Links: Captain Chris Evans, Fan Bingbing, and Queer-free Freddy

• THR A yummy Chris Evans cover story on Trump resistance, Captain America as the key figure that allowed the MCU to flourish, and his superhero-free future. He really wants to do a musical!
• Oh So Geeky fetishisizes the good captain with millions of gifs in this piece about his arc within the MCU and Avengers Infinity War in particular. So much Chris Evans this week!
• The Guardian For its Chinese release Bohemian Rhapsody has lost three full minutes (including all queer references, any mention of AIDS, and what sounds like the loss of one entire character - Mercury's boyfriend). The movie has made almost a billion worldwide. Maybe have some respect for Mercury's legacy, Warner Bros, and just not release it in China?

More after the jump including animation lawsuits, what's next for Alex Wolff, the end of Game of Thrones, and a must-read Fan Bingbing article...

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Lupita & Jordan Strike Gold

The huge launch of the new buzzy horror flick Us proved three things. First, that horror is the most reliable genre outside of superheroes for automatically high grosses. Second, that Get Out was no one hit wonder and Jordan Peele's name in the director's chair is something to remain excited about. Third, that Lupita Nyong'o has zero trouble carrying a big picture as its leading lady (which we knew the second we fell for her in 12 Years a Slave but it took six long years for it to actually become fact.) Please no more voice or mo-cap roles, are you listening Hollywood/Lupita's management? We want HER onscreen, not just her voice onscreen with her glamour on red carpets. More after the jump...

Weekend Box Office (Estimates) (March 22nd-24th) / 🔺 = new or expanded theater counts
W I D E	PLATFORM / LIMITED
1 🔺 Us  $70.2 on 3741 screens *NEW* SNEAK PEAK, REVIEW	1 🔺  Gloria Bell $1.8 (cum. $2.4) on 654 screens   REVIEW, JULI LEADS

2 Captain Marvel $35 (cum. $321.4) on 4278 screens REVIEW	2  No Manches Frida 2 $1.7 (cum. $6.6) on 472 screens

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Review: Hotel Mumbai

by Jason Adams

What scares us -- the communal us -- shifts through time. The 70s gave us Vietnam allegories like The Texas Chain Saw Massacre, while in the 80s Slasher Movies were all the rage as divorce numbers went up and women asserted their rights. Then there was so-called Torture Porn, which was all the rage while Bush & Cheney were throwing their waterboarding parties. So what now? It's hard not to see Grief as the theme of our current moment -- the great horror films of our age, films like The Babadook and Hereditary, are profound ruminations on a world that's already slipped through our fingers -- a madness so close its breath is hot on your throat, and a knowledge that its our own failures, our own shortcomings, that brought this all down upon us.

Hotel Mumbai is technically not a horror movie (look to Jordan Peele's Us, which Chris just reviewed, for this weekend's official entry in that genre) but it sure operates like one...

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Review: "Us"

by Chris Feil

With his Academy Award winning debut feature Get Out, Jordan Peele distilled an expansive theme into one formidable package. His follow-up Us - a film as giddy to scare us as the kind of carnival house of horrors that its young Adelaide wanders into in the film’s opening moments - does the exact opposite. Here Peele builds upon a single idea, one that doesn’t come into its clearest view until the final moments. Whether Peele is asking us to look inward or look outward, he has shown to be one of the sharpest modern storytellers when it comes to exploring an expanse of intertwined psychosocial ideas.

After her brief ominous prologue, we are reintroduced to the adult Adelaide Wilson, played by the immediately knighted scream queen Lupita Nyong’o. Adelaide is beginning a summer vacation with her husband Gabe and two children, Zora and Jason, but she is seemingly ever at ease. After returning to the beach of her unspoken trauma brings her lingering paranoia to the surface, her family is visited upon by a doppelgänger one. And each of these uninvited guests has brought a very large pair of scissors.

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Take Three: Extra-Terrestrial Abduction Day

by Nathaniel R

There's a holiday for everything. Did you know that today, March 20th, is "Extra-Terrestrial Abduction Day"? The more you know. Whoosh. (You're picturing a shooting star which is appropriate in this sci-fi context.) Whenever we think of this topic (thankfully not often) the movie Fire in the Sky (1993) comes to mind. It contains the single most terrifying alien abduction scene ever put to film...

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