HBO’s LGBT History: Common Threads (1989)

Manuel is working his way through all the LGBT-themed films & miniseries produced and distributed by HBO.

Last week we looked at the quietly touching film Tidy Endings (1988), written and starring Harvey Fierstein and a must-see for Stockard Channing completists. We’re not going far this week, since much of HBO’s early LGBT output tried to grapple with the AIDS epidemic that had dominated the cultural conversation about gay men in the 1980s.

Did you know that films produced by HBO have won over 20 Oscars? This past year alone, HBO dominated both documentary categories with Citizenfour and Crisis Hotline: Veterans Press 1 emerging victorious. It has been a stealth awards run which Sheila Nevins (currently the president of HBO Documentary Films but her involvement stretches back to 1979) has all but nurtured herself. 

Common Threads: Stories from the Quilt (1989)
Written & Directed by: Rob Epstein, Jeffrey Friedman (based on the book, The Quilt: Stories From The NAMES Project by Cindy Ruskin)
Narrated by: Dustin Hoffman (who'd just won his 2nd Oscar)

HBO’s commitment to strong documentary storytelling goes back to the late 1980s; their first Oscar win came in 1985 when the American Undercover special Soldiers in Hiding won the Best Documentary Feature award, the first time it was bestowed to a pay cable service. Having hosted the then-surgeon general in their 1987 informative special, AIDS: Everything You and Your Family Need to Know…But Were Afraid to Ask, it’s not surprising HBO would help produce Epstein and Friedman’s Common Threads which won Best Documentary Feature at the 62nd Academy Awards, the year Driving Miss Daisy took Best Picture (how’s that for a double feature?). Common Threads continued the network’s commitment to mining urgent and contemporary social issues in their documentaries...

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HBO’s LGBT History: Tidy Endings (1988)

Manuel is working his way through all the LGBT-themed films and miniseries produced and distributed by HBO.

Last week we gave a brief overview of the purpose of this small miniseries and we went down memory lane as we reminisced about our favorite LGBT characters from HBO TV shows. All of your comments made me want to pop in episodes of The Wire, The Comeback, Oz, Sex and the City, The Larry Sanders Show, Game of Thrones and True Blood, even! Unsurprisingly, though, most of you singled out Six Feet Under’s David Fisher (Michael C. Hall), definitely one of the most well-rounded gay men that has ever graced our television screens. How appropriate then that we officially kick off the series with a death and a metaphorical haunting.

Tidy Endings (1988)
Directed by: Gavin Millar
Written by: Harvey Fierstein
Starring: Stockard Channing, Harvey Fierstein.

By 1988, when HBO first aired Tidy Endings, its first gay-themed TV film, the cable network was still in the process of breaking away from being merely another cable provider. After successfully building from its subscriber base in Pennsylvania and New York by becoming one of the first cable providers to transmit their signals via satellites in 1975, HBO entered the 1980s understanding that while Hollywood reruns were its bread and butter, it would need to create its own content if it wanted to distance itself from other rising networks like Showtime and The Movie Channel. [MORE]

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Review: Bessie

TFE's newest contributor Angelica Jade Bastién on HBO's latest biopic

For over two decades Queen Latifah has been trying to bring the life of Bessie Smith, the legendary "Empress of the Blues" who found success in the 1920s and 1930s, to the screen. Despite Bessie's life being a perfect mix of glamour and tragedy that seems tailor made for a biopic I'm not surprised it has taken Latifah this long to bring her story to life. Bessie Smith (Queen Latifah) is a rough hewn, country, bisexual, and passionate broad. The film doesn't sand off her edges or shy away from her contradictions instead it embraces them. Bessie tracks the legend from her early days as a singer with her older brother/manager, Clarence (Tory Kittles) always in her corner to the Great Depression when all her personal and professional success falters. 

Anyone familiar with women's pictures knows the emotional terrain Bessie is covering. But what makes this women's picture downright transgressive is its sympathetic,multi-layered portrayal of black queer desire...

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HBO’s LGBT History: The Beginning

Manuel here kicking off a mini-series of sorts focusing on HBO's decades-old commitment to telling quality LGBT stories. I spent much of this spring recapping Looking here at The Film Experience and as polarizing as many (both here and elsewhere) found the show, it remained the sole American television show centered on the gay male experience to air last year. As we all know, shortly after the season 2 finale, HBO understandably pulled the plug; the show garnered a mere 0.298 million viewers for that episode, a mere pittance when compared to their Westeros-set hit, but also nearly half of what Lena Dunham’s show metered that same evening. And so, to fill the void and build up to a very gay-friendly upcoming HBO film roster (Queen Latifah’s Bessie, that rumored Matt Bomer/Montgomery Clift biopic, the Looking wrap-up film), we’re diving headfirst into a crafting an oral LGBT history of the network that gave us Patrick, Richie, Kevin, Agustin, and Dom, but which had clearly paved the way for such a show with a long storied list of LGBT stories even before it became the ratings giant it is now.

To say HBO, as a cable provider, as a television network, and as an independent film producer, has changed the media landscape is perhaps a bit of an understatement. Its long-running tagline, “It’s not TV, it’s HBO” spoke to the core of what has made HBO such an institution. Despite various attempts at replicating its successes, HBO remains staunchly and idiosyncratically itself. Netflix and Amazon may be sniping at its heels but with a bucket load of Emmys, a gigantic and zeitgesty fantasy series on hand, and its new streaming service (anyone sign up for HBO Now, yet?), the cable giant is showing no signs of aging.

[Angels in America and Your Requested Participation after the jump...]

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Looking For Home: I am a simple man

Manuel here, back from a week away to chat up last night’s season’s (series?) finale. Thank you Nathaniel for filling in, though I’m sorry you had the unlucky job of recapping my least favorite episode so far! We’re clearly of one mind of the way the show hit a low-point mostly by telegraphing rather than embodying its own story beats. Thankfully, the season finale worked wonderfully as an introspective examination of the fraught ride to successful gay intimacy.

By the second episode of what turned out to be a self-assured and all-out fantastic second season, when the illicit domesticity of Kevin and Patrick took center stage, I noted that the HBO show was great at asking the following question:

“What does intimacy look like within a community that is still encumbered by secrets and closets, even as it prides itself on openness and honesty?”

That question could just as easily work as preface for this episode...

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