Judy by the Numbers: "Our Love Affair"

Anne Marie is tracking Judy Garland's career through musical numbers...

By 1940 it was undeniable: Mickey and Judy were a success. Even more, Mickey and Judy with the Freed Unit behind them were a bona fide hit machine. Babes in Arms, the first Freed Unit collaboration, earned over $2 million domestically and $1 million abroad. With the promise of another blockbuster and the rise of patriotic sentiment on the verge of WWII, Louis B. Mayer dusted off an old, patriotic-sounding title and set his hitmakers on a new project: Strike Up The Band.

 

The Movie: Strike Up The Band (MGM, 1940)

The Songwriters: Arthur Freed & Roger Edens
The Players: Mickey Rooney, Judy Garland, directed by Busby Berkeley 

The Story: The original Strike Up The Band was a George & Ira Gershwin political musical satire from the early half of the 1930s. However, the new patriotic musical produced by Arthur Freed & company bore no resemblance to the show from which they took their title. With Mickey Rooney now the confirmed box office champion - unseating Shirley Temple at last - the majority of the movie was geared towards his talents. Rooney sings, dances, acts, plays piano, and even plays the drums. However, Freed and Edens didn't overlook young Judy. They wrote "Our Love Affair" especially for the 18 year old singer. Though Mickey introduces the song, it doesn't come alive until Judy sings it, and her song is the musical theme used throughout the movie. 

Ultimately, the movie was another smash success for MGM. It garnered another $2 million domestically and $1 million abroad, as well as 3 Oscar nominations (including one for "Our Love Affair" and rave reviews from critics. Mickey, Judy and the Freed Unit were an undoubted blockbuster force. But how would Judy Garland do on her own?

previous highlights: "The Land of Let's Pretend" (1930), "Dear Mr Gable" (1937), "Got a New Pair of Shoes" (1937),“Zing Went the Strings of My Heart” (1938), "Over the Rainbow" (1939)

Bye Instant Watch: Sinatra, Flashdancers, and Spielberg's Worst

It's your last chance to watch the following multiple Oscar nominated titles for free on Netflix or Amazon Prime. There are more films leaving than these but you know The Film Experience isn't good copying and pasting press releases and calling it a day. It would make our lives SO much easier but it's just not how we do. This is for you Oscar completists -- you know who you are. As is our habit, we've freeze framed the titles at random and just shared whichever image came up.

Got any feelings about these pictures? Or will you by midnight on March 31st? Do you think they deserved their wins and/or nominations?

10 OSCAR TITLES LEAVING NETFLIX AT THE END OF THE MONTH
* indicates Oscar win in the category 

African violet. I can't tell you how difficult that was to come by.

Amistad (1997)
Oscar Nods: Supporting (Anthony Hopkins), Cinematography, Costumes, Score.
Shameful Confession: I've never seen this. I think it's my most significant gap in 1990s Oscar viewing. 

9 more after the jump...

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Stage Door: Revive This! (a musical lover's list)

This week I caught the Off Broadway hit Red Speedo about a swimmer who thinks he needs performance enhancement drugs. It was a totally solid thought-provoking play and if that sounds like faint praise it's only that because the raves have been so breathless. I had front row seats (not intentional) which is a weird angle with which to see this show because the pool part of the stage looms large in front of you (you do get splashed). I don't mind getting wet so I wished they'd used the pool part of the well designed stage a little more. The actors were uniformly terrific so if you're interested in the topic, by all means go. 

But back to Broadway itself. After finally seeing The King and I, one of last year's Tony winners, and the news that Hello Dolly will finally return (with Bette Midler!) after decades of invisibility, thoughts turned to shows that rarely get revived. Some shows like Les Miz & Gypsy & Fiddler on the Roof and a handful of others seem to return to the big stage every 4 or 5 years.  It begs the question of why others are never revived. So herewith a list!

10 Longest Running Shows That Have Not Been Revived in Over 20 Years 
Not a qualitative list but factual based on how long the show ran.

01 Oh! Calcutta! - the nude musical revue closed in 1989 after two very successful multiple-year runs. Why no third?

02 Life With Father -Broadway's longest running straight play ever closed way back in 1947 the same year the film version came out. Among its 1939 opening night cast was future Oscar winner Teresa Wright. 

more after the jump...

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Judy by the Numbers: "If I Forget You"

Anne Marie is tracking Judy Garland's career through musical numbers...

Click to embiggenToday's clip is a plea for the importance of film preservation. The following 3 minute clip is all that is currently known to survive of a short called "If I Forget You" starring Judy Garland and Bette Davis. That's right, two of Classic Hollywood's biggest stars once shared the screen and we know virtually nothing about it.

The little we do know about this teeny number and the tiny short surrounding it comes from reviews and an ad (pictured left) that ran in a few trade papers circa April of 1940. The short was part of the third annual tribute to Will Rogers, who passed away in 1935. It featred Kay Kyser and his Kollege of Musical Knowledge, then Judy singing the title song, then Bette Davis stepped onscreen to ask audiences to donate to the Will Rogers Memorial Commission (which benefited the Will Rogers Memorial Hospital).

The Movie: If I Forget You (MGM short, 1940)
The Songwriters: Irving Caesar (music & lyrics)
The Players: Judy Garland, Kay Kyser, Bette Davis, director unknown.

The Story: On the surface, a one reel ad for a charity seems underwhelming enough (and certainly Judy's performance, while sweet, is standard fare for the starlet), but when taken in context, If I Forget You shows how powerful one star's image can be even after death. The comedic cowboy had been gone 3 years, but the charity bearing his name could sway a week of exhibition ("Will Rogers National Theatres Week") and get two uncooperative giants (MGM & WB) to lend major talent for a brief cameo. This is even more impressive when you consider the fact that Will Rogers was a 20th Century Fox star. Will Rogers's image had the power to cross studio lines and exhibition rules. It probably didn't occur to Judy Garland as she sang Caesar's song that her image may one day become as powerful as Rogers's had been. Nonetheless this small (nearly forgotten) short reminds fans and academics that the aura of studio system stars can have tangible effects even after their deaths.

previously: "The Land of Let's Pretend" (1930), "The Texas Tornado" (1936), "Americana" (1936), "Dear Mr Gable" (1937), "Got a New Pair of Shoes" (1937), "Why? Because!" (1938), "Inbetween" (1938), “Zing Went the Strings of My Heart” (1938), "Over the Rainbow" (1939), "Good Morning" (1939)

Stage Door: The King and I

This soundtrack got a lot of play during my childhoodWith Tony season fast approaching, it's time to revive our stage column and try to hit the shows that might be competing this year. But we'll start with a throwback to last season, the revival of Rodgers & Hammerstein's The King and I which most everyone knows from its 1956 big screen adaptation which won 5 Oscars (albeit in a weird Academy year) and hopefully not from that 1999 Jodie Foster movie Anna and the King.

For those who aren't well versed in Broadway mechanics there's generally a few weeks of performances called "previews" wherein shows are technically not "open" and yet they're playing every night as they approach opening night. It's the easiest time to get tickets to almost anything so if you miss the previews good luck! Other avid theatergoers might have a different take but I've found that as a general rule it's best to see stage shows late in previews through, oh, four months into the initial run. You're late enough that the actors have fine tuned their work and you're early enough that no one on stage is phoning it after having done it 8 times a week for months on end. Sometimes, though, a show is so popular and expensive that you give up trying to see it. This was the case with yours truly and The King and I, winner of 4 Tony Awards in 2015: Best Revival of a Musical, Best Actress, Best Supporting Actress, and Best Costume Design. 

Shall we dance... after the jump? 

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