Tim's Toons: A preview of 2016 in animated features

Tim here. Kung Fu Panda 3 opens this weekend, and thus begins one of the most crowded years for animated features in living memory (technically, Norm of the North already kicked things off two weeks ago, but we're all better off consigning that one to the memory hole).

As a public service, I'd like to offer this highly abbreviated guide to some of the animation that will be coming out in the U.S. over the next 11 months. As with every year, there will of course be a healthy number of foreign imports that we can't predict, and hopefully a little indie or two that nobody has heard about yet; best to think of this, maybe, as a handy field guide to clearing your way through the glut of big-ticket studio films about to reign down upon us all.

Lots more Toons after the jump...

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Beauty vs Beast: Break On Through To The Other Mother

JA from MNPP here, with our Oscar Hangover edition of "Beauty vs Beast." I actually intended for this week's edition to have nothing to do with the Oscars at all, but I can't help trace its footsteps back to this year's Awards in a sorta roundabout way... our starting point is Dakota Fanning, who is turning 21 years old today. Yes that preternaturally wise moppet can now legally do tequila shots at her local dive, what a world, what a world. Happy birthday, Dakota!

So five years ago Dakota voiced the lead role in Coraline, Laika's very fine adaptation of Neil Gaiman's terrifying book, about a little girl who wanders through a strange little door in her new home only to find a world funhouse-mirroring her own on the other side. And it's there that she meets...

poll by twiigs.com

The connection to this year's Academy Awards is of course the beloved production house Laika - Coraline was its first feature (to lose the Best Animated Feature Oscar), ParaNorman its second (to lose the Best Animated Feature Oscar), and The Boxtrolls its third, which yes, lost the Best Animated Feature Oscar last night to the, in my opinion, desperately inferior Big Hero 6. As indifferent to downright-hostile as I was towards many of the wins last night, this one smacks me as one of the most egregious, and one that the test of time will look upon very poorly. It reeks! Of bad cheese! Justice For Laika!

Top Ten: Best of The Boxtrolls

Because it was so much fun last week, another all top ten tuesday to celebrate our new season as the awards will soon come rushing at us...

People aren't talking about The Boxtrolls enough. It's a true mark against the world's parents that numerous animated mediocrities, The Peabodys, Nutjobs and Rios regularly and considerably outgross inventive Laika's awesome stop-motion films. While it's true that Laika's features have elements of the grotesque or macabre that are tougher sells to nonadventurous families, one only has to look at the perennial universal love for Nightmare Before Christmas to know that people are okay with that once they acclimate.

Which is very much my personal experience with The Boxtrolls. It's less immediately sympathetic than ParaNorman, less hook-laden than The Corpse Bride, less immediately fantastical than Coraline but once you get past the initial shock of the character designs (which has undoubtedly been an obstacle): blotched, deformed, dirty, jagged teeth and so on, the movie grows on you. It's another technical triumph in the service of a story that works on both juvenile and adult levels. Sure, it's not their best film but it's still a singular one in the current animated marketplace.

Since I never reviewed The Boxtrolls, consider this one of those in top ten form and a plea for those of you who haven't seen to correct that. To any awards voters reading who are just beginning to consider the Animated Feature Film category just know that it could be very rich with variety if you choose well this year.

THE BOXTROLL'S GREATEST HITS
after the jump...

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Tim's Toons: Why Laika is the most exciting animation studio right now

Tim here, wondering if the time has come to start saying very hyperbolic things. This weekend sees the release of The Boxtrolls, the third feature released by the animation studio Laika, also responsible for 2009’s Coraline and 2012’s ParaNorman. I find myself, almost certainly to my eventual disappointment, wondering if this trio of technically audacious and unusually sophisticated stop-motion films has put the studio in line to fill the hole left when Pixar stopped being the most reliable movie-creating force in America, and instead became that place which makes pretty solid cartoons when they can be bothered to stop focusing on Cars pictures.

It’s begging the question from the get-go: there wasn’t a Pixar before Pixar, so there’s no clear reason that there has to be another one now. But Laika’s work so far has been at a level that encourages such dangerous optimism.

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