Gay Best Friend: Buck (Mike White) in "Chuck & Buck" (2000)

A series by Christopher James looking at the 'Gay Best Friend' trope

Before his successful career took off, Mike White wrote and starred in the indie comic-thriller "Chuck & Buck."Mike White is an incredible talent. Currently on HBO, his miniseries The White Lotus has become a must-see weekly event. Between Enlightened, School of Rock, Beatriz at Dinner and impressive seasons on Survivor and The Amazing Race, White has been a great fixture of film and TV over the past couple decades. In honor of The White Lotus success, we thought we would travel back in time to one of his earliest performances and screenplays - Chuck and Buck.

The early digital film feels like a relic of another time, especially compared to White’s more polished HBO work as of late. The advent of digital allowed more filmmakers a chance to tell their stories as they were able to do it on the cheap. Much of Chuck and Buck looks like a painfully awkward home movie. Yet, that only heightens the discomfort one feels while watching this odd, comic thriller.

Click to read more ...

Review: "Pitch Perfect 3"

By Spencer Coile 

Pitch Perfect could not have arrived at a better time. Its release in 2012 was met with solid reviews and box office figures, but that was just the beginning for the fandom that would ensue. It told the story of the Barden Bellas, an all-female university a cappella group led by Anna Kendrick vying for the top spot at Nationals. Blending Top 40 hits and an underdog narrative was effective. Soon, you could not escape the presence of singing groups and acapella wordplay ("aca-scuse me?").

The arrival of Pitch Perfect 2 in 2015 proved that the Bellas were no fluke. The second film dipped in quality, but was a worthy successor. Now, in 2017, Pitch Perfect 3 is the (supposedly) final installment...

Click to read more ...

The Furniture: Beatriz at Dinner in a Tacky Muted Mansion

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Beatriz at Dinner is a film of climaxes, moments of outrage that burst through the veneer of respectability cultivated by the rich and amoral. Beatriz (Salma Hayek), overwhelmed with disgust at a picture of Doug (John Lithgow) and the body of a recently-murdered rhinoceros, throws his phone at him and storms out. Laughing at her principles, he looks at his hosts and asks, “Does she get out much?”

This, of course, is a central irony of Miguel Arteta and Mike White’s tightly-wound send-up of American wealth. Doug is the CEO of Rife Worldwide, an internationally-reviled real estate firm. He’s a Trumpian nightmare of toxic masculinity and unbridled capitalism, breaking laws and displacing communities as a best business practice. And so when he asks this question, we are reminded that his life is spent constructing hideous monuments to tackiness that replicate a precise vision of high-end living no matter the context...

Click to read more ...

Review: Brad's Status

by Murtada

Brad’s Status, the new film from Mike White (the creator of Enlightened and the writer of Chuck And Buck) is about a forty-something man’s emotional crisis. That information made me giddy with anticipation. Could White have come up with the male version of Amy Jellicoe in Ben Stiller’s Brad Sloan? Are we in for an emotional ride with a polarizing but endearing character with rough but compulsively watchable qualities?

Alas, no. If you were expecting all that, I’d say go in with tempered expectations...

Click to read more ...

Review: The Emoji Movie

By Sean Donovan

The internet has spent the past few days savagely ripping apart The Emoji Movie, the animated film about sentient emojis and the adventures they have within your smartphone. This is a film made specifically for children of the internet, who might gaze upon this Sony vertical integration monstrosity of app references and infomercials for about a minute before heading back to their own smartphones. It’s tough to review The Emoji Movie, because it’s tough to take its lack of creativity and basic construction seriously when such cynicism and apathy burns off the screen. It singes your eyebrows. No one cared about making this movie; I can’t imagine anyone coming up with a criticism the filmmakers would even protest. The Emoji Movie is the unadulterated heart of capitalism pumping out disinterested beats, an infomercial for WeChat here, a paid ad for CandyCrush there, Sony everywhere you look...

Click to read more ...