Box Office: The Post Widens, Proud Mary Aims, Paddington Returns

by Nathaniel R

Weekend Box Office (Jan 12th-14th)
W I D E 800+ screens	L I M I T E D excluding prev. wide
1. Jumanji $27 on 3849 screens (cum. $283.1)	1.🔺 I Tonya $3.3 on 517 screens (cum. $10)  REVIEW
2. 🔺  The Post $18.6 on 2819 screens (cum. $23) REVIEW | OSCAR KICK-OFF	2.🔺 Phantom Thread $1.1 on 62 screens (cum. $2.2) HARRIET'S CAMEO
3. 🔺  The Commuter $13.4 on 2892 screens	3. 🔺  Call Me By... $715k on 174 screens (cum. $7.2) REVIEWISH | SCREENPLAY | SEX
4. Insidious: The Last Key $12.1 on 3150 screens (cum. $48.3)	4. Hostiles $276k on 42 screens (cum. $821k)
5. The Greatest Showman $11.8 on 2938 screens (cum. $94.5) REVIEW | ZAC	5.🔺 Condorita: La Pelicula $236k on 153 screens

Support for Steven Spielberg's inspirational newspaper drama The Post within awards season has been a hysterical rollercoaster. Pundits were all "it's winning everything" as the rollercoaster climbed to its peak. On the descent they're screaming "lost everything!" (GLOBES, CRITICS CHOICE) or "wasn't even nominated!" (SAG, BAFTA). But now that the public is on the ride with the press perhaps we begin to climb again towards another adrenaline rush. Whether the descent is thrilling or terrifying this time will depend on your feelings about The Post  and how many Oscar nominations it gets. Streep and Hanks and Spielberg all remain bankable so the film will do fine in theaters but will Academy voters bite after the whiplash we saw during the precursors? [More charts and thoughts are after the jump...]

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Directors Guild Nominations - Greta & Jordan, Yay!

by Nathaniel R

This year's 70th annual DGA Awards will be held at the Beverly Hilton Hotel on February 3rd a month before the Oscars. The winner for Directing in Theatrical Features usually goes on to win the Oscar though historically there's about one exception a decade (Ben Affleck for Argo, Rob Marshall for Chicago, Ron Howard for Apollo 13,  etcetera-- basically don't have the "oh" sound in your movie title!-- did not repeat their wins at the Oscars and some of them weren't even nominated for the Academy Award). 

This year's lucky five nominees -- statistically you can expect four of them to pop up again with Oscar -- are:

THEATRICAL FEATURE

• Guillermo del Toro, The Shape of Water
• Greta Gerwig, Lady Bird
• Martin McDonagh, Three Billboards...
• Christopher Nolan, Dunkirk
• Jordan Peele, Get Out

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The Oscar Week: Mothers and the Mystery of Sally

In this weekly feature from Murtada we follow Oscar contender appearances and interviews and examine how they impact their chances.

Much has been made in the media that the three leading contenders in Supporting Actress, Laurie Metcalf, Holly Hunter and Allison Janney, are playing mothers. So it seemed natural for them to sit down together for an interview and photoshoot...

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Podcast: The Shape of Lady Bird

Nathaniel and Nick talk two Best Picture hopefuls, the generous funny adorable Greta Gerwig movie Lady Bird and the overstuffed visually creative Guillermo Del Toro fantasy The Shape of Water. 

Index (43 minutes)
00:01 Lois Smith & Lucas Hedges and lingering moments
06:00 Greta Gerwig, Saoirse Ronan, Laurie Metcalf, and Tracy Letts are all brilliant
16:00 More Lady Bird gushing
23:00 The Shape of Water -wanted to love it more
27:00 Guillermo del Toro problems and monsters
32:00 The performances in the movie
37:40 The Best Picture field, Hollywood sexism, and the atypical versus typical within the contenders

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Shape of Water & Lady Bird

Brief Takes: Blade Runners, Tennis Stars, Feisty Queens, Fish Men

In an effort to break out of my silence -- October is my favorite month so why has it been so hard? -- micro thoughts on 5 Oscar hopefuls I meant to review but didn't. Whoops. Please to discuss in the comments.

Battle of the Sexes (Jonathan Dayton & Valerie Faris)
The story of Billie Jean King's (Emma Stone) famous 1973 match with Bobby Riggs (Steve Carell) and her efforts to make women's tennis viable in a sexist industry

Capsule: A timely well-crafted look back to the beginnings of a gender war that's depressingly still raging and a soupçon of queer romance to give it unique personality. Dayton & Faris's light touch is the right choice for this briskly-paced but delicately felt recreation of a pivotal American moment. Emma Stone is perfection as the heroic tight shouldered athlete at the center. Just discussed on the podcast. B+
Oscar Chances: This one could go either way. Much will depend on how smart Fox Searchlight is at selling it to voters. Though maybe don't bet against Emma Stone returning to Best Actress; she's very burrowed into King's skin but still as sunny as Emma Stone.

Blade Runner 2049, Film Stars Don't Die in Liverpool, Victoria and Abdul and the Shape of Water are after the jump

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