Best International Film: China, India, Indonesia

by Cláudio Alves

This journey through the Best International Film Oscar submissions has taken us to Europe and Latin America thus far, leaving some continents sorely underrepresented. In hopes of remedying that, this entry shall focus exclusively on Asian contenders. They are the latest work from a respected auteur who has represented China seven times before. From India, an award-winning feature debut shot on a tiny budget and severe minimalism. Finally, Indonesia brings us a beautiful character study in a hundred shades of purple…

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Satyajit Ray on Criterion

by Cláudio Alves

Better late than never, I suppose. This month - May 2nd, to be precise - was the centennial of Bengali director Satyajit Ray. While this piece was supposed to be ready then, many factors contributed to its delay. One of which was how intimidating the legacy of this master of cinema is. In any case, before June dawns on us, let's celebrate the great Satyajit Ray and the outstanding collection the Criterion Channel curated for the occasion. Right now, you can find 17 of the director's features plus a 1984 documentary about his work streaming on the platform. For any cinephile with access to the Criterion Channel, this is a treasure trove that shouldn't be missed or ignored…

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Best International Feature: China, India, Japan

by Cláudio Alves

The cultural hegemony of Hollywood can make it seem as if the American film industry were the biggest in the world. However, some nations produce even more cinema than the US, and, annually, there's a much greater number of non-English-speaking features than Anglophonic ones. Since the Oscars tend to relegate such films to the Best International Feature category, it's possible to get a skewed view of the global realities of movie-making from them. In truth, the Academy's very local in its choices. With that in mind, let's explore the submissions of three countries whose industries are as robust as America's…

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How Had I Never Seen... "Monsoon Wedding"?

by Cláudio Alves

Last year, Chloé Zhao won the Golden Lion at the Venice Film Festival for Nomadland. Unlike Cannes, which only awarded one woman (Jane Campion for The Piano) with the Palme d'Or in its history, Venice has named five female directors as the grand victors of its main competition. One of them, Mira Nair's Monsoon Wedding, I hadn't seen.  Since the Criterion Channel has just added Mira Nair's 2001 Venice-winner, it seems like a good time to correct this lacuna. Without further ado, let's delve into the rainy festivities of this Monsoon Wedding…

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Doc Corner: Ranking the Best Documentary Short Subject Nominees from Least to Most Depressing

by Glenn Dunks

After doing this ranking system two years ago, we took 2017 off because – in a rarity for the Best Documentary Short Subject category – most of the nominees were actually not entirely miserable! This year the branch has gone back to films that make us feel deeply sad about the world in which we live. That’s not a bad thing since, if any category should be able to confront the inequalities, the traumas, the tragedies, the inhumanities of this world, then documentary short films are it.

This year’s nominees cover themes both familiar and yet distressingly contemporary: the refugee crisis, race, the rise of fascism and Nazism in mainstream politics, third world inequalities and death.They’re certainly not the happiest lot of film you’ll ever see. They do, however, make for a solid roster of nominees...

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