Annie Awards Results. It's Zootopia vs Kubo for the Oscar

The Annie Awards have been happening for 44 years but after some bumpy years in which their loyalties to specific studios were questions, they seemed to have worked things out and their profile is higher each year. Yesterday's even at the UCLA's Royce Hall was a big night for Disney which took 10 prizes. Zootopia continued its dominance by taking the top prize.

Though we should quickly note that Kubo and the Two Strings is still a possible spoiler at the Oscars and took home a few Annies itself. As Kris Tapley recently noted, there is momentum for finally honoring Laika who have never missed a nomination in the Animated Feature category but have yet to win it. While I am in the minority that thinks Kubo is the company's weakest film to date (it's gorgeous, don't misunderstand -- I just think both the episodic plot and the voice work is weaker than in their other films) they're also rapidly outdoing Pixar who have fallen into repetition and sequelizing.

The winners with commentary are after the jump...

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Review: Kubo and the Two Strings

This article was originally published in Nathaniel's column at Towleroad

Kubo and the Two Strings begins with Kubo's mother, navigating treacherous waves by slicing them in half with one melodramatic strum on her magical shamisen. The instrument has three strings, not two, but the title can wait. It's time to watch. Kubo's (Art Parkinson) narration warns us to do so closely.

"If you must blink, do it now."

That's a handy if redundant warning because who is going to blink during a Laika movie? The animated studio reliably crafts spectacularly intricate stop motion (with some CG boosting). When Kubo's mother splits the waves desperate to save the baby in her boat, it was hard not to think of Moses, twice over, both a babe in on the water and an ocean-parter.

Religiously suggestive folklore with magic turns out to be perfect fit for Laika because they always bring the eye popping images and movie magic...

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Links: Marnie, Pokemon, The Tempest, Emmys, and Squad Goals

MTV test your knowledge - is this person Miles Teller or Ansel Elgort? 
Forbes very positive piece on Suicide Squad's success. But what about the fact that it's a terrible movie and terrible movies aren't good for movie culture or franchise futures?
MNPP Gratuitous Robert Redford for his 80th birthday 
EW Catherine Zeta Jones joining the Feud miniseries. She'll play Olivia de Havilland
Comics Alliance Well we should have known this was coming. There's going to be a live-action Pokemon movie. Nicole Perlman, the Guardians of the Galaxy screenwriter is co-penning
Variety oops. a poster for Denis Villeneuve's Arrival has accidentally stirred up political trouble in Hong Kong 

MNPP's favorite movies of 1984
We Got This Covered Nicole Kidman and Reese Witherspoon will reteam after Big Little Lies for a movie called Truly Madly Guilty, based on another best-selling love by Liane Moriarty -- I guess they all really liked each other!
Variety Lion starring Dev Patel and Nicole Kidman will be the centerpiece at the London Film Festival this fall
Tracking Board Marvel sure its spreading itself thin. Now Hulu will be making a Marvel series with Runaways. So that means they've got shows/deals with Netflix, Hulu, Freeform, ABC, and Disney.
Variety Speaking of spreading yourself thin: Lin-Manuel Miranda will write new songs for The Little Mermaid live-action remake. I love Miranda but that seems like a strange fit to me, given that The Little Mermaid's songs are so old school Broadway musical flavored
/Film why we shouldn't expect to see sequels from Laika. (Sigh. I would proclaim this as great news but we once thought Pixar wouldn't be defeated by regurgitation and we were wrong.)
Coming Soon Natalie Portman says she's done with Marvel movies
Playbill a mostly nude female production of The Tempest is playing this summers in Brooklyn's Prospect Park. For free. I bet it's better than the Julie Taymor version with Helen Mirren!
Good Morning America Amy Schumer explains how she got Goldie Hawn out of retirement for her new film 
New Yorker Richard Brody argues that Marnie, not Vertigo, is the film we should look to in regards to encapsulating Hitchcock's career...

The greatness of Hitchcock’s artistry, the musical sublimity of his images and the emotional power of his stories, isn’t separable from his carnality—rather, his greatness depends upon the worst and most bestial aspects of his character. Without them, he’d be the artisan of cinematic cuckoo clocks, and what’s all too often celebrated in the name of Hitchcock mania is precisely an abstracted craft that’s isolated from its source of power, from its dynamic principle, from its raison d’être.

Emmys
Variety Creative Arts Emmys will be split into two pre Emmys awards ceremonies
Vulture an extremely choice interview with RuPaul on his first Emmy nomination and everything being political... including politics. 

For Fun
Death and Taxes a kitty cat who really hates Donald Trump 
Ageist six secrets to outmaneuvering ageism and living your best life 
Towleroad "Greco-Roman wrestling at the Olympics is everything we wanted and more" 
Towleroad Pole vaulter defeated by his own pole -- oh, I'm sorry this one isn't "fun" but painful to watch 

April Foolish Predix: Best Animated Features

It's past time to begin our annual tradition of predicting the future Oscar nominees way before anyone should (yes, I'm aware that nowadays every clickbait site does it the day after the Oscars but we're not into that. Jesus, ppl, let each film year settle!). Let's start with the easiest category in that it's its own world entirely, The Animated Feature. Last year was a relatively thin year for the medium, in that the number of eligible films just barely triggered a 5 wide field. We shouldn't expect a similar dearth this year.

After all 2016's already delivered a possible frontrunner (the delightful Zootopia), a hit that people have already forgotten about (Kung Fu Panda 3... currently #4 of 2016 but have you ever heard anyone talk about it?), trailers to roughly a billion would be cartoon blockbusters scheduled for 2016, and the very tantalizing prospects of an original Disney musical (Moana) and a new Laika feature (Kubo and the Two Strings).

So who do we think will win the nominations this year? I'm not falling into the trap of assuming Pixar is locked up each year (we saw The Good Dinosaur go nowhere, really, in terms of critics and awards enthusiasm) so my big no guts no glory call is that Finding Dory will miss a nomination. Yes, everyone loves Dory and Finding Nemo (2003) but I'm suspicious of a mere fanservice treading of water outing, pun intended, while we wait for a cool original again a la Inside Out. It's a strange reversal that Disney has suddenly taken up the "original" baton and Pixar is wasting its time with sequelitis.

What's below the US radar? Generally speaking online punditry seems to forget that the Academy's animation branch rightly takes foreign cartoons seriously when they're making their calls so something smallish and non American always shows up in the final shortlist. This early -- again, way too early -- I'm guessing that's The Red Turtle. It's due in September from Wild Bunch and Studio Ghibli and given those two companies it will surely be beautiful. Plus it's wordless which should be interesting. The other film I'd ink in if I was sure it would be released in time is Loving Vincent, an entirely oil painted (!!!) animated biopic of Vincent Van Gogh. 

There's a lot to consider out there: martial artist pandas, red turtles, amnesian fish, little princes, secretive pets, pissed off birds, delicious trolls, singing pigs, genius artists, island girls and demigods, police bunnies and more. Check out the chart and do speak up in the comments. 

Tim's Toons: A preview of 2016 in animated features

Tim here. Kung Fu Panda 3 opens this weekend, and thus begins one of the most crowded years for animated features in living memory (technically, Norm of the North already kicked things off two weeks ago, but we're all better off consigning that one to the memory hole).

As a public service, I'd like to offer this highly abbreviated guide to some of the animation that will be coming out in the U.S. over the next 11 months. As with every year, there will of course be a healthy number of foreign imports that we can't predict, and hopefully a little indie or two that nobody has heard about yet; best to think of this, maybe, as a handy field guide to clearing your way through the glut of big-ticket studio films about to reign down upon us all.

Lots more Toons after the jump...

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