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Entries in Crazy Ex Girlfriend (30)

Thursday
Jul182019

Not Getting An Emmy Is So Not A Big Deal 🎵

by Dancin' Dan

From the time Rebecca Bunch began to speak
The critics said her show was so unique
Now I'm not saying that's a guarantee
But Lord knows with awards that it should be

Her best friends, her boyfriends, her mom and her boss
They've all endured the same ignominy
The writers, directors, the set and dress makers
Not one of them has been up for an Emmy!

Click to read more ...

Saturday
Jun222019

Emmy voting is in progress. Confessions from a sitcom agnostic.

by Nathaniel R

Aidy Bryant in "Shrill"

Voting is winding down for the year's Emmy nominations, which is why we've been sharing FYCs.  If past years are any indication the nominee list will look nearly identical to last year's with the exception of shows/performances that are no longer eligible. Their slots will be filled by the new hits (it seems likely, for example, that Pose and Russian Doll and a couple of other freshmen series that got people talking for months on end, will receive attention). But looking over the ballots for performers, it becomes suddenly clear that NO ONE can watch this much television...

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Tuesday
Jun112019

What's eligible for "Outstanding Main Title Design" at the Emmys this Year?

by Nathaniel R

105 shows, that's what. This is a peculiar obsession of ours because, apart from the handsome site Art of the Title, it gets precious little attention, interest, or coverage online. The awards aren't given out on air and sometimes they make terrible mistakes as to what's nominated or excluded (same as it ever was, in any category). Nevertheless we'd argue that title design is important, not just in the soulless connotations of "branding" but in its soulful counterpart "identity". A show's title sequence gives you just that (if it's good), setting the tone. We curse Netflix for letting you skip past opening titles if you're bingeing. To our way of thinking if you won't sit through the opening titles, you don't deserve the show...

Click to read more ...

Sunday
Apr072019

Farewell, Crazy Ex-Girlfriend

by Dancin' Dan

When the history of Peak TV is written, there better be a whole chapter devoted to Crazy Ex-Girlfriend. That Aline Brosh McKenna and Rachel Bloom's musical comedy managed to last four seasons on The CW is amazing enough. But doing so with a diverse cast, while constantly pushing the boundaries of what network television would allow to be broadcast in prime time, taking anti-feminist tropes and twisting them around until they become feminist, and spotlighting mental health issues in a sensitive, impactful way is a miracle.

On Friday night, Crazy Ex-Girlfriend aired its series finale. Magically, the show was able to end on its own terms, giving us the full four-season arc its creators had always envisioned. And what an arc it's been [SPOILERS AHEAD]...

Click to read more ...

Wednesday
Jul182018

Soundtracking: "Crazy Ex-Girlfriend" - Season 3

by Chris Feil

Save for recognizing our beloved Big Mouth, this year’s Original Music and Lyrics nominees are a bit of an underwhelming assemblage. So rather than examine this lineup, let’s take a look at one of the more egregious omissions: Crazy Ex-Girlfriend.

Now, Emmy already has a lamentable history in overlooking the show - and never more so than voters completely ignoring this third season’s multi-layered and vital look at mental illness. But the original song category has made some curious decisions in regards to the show. Season two’s nominated “We Tapped That Ass” is delightful but soft compared to other options. We can’t really begrudge the season one nomination of swooner “Settle For Me” but where was series-defining genius of “You Stupid Bitch”? The song category is perhaps proof that Emmy voters just don’t get the highwire act that this show pulls off...

Click to read more ...

Wednesday
Jan032018

ACE Editing: Big Little Lies, Best Picture Hopefuls and More...

by Nathaniel R

The guild nominations are here already? Oh, yup, it's January now. (Funny how the calendar keeps happening even if you're in bed for a week plus with the flu!) Hollywood's editors have spoken and here are the cutting and shaping jobs they loved best this year on screens  big and small. Curiously they have a hodgepodge of category sizes (3,4, or 5 nominees depending) and voting practices. In some categories the final voting for winners happens between January 5th and 18th and in others (within the TV side) there are blue ribbon panel voting situations where the screenings happen on the 14th. This always leaves us wondering what their prizes would be like if they were consistent. Would awards season have more surprises if those voting were forced to watch everything as they are in very few select categories within various organizations... often somewhat randomly? We think it might and wouldn't it be super exciting to try with the consistency and with the mandatory screenings?

One of the most notable things on their TV list is that Big Little Lies has been bumped from competing in miniseries (where it's competed at most every other awards shows) and is competing in regular drama series (where it surely belongs since they've announced a second season with the same characters/actresses).  Nominees in all categories after the jump...

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