TIFF '24: Contrarian takes on "Anora" and "Emilia Perez"

by Cláudio Alves

Sometimes, you find yourself going with the flow, becoming another among a million other voices with the same stated opinion. Such fate can be frustrating, but so can the reverse. When consensus consolidates, being on the other side looking in is just as irritating as picturing oneself as the metaphorical sheep following the flock. Contrarianism isn't fun in and of itself, especially when it manifests as a hostile take against a barrage of love. This TIFF, I've found myself in the minority regarding two Cannes prize-winners already praised to high heaven by our beloved Elisa Giudici. Indeed, one of them is so adored it's already considered a contender for the festival's Audience Award cum Oscar barometer. It's time to explain why neither Anora nor Emilia Pérez convinced me of their merits…

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Venice 2024: Luca Guadagnino's "Queer"

by Elisa Giudici

Daniel Craig and Drew Starkey in QUEER (photo: Yannis Drakoulidis)

Luca Guadagnino's 2024 double feature, early release Challengers and the new premiere Queer, explore the intricate and slow process of calibrating love. In both,love is a delicate balancing act where one person loves intensely, perhaps even desperately, while the other remains more passive, content to be loved without being deeply invested in the relationship. The fundamental difference between the two lies in how they resolve this imbalance...

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Dorian TV Awards: "Interview with the Vampire" and "Hacks" win big!

by Cláudio Alves

AMC's beautiful bloodsuckers vamped their way to three Dorian Awards.

As a proud new member of GALECA, I was overjoyed to vote on the Dorian TV Awards for the first time ever. Of course, I can't say I agree with every choice, but this is the way of judging art and prizes. Indeed, disagreement is part of the fun. Not that I'd ever say a word against the two awards juggernauts that took the Dorians by storm this television season. Anne Rice's Interview with the Vampire surprises by taking three major categories, including Best Drama, while Hacks is the overall leader with four individual wins. But then, half of the Max comedy's victories were for its acting, which, along with the drama duo, makes one question the current system and the ever-present curse of category fraud. 

The complete winners' list, plus some personal ruminations, after the jump…

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Hail Satan and Holy Blasphemy: An Olympian Watchlist

by Cláudio Alves

Christian conservatives worldwide seem to have had their outrage activated by the Paris Olympics Opening Ceremony. The French Revolution pageantry has been decried as satanic, but even more religious nuts are losing their mind over a tableau starring drag queens in a pose that could remind one of Da Vinci's Last Supper. According to the ceremony's artistic director, Thomas Jolly, the image was in reference to and reverence of a painting. But it was no piece of Catholic iconography, rather The Feast of the Gods by Jan van Bijlert, a depiction of the Olympians with Bacchus in the front.

Still, even if Jolly had re-imagined the Last Supper with queer performers, why would that be an insult instead of a celebration? Appeals to religious decorum are mere smokescreens, hiding hatred and trying to give it a justification. In response to such culture war odiousness, I can think of no better response than a provocation in the form of a list – here at TFE, we are known list-o-maniacs, after all. If you yearn to be offended by blasphemous media, satanic sensations, and some glorious filth, here are thirteen flicks to scratch that itch…

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Meet the Vampire Lestat

by Cláudio Alves

The best show currently on TV is coming for a third season. Though its renewal was only announced at the end of last month, shooting for the next chapter in Anne Rice's Interview with the Vampire seems well underway. At least, that's what one can surmise from the just-released teaser, where Sam Reid dons the Vampire Lestat's rock persona and sits down for a filmed interview. Moving from the literary-minded recordings of the first two seasons, the show is moving into the realm of concert tour mockumentary. One hopes that the updated format maintains the queer Gothic romance sensibilities that have earned it a small army of devoted fans. But of course, judging from the online reaction, the showrunners have nothing to worry about. The fandom is over the moon...

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