Review: "Bird Box" on Netflix

by Eric Blume

The new limited-theatrical-release / now-on-Netflix movie Bird Box is a puzzlement. It’s a post-apocalypse thriller directed by Oscar and Emmy-winner Susanne Bier, and stars Sandra Bullock, John Malkovich, Jackie Weaver, and Trevante Rhodes as survivors of a world-ending crisis.  A lot of talented people are involved in this film, so it’s a true curiosity that the whole thing ends up a gigantic shrug.

The details of this apocalypse are a little murky, but it goes something like this. Scary creatures (which we never see) are appearing around the globe, and they tap into your deepest fears somehow(?), and cause you to immediately commit suicide...

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YNMS: "Us"

by Chris Feil

Yesterday, Jordan Peele was our Santa Claus doling out cinematic gifts. First thing Christmas morning, the writer/director of the Oscar winning Get Out dropped the trailer to his follow-up to that mega-smash, the cryptically titled Us. And the internet promptly snapped - or snipped, given the film's scissor fascination.

Curiosity would naturally be at a fever pitch for what Peele has in store for us for his sophomore feature, and Us has smartly been quiet until now. The film centers around Lupita Nyong'o as Adelaide, a mother taking her family (including Winston Duke as her husband) on a beachside vacation only to be visited by a menacing family of their doppelgangers, The Tethered.

The trailer, which really plays like an extended teaser, gives us hints at the themes Peele is working with - family, trauma, self-reflection. And if Peele's promises that this film would be more firmly planted in horror elements hadn't convinced you, hold onto your butts...

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Sundance 2019 Lineup: Lots of Promising Topics and Great Actresses

The Sundance Film Festival runs January 24th through February 3rd next year. Let's look at the five of the key program lineups in brief. Which films are you most excited about. TFE might be going this year, we're not yet sure.

U.S. DRAMATIC COMPETITION

Alfred Woodard stars in "Clemency"

16 World Premieres will be competing for the Sundance crown (won last year by The Miseducation of Cameron Post). The new crop is all writer/directors (except where noted) and Sundance has been very careful about diversity, noting in their press release that the US dramatic competition section is 53% female directors, 41% directors of color and 18% LGBTQ directors. But they had a ton to choose from which helps with diversity. There was a record number of submissions for the 2019 festival with 4,018 features hoping to be selected, 1767 if those made from within the US...

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Soundtracking: "The Nightmare Before Christmas"

by Chris Feil

To some degree, The Nightmare Before Christmas feels like the bastard child of Disney’s animated musicals. Granted the film was originally released under the Touchstone label due to concerns of frightened children and timid brand alignment. But in the years since, it’s grown beyond its cult following into full Mouse House acceptance, certainly one of the most merchandised of its era and most revisited thanks to inherent traditions in its duel holiday premise. So why does its music not get discussed alongside its peers?

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Blueprints: "Halloween (1978)"

This week Jorge goes back to Haddonfield in 1978 for the 40th anniversary of a horror classic to look at how the original film establishes its point of view.

Every script has a point of view. Even movies with multiple protagonists, or whose perspectives change from scene to scene, we are experiencing the events through someone’s lens at any given moment; even if that person is not a character, but someone behind the camera guiding us to what we’re supposed to perceive.

But there are movies with a more literal point of view, where what we are seeing is exactly what one of the characters is. A literal POV is used sparingly in movies, but it’s a great tool to get the audience in the mindset and subjective state of a film. The opening of the original Halloween is told entirely through a POV shot, and though it is abandoned quickly, this sets up the dangerous mood and tone of a franchise that's continued for generations...

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