ferguson?

PROUD MARY

YAAAS - Taraji P Henson deserves a star vehicle
NO - Like the Kingsman series this looks like a pornographic fetish movie about guns and how cool it is to kill people... which... given the US addiction to guns and explosions in gun massacres each year, is really starting to feel like irresponsible movie behavior.
MAYBE SO - Who knows? This teaser is very very light on anything about the movie though we hear she's an assassin. We're guessing with a conscience. the movies are very obsessed with assassins who have that pre-existing condition.

Annie Awards Results. It's Zootopia vs Kubo for the Oscar

The Annie Awards have been happening for 44 years but after some bumpy years in which their loyalties to specific studios were questions, they seemed to have worked things out and their profile is higher each year. Yesterday's even at the UCLA's Royce Hall was a big night for Disney which took 10 prizes. Zootopia continued its dominance by taking the top prize.

Though we should quickly note that Kubo and the Two Strings is still a possible spoiler at the Oscars and took home a few Annies itself. As Kris Tapley recently noted, there is momentum for finally honoring Laika who have never missed a nomination in the Animated Feature category but have yet to win it. While I am in the minority that thinks Kubo is the company's weakest film to date (it's gorgeous, don't misunderstand -- I just think both the episodic plot and the voice work is weaker than in their other films) they're also rapidly outdoing Pixar who have fallen into repetition and sequelizing.

The winners with commentary are after the jump...

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The Furniture: Feasts of Flesh in Pan's Labyrinth

"The Furniture" our weekly series on Production Design. Here's Daniel Walber

Pan’s Labyrinth, like most of Guillermo del Toro’s films, is busy with visual imagination. There are monsters and fairies, though it’s not always certain which is which. There are dramatic colors and haunted shadows, which push even the more terrestrial sequences toward the fantastical. And there are little flourishes, not all of them thanks to the digital effects team.

In fact, physicality is among the film’s greatest strengths. Sets were built for both Ofelia’s dream world and the all-too-real Spanish Civil War narrative that frames them. Del Toro doesn’t rely on either digital backgrounds or pre-existing locations. Instead, he leans on the uncanny power of tangible design, like these Harryhausen-like models that stand in for an underground kingdom.

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Linky Nyong'o

The Playlist Guillermo del Toro working on a movie where Richard Jenkins is a merman and Sally Hawkins is in love with him? What? And also: why not! 
Sense 8 returns soon. Here's a fun photo album blog on the making of Season 2
Decider It's the 20th anniversary of everyone's favorite crazy teen bitches and also witches movie The Craft (1996)
Variety because sooner or later every male star is required to play a serial killer, Michael Fassbender will do his duty for Entering Hades based on the John Leake's true crime novel
Vulture Jennifer Hudson gets unexpectedly honest about her lack of a Tony nomination

 

Interview talks with romance-novel-cover ready fantasy man, the Outlander star Sam Heughan
Playbill George C Wolfe and Oprah Winfrey are working on a cool sounding project called The Immortal Life of Henrietta Lacks about a woman whose cervical cancer cells were harvested without her permission in the 50s and cloned again and again.
Pajiba this is not the angle of Pajiba's story but as with seemingly all biopic subjects Harriet Tubmann suddenly has two competing biopics in the work: Viola Davis's for HBO and one for theatrical release about which we had previously heard nothing. (Too bad that they can't be fused into one with the best elements of both because good luck finding an actress as famous and as talented and as theoretically bankable  as Viola for the actual theatrical version)
Playbill Patti Lupone on Penny Dreadful (uff, she's so great on that show) and her next musical War Paint
Lenny Letter Tony nominee and Oscar winner Lupita Nyong'o reveals why she chose a small play as Oscar follow up in a great piece. Here's a brief excerpt:

As an actress, feeling connected to a fully realized, complex character is what I look for first. The size of the role, and the budget, and the perceived "buzz" around the project are much less important to me. As an African woman, I am wary of the trap of telling a single story. I decided early on that if I don't feel connected to, excited by, and challenged by the character, the part probably isn't for me. If I'm ever in doubt, I envision the career choices of artists I admire, like Tilda Swinton, Cate Blanchett, and Viola Davis. They are all fearless actresses who approach every role without ego or vanity. They have a fierce commitment to the moment and the role, whether it's the lead or a character we see for just one scene. They give it their all, and it shows. The thought of having a career that in any small way might resemble theirs excites me.

She has good taste in actress heroes!

To Get It Off My Chest
Collider says the Captain America & Avengers filmmakers, the Russo Bros, are game for an LGBT character in the Marvel-verse and the article praises them accordingly for saying so (sigh). I'm not pinpointing Collider but this is a classic example of something the internet loves: 'filmmakers/actors/authors are for insert progressive thing!' news (this is also happening a lot with Star Wars of late). But here is the thing: it is NOT news but hypothetical speculation and, as such, we should not be praising anyone. Until Marvel (and other studios) and filmmakers actually show diversity we MUST stop giving them credit for suggesting that they will one day show diversity. This is also true of their issues with race. Let's stop congratulating people for hypotheticals and start concentrating on praising filmmakers who already have diversity in their films. It's like everyone praising JK Rowlings for retconning Harry Potter's Dumbledore when she wasn't brave enough to actually have him gay within the books. UNLESS PEOPLE ARE ACTUALLY DOING IT, STOP PRAISING THEM FOR SUGGESTING THAT THEY'RE COOL ENOUGH TO DO IT AND THEY MIGHT AT ANY MOMENT. JUST NOT RIGHT NOW 

A Happy New (Twitterful) Year

2016 is upon us. So far it's been a wash since a cold has attacked me without warning but while I sleep and stay hydrated (not simultaneously) and procrastinate here are some favorite tweets of the week. But the year started beautifully with two of our favorite film thinkers and Oscar historians Nick Davis and Mark Harris announcing new projects. Nick will be expanding his "Best Actress" section and Mark Harris will be celebrating 1966 movies all year as he preps for the 50th anniversary of those Best Picture nominees he celebrated in his first book "Pictures at a Revolution" which was on the Best Pictures of 1967.

Our first tweet is a perfect message for the "survey the greats" season we're in via filmmaker Guillermo del Toro. Our friend Nick has an interesting solution to this favorites versus perfection equation. He has two top 100s, greatest and favorites. He just wrote a huge batch of new essays which you should really read. Recent pieces include two movies that are accidentallly perfect for New Year's week including Strange Days and When Harry Met Sally (on the "greatest" list)  movies like Movies become "favorites" for so many reasons, whether that's great experiences at the theater where we saw them or, the ease at rewatching them, or just the slow dawning realization that this one you just love whatever its shortcomings (this is me with Burlesque which showed on cable in a loop in 2015 and I couldn't look away.)

Favorite movies don't have to be perfect movies. Like in any relationship, Love is what makes them stick around.

— Guillermo del Toro (@RealGDT) December 29, 2015

 MORE AFTER THE JUMP including but not limited to Blanchett, Damon, Gleeson, Isaac ...and Eartha Kitt as 2016's Patron Saint?

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