Which classic musical should be made (or remade) into a movie?

by Nathaniel R

With the news that a recent stripped down experimental version of Rodgers & Hammerstein's Oklahoma! was coming to Broadway in April 2019, we thought it might be interesting to look at the "Most Often Revived Musicals on Broadway". The list is as follows: 

1. Porgy & Bess (8 times)
2. Threepenny Opera (7 times)
3. Showboat (7 times)
4. Peter Pan (6 times)
5. Pal Joey (6 times)
6. Guys & Dolls (6 times)
7. Fiddler on the Roof (6 times)
8. Carousel (6 times)
9. ... and Oklahoma! will be joining this list in a handful of months.
10. It can't really be a top ten since a plethora of shows have been on Broadway 5 times.

More on that list and movie versions after the jump...

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Podcast: Aquaman Into the Poppins-Verse

Nathaniel R and Murtada Elfadl and Chris Feil talk new films

Index (51 minutes)
00:01 Mary Poppins Returns, the songs, the costumes, the Blunt
20:17 James Wan bonkers vision of Aquaman, shirtlessness and the lack thereof, and the kick-ass fun Nicole Kidman is having as Aquamom
30:08 Returning to the Poppins-Verse for a moment 
33:20 Spider-Man: Into the Spider-Verse and comic book style
40:40 Split opinions on Cold War but we all love the cinematography, music, and the performance of its leading actress Joanna Kulig
46:47 Murtada makes us talk about Beale Street... again.
49:45 Wrap-up

Further Reading / References
• Pawel Pawlikowski on KCRW's "The Business"
• Chris's review of Aquaman
• Yahya Abdul-Mateen underneath the "Black Manta" suit 
• Jason's review of Cold War
• Tim's review of Spider-Man: Into the Spider-Verse

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Into the Poppins-Verse

Top 25 Reasons to Watch "White Christmas" This Season

Members of Team Experience have been asked to share their favorite Christmas movie. Here's new contributor Eurocheese...

25 Reasons to Watch White Christmas (Again)

01 Eye popping color (the first VistaVision film!) at every opportunity

02 The “Sisters” number! A surprise drag number where the actors can’t stop giggling in the 1950s? Yes please.

03 The way the movie teases snow until we almost demand it...

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Let's dance

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Months of Meryl: Ricki & The Flash (2015)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#49 —Ricki Randazzo, a rock singer who returns home to the family she abandoned.

MATTHEW: Throughout his eclectic and gloriously unpredictable career, the late Jonathan Demme paved the way for peak performances from actresses as disparate as Mary Steenburgen, Melanie Griffith, Michelle Pfeiffer, Jodie Foster, Oprah Winfrey, Kimberly Elise, Thandie Newton, Anne Hathaway, Rosemarie DeWitt, and Debra Winger. Like George Cukor before him, Demme was devoted to telling stories about women, which comprise the bulk of his narrative output. The director committed to shaping these narratives with the same heady, inquisitive vigor and nonjudgmental consideration that electrified all of his subjects, from Anthony Hopkins’ lip-licking Hannibal Lecter to David Byrne, who indelibly bopped around the stage in a business suit at least six sizes too big during Demme’s landmark concert documentary Stop Making Sense.

Ricki and the Flash, Demme’s final narrative feature, sometimes conjures the capricious, loop-the-loop feeling of a concert documentary in its depiction of the type of story that Demme loved to tell, that of an unorthodox woman shouldering her burdens and confronting any and all perils as she forges ahead with the life she has chosen to lead...

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