Nathaniel's "Extra" Prizes: Musical Moments, Action Sequences, and Best Endings

As the Oscar aftermath is just about over, we return you to the in-progress Film Bitch Awards. We hate to not be done with these before the Oscars - argh - but these things happen. We'll finish up soon as there's now just 5 (gulp) categories left. 

Scene Awards
Musical moments, thrilling action sequences, opening scenes and great endings, and the like. There's lots to reminisce about but obviously there are spoilers for some 2018 scenes, particularly given the "endings" category. Films honored include but are not limited to: Ant-Man and the Wasp, The Children Act, Cold War, Eighth Grade, Isle of Dogs, Old Man and the Gun, Paddington 2, Vice, and You Were Never Really Here. Check it out.

Great Acceptance Speeches: Stanley Donen, Honorary

A big thank you to Dancin Dan, Chris Feil, Eurocheese, and Ben Miller who shared favourite acceptance speeches with us as we got hyped up for Oscar. There are so many more speeches we could have highlighted if we have more time or a bigger team, but well wrap up th speech appreciation with something that seems totally appropriate for a number of reasons: Stanley Donen's Honorary Oscar acceptance speech for, and we'll quote the Oscars here:

in appreciation of a body of work marked by grace, elegance, wit and visual innovation.

The speech is a thing of complete and utter beauty and wit and gratitude and every time we see it we're reminded of how much Oscar night lost when it opted to no longer included the Honoraries on the broadcast. (Honestly we wouldn't mind half as much if they also televised those on a different night, but alas, they don't.)

As you may have heard cinema lost Donen this week at age 94. He was one of Hollywood's purest pleasure-makers, directing or co-directing musical classics like Singin' in the Rain, On the Town, Seven Brides for Seven Brothers, and Funny Face. But that's not all! He also made beloved non-musicals with Audrey Hepburn like Charade and Two for the Road among other films. Donen is survived by his also brilliant partner of the past 20 years, the actress/director Elaine May (who just completed a much-raved Broadway run in the play Waverly Gallery so you might see her at the Tonys this year) so our condolecences go out to her this week. 

DGA: The Spikes (Jonze & Lee), Bradley Cooper's Loss, and the Gowns (yes, the gowns)

by Nathaniel R

The big news coming out of the weekend's DGA ceremony was not Alfonso Cuarón's second win from the Director's Guild (he previously took the DGA for Gravity and had won nearly every award of note for Roma, making a repeat a foregone deal). Instead it was Bradley Cooper's surprise loss for First Time Feature A Star is Born and Spike Lee's speeches, which inevitably have a way of shaking up a room because Spike Lee always says what he has to say, unapologetically. The best element of the non-televised DGA ceremony is that they make a big deal of the nominees and not just the winner, giving all 5 top nominees a moment at the mic and a presentation of their nomination in medal form...

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Can we give Patrick Wilson the Oscar for *his* Freddie Mercury instead?

We love this man.

And this queen doesn't need to lipsynch. Where is his movie musical star vehicle? The film version of Phantom of the Opera was 14 years ago and he was much less famous then. We've seen him in both of his Tony-nominated roles (The Full Monty and Oklahoma!) and he was marvelous both times and that voice is just pure melodic pleasure, transporting really. Perfect for a big sweeping romantic musical. He hasn't been on Broadway in 10 years but he's co-starred in several box office hits in that time so why aren't movie musical producers snatching him up?

WHAT IS WRONG WITH HOLLYWOOD? (A perennial question when it comes to the movie musical genre). If you were somehow unaware of his musical gifts, there are more videos after the jump because we're in a... mood.

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Michel Legrand (1932-2019)

by Eric Blume

Michel Legrand in 1981French film composer Michel Legrand passed away this past weekend after six decades of work in the industry. He was truly one of the greats. Chief among his accomplishments was the sung-through score for the masterpiece The Umbrellas of Cherbourg (1964), delivering music that soared and perfectly caught the melancholy tone of director Jacques Demy’s pastel/sad view of the world.  The Legrand-Demy collaboration was deliriously French and remains a pristine achievement over a half century later...

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