The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
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Tuesday, July 31, 2018 at 11:01AM by Nathaniel R
Because Jean Brooks had frequently been mentioned as a supporting actress standout of 1943, the last film I screened for our celebration was Val Lewton production The Seventh Victim. I have only one question: what did I just watch? Kristen Lopez was right on the podcast when she called it a "polite" horror movie. Even the satanic villains are polite...
Tuesday, July 24, 2018 at 6:00PM by Jason Adams
The only child in me always dreams about and delights in films about people who've run away from the world of man to make a go of it by their lonesomes. They're duking it out with their own personal demons in the wilderness, of whatever sort, mano a mano. There's no greater fantasy of this sort than the Lighthouse Keeper. They wear thick-knit sweaters and write in their diaries and stare sadly into the distance at hella stormy seas - it's my fetish writ ten-fold. The old-timier the better - give me strange instruments and dials, knickers and elaborate mustaches, tweed piled to heaven, please and thank you.
Nobody tossed these fantasies into the abyss better than HP Lovecraft and Cold Skin, the new Lovecrafitan tale of terror from Frontier(s) and Hitman director Xavier Gens (it's actually based on a 2002 book by Albert Sanchez Pinol), is made of that same slippery stuff...
Thursday, July 19, 2018 at 7:00PM by Jason Adams
There's a whole lot going on in Mia's life. She's moved to a new town, which means a new school and trying to make new friends. She's just had her first period, and that's got her on edge. Oh and her toes have suddenly grown webbed together, and she's got these strange appetites making themselves known.
Blue My Mind is just the latest in a long line of girls coming of age through sloppy and terrifying means - the lure of exploring budding female sexuality through the prism of the monstrous has always been with us, from Medusa's slithering wig to Simone Simon's poolside purr. What feels different now, with movies like this (written and directed by Lisa Brühlmann) or with Julia Ducournau's Raw last year, is that it's finally women who are making these movies...
Fantasia Film Festival, Female Directors, Horror Wednesday, July 11, 2018 at 2:22PM by Jason Adams
Tomorrow marks the opening of the 22nd annual Fantasia Film Festival in Montreal, which runs all the way to August 2nd - the fest focuses in on genre films from around the world, with titles ranging from Indonesian Cowboy Epics to Christmas Zombie Musicals to Nicolas Cage. It's got everything a growing nerd might want... and then some things you might not think you want but you'll try them anyway and oh look you've got a new kink now, thanks Fantasia.
I'll be covering the fest both here at TFE and over at MNPP (we covered the fest there last year) over the next couple of weeks. There are some big titles screening like Mandy, the by-all-accounts insane bloodbath starring the aforementioned Cage alongside Andrea Riseborough of all people, and Under the Silver Lake, It Follows' director David Robert Mitchell's (recently delayed) flick with Andrew Garfield.
After the jump six smaller yet delicious-looking highlights from the fest's epic programming slate that we're hoping to get our beady little eyes on...
Friday, July 6, 2018 at 1:31AM This week, Jorge dives into how the setting and character introductions made this one of the most unsettling movies in years.
Horror films are far scarier when they are grounded by real fears. Sure, a ghost flying towards you or the sight of a little girl head’s spinning are objectively terrifying. But when a character's terror reflects the way we have felt at dire points, the horror movie seeps into our own lives, suddenly tangible.
Hereditary is as much of a family melodrama as it is a horror film. Its scariness doesn’t rely on a supernatural force (although there is one), or on gory and violent imagery (though there’s definitely some of that). The horror taps into the dynamics and secrets of family life. It takes regular fraught human emotions and raises them to unbearable levels...
