This review was originally published @ Towleroad in my weekly column
You're basically asking for a trouble with that title, you know? OZ: THE GREAT AND POWERFUL. It doesn't take a crystal ball to predict how this will turn out. If the movie is neither great nor powerful, tomatoes will be thrown. It feels weird to abbreviate the new picture as simply Oz, since it's a derivation rather than an original, so we'll call it Great and Powerful moving forward despite the misdirection. The filmmakers would approve since the movie begins with a clear and charming admission that James Franco's "Oscar Diggs" is no wizard at all but a travelling con-artist. So I come not to throw tomatoes (too easy), at least not at first, but to marvel at how red they are as they fly through the air.
The trailer brags that the movie comes from the producers of Tim Burton's Eyesore in Wonderland, a gargantuan box office success but one of the worst films of the new century, so there was cause to worry. Could any film be as simultaneously garish and muddy to look at? The happy answer is no. 3D technology has come a long way and director Sam Raimi (most famous for the Spider-Man and Evil Dead trilogies) has far more taste and control of his color palette than Burton has had recently.