The Linkling

• Interview Awesome oddball auteur Miranda July interviews director Cary Joji Fukunaga about his latest, No Time To Die
• Variety good length piece from Peter DeBruge about the when and how of movie theaters reopening and what that might mean
• /Film Netflix wins a bidding war for a new Melissa McCarthy drama, The Starling from director Ted Melfi (Hidden Figures, St Vincent). Damn, shoulda included it in those Oscar predix we just made
• MNPP Good morning. Here are photos of Paul Newman in tighty whities

Film festival news, Julia Child doc sale, There Will Be Blood snarkiness, John Cameron Mitchell's birthday and more after the jump...

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10th Anniversary: Laika's "Coraline"

by Timothy Brayton

Coraline, which opened in theaters ten years ago today, was groundbreaking in all sorts of ways. It was the first feature made by Laika, soon to become a cultishly loved, critically praised animation studio with an Oscar nomination for every one of its four films (a fifth, Missing Link, is set to open in April). It was one of the first films in the most recent 3D fad to demonstrate a real sense of the emotional and narrative possibilities of using stereoscopic effects, and it was only rarely equaled in the years following. It represents an extraordinary leap into a brand new mixed-media animation style that I refrain from calling "revolutionary" only because nobody else but Laika seems to be interested in experimenting with it.

The truly special thing about Coraline is not that it achieved any of these things. Plenty of films invent new stuff. What's special – downright miraculous, even – is that Coraline feels just as fresh and bold in 2019 as it did in 2009...

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Who do you link you are?

The Playlist Stop the presses! Nicole Kidman is working with Jane Campion again, probably on her adaptation of The Flame Throwers
Variety interviews Jurassic World's mini-star Ty Simpkins who has quite a resume for a 13 year-old
Kenneth in the (212) Fred MacMurray was once quite a hunk. How did this escape me? 
MNPP Finn Wittrock joins the cast of AHS: Hotel. So after years of supplying only major diva thrills (not complaining), Ryan Murphy is finally supplying massive hunkiness... all of the dark haired pale skin variety: Cheyenne, Finn, Bomer

MNPP reminds us that Starz is greenlighting potentially great stuff to series: Evil Dead and Neil Gaiman's American Gods (have you read that book? So good.)
THR interview with editor on Inside Out
Birth. Movies. Death. on the strangely cruel deaths of Jurassic World 
Playbill composer Andrew Lippa (I saw his oratorio "I Am Harvey Milk" last fall and it was magnificent) is writing a song for Kristin Chenoweth's Maleficent  for that Disney series Descendants
LA Times looks at the Emmy races for Best Comedy - can Modern Family finally be dethroned?
Empire In news that won't surprise anyone anywhere Clint Eastwood and Tom Hanks are joining forces for a heroic Oscarbait biopic Captain Sully

Lots o' Fun
Den of Geek "Cats are not Capable of Understanding Rambo: First Blood Part II"
Jezebel "Damn, Meryl Streep is Great at Turning Off the Lights"
Pajiba Annie Golden, mute Norma on Orange is the New Black, used to be a 70s punk rocker

Hero of the Month!
I have to bow down to my friend Tim Brayton (of Tim's Toons right here) whose site Antagony & Ecstasy has always been one of the very best strictly-movie-reviews sites around. As previously noted Tim, who is a cancer survivor, held a fundraiser for the American Cancer Society -- anyone who donated to them via his fundraiser got a review of their choice -- and he raised nearly $5,000 this year! He's not done with all the reviews yet so I don't know what some TFE readers who donated chose but I can see your names in the list. My requested review was this one for Love With the Proper Stranger (1963) starring Natalie Wood. But he reviews whatever is requested so there's lots of variety: The Iron Giant, Evita, Ball of Fire, Meet the Feebles, Grosse Pointe Blank, you name it.

Bitch I'm Madonna
Here is the Queen's newest video with a slew of guest stars*, yes, but the most exciting thing is unquestionably Madonna herself, still flipping off the the ageist and haters -- "we go hard or we go home" and Madonna aint ever goin home, duh! -- with that ombre trashy pink hair, making out with random partygoers, throwing a drink down Jon Kortajarena's throat (as one does), dancing with naked Asian girls. My favorite part is that awesome collapse at the tail end of the video twice over as the party continues to rage on all around and above her. That final long shot when the hotel's candy colored lights go from garish to dreamy with a single cut is also a keeper. Nice work Jonas Akerlund.

*Beyonce looks like she doesn't want to do it -- so they shoulda cut her -- but everyone else gets into it. My least favorite part is the extended Nicki Minaj rap... if only because Nicki isn't actually there. If you're going do a "featuring" role, commit, damnit! Still, I heart "The Snap"'s take on How Madonna convinced these stars to do it.