Team Experience Emmy Reactions Pt 1: Ode to the Emmy Snubs!

We asked members of Team Experience how they felt about the Emmy nominations (podcast coming up, too). Here's how they felt about those that were missing from the list.

PERFORMERS

ERIC: It was wonderful seeing so many actors from Severance recognized, but it would have been even lovelier if they'd have made room for lead Britt Lower, who provides a perfect tension between hope and dread, and the off-center comic stylings of Tramell Tillman, the sweet-dancing supervisor. Both actors really helped to keep the show in a dangerous zone...

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Which of these will '95 born actors will be Oscar-nominated first?

by Nathaniel R

Since it's 26 days until the Oscars we thought we'd look at 26 year-olds... or soon-to-be 26 year olds rather. Only one actor born in 1995 has been nominated to date. That'd be the internet's twink boyfriend Timothée Chalamet. But which other actors of the 1995 vintage will join him in receiving Hollywood's greatest stamp of approval? We've collected six potential suspects after the jump along with a few handful of alternates though it bears noting that the next big star born in '95 could very easily be someone who hasn't even made their first film yet since careers take time to build and Hollywood was forced to take a full year off of discovering new talent in 2020... 

WHICH BORN IN '95 ACTOR WILL BE OSCAR NOMINATED NEXT?
(ALPHA ORDER)

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Streaming Review: "A Teacher" on FX/Hulu

by Christopher James

A Teacher is an odd little show. Hannah Fidell’s adaptation of her 2013 feature once again explores an illicit relationship between a female teacher and her male high school student. The miniseries sometimes feels like an Adrian Lyne movie by way of a 2013 indie film. It’s both muted and salacious. This makes for an odd viewing experience, given the subject matter. However, at less than 30 minutes a pop, A Teacher is still a quick and satisfying binge.

Kate Mara plays Claire, a thirtysomething English teacher in Austin, Texas. Her home life feels incredibly familiar. She has a nice, if distant, husband (Ashley Zukerman), a lovely suburban home and is in the process of trying to start a family. Still, there’s something in Claire that chafes against this life she’s built for herself. When she reads Dylan Thomas’ poem “Race against the dying of the light” to her senior AP English students, she captures the eye of Eric (Nick Robinson), a golden boy senior.

It all begins seemingly innocent enough...

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Great Moments in Screen Kissing: "Love, Simon"

We asked Team Experience to share favourite screen kisses this week. Here's Dancin' Dan...

Love, Simon isn't the first film to be made about LGBTQ teens. There's Beautiful Thing, But I'm a Cheerleader, Camp, Edge of Seventeen (not the Hailee Steinfeld one), Get Real... the list goes on and on. It certainly won't be the last film to be made about LGBTQ teens, either. But it is the first one produced and distributed in wide release by a major Hollywood studio. Because of that, yes, there is an air of polished mediocrity and safety to the whole enterprise. And yet, it's hard to deny the film's effectiveness.

I don't know if, when I was a teenager, I would have had the courage to buy a ticket to see Love, Simon by myself. I do know, however, that if I had, it would have made my teenage years that much better...

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Review: Love Simon

Stepping in briefly from vacation to celebrate Love, Simon. This review was originally published in Nathaniel's column at Towleroad.

Vanilla is a delicious flavor. Especially if you’re in the right mood for it. Loving vanilla doesn’t mean you can’t love more daring or less common flavors. But you deserve a good scoop of vanilla on occasion. The best thing that can be said of Love, Simon — and this is stronger praise than it sounds — is that it’s very vanilla. Imagine a cross between classic rom-coms like Sleepless in Seattle and Never Been Kissed and then just flip it a teensy-tiny bit until it’s gay. Not queer, mind you; we’re going for vanilla.

Love, Simon, the new film directed by gay TV power-producer Greg Berlanti (Flash, Riverdale, Brothers & Sisters, etcetera), is based on the novel “Simon vs. The Homo-Sapiens Agenda”. Though the novel’s title (I haven’t read it) suggests something less pro-heteronormativity, the film version is quite happy with assimilation. The only thing about Simon (Jurassic World’s Nick Robinson) that “reads” as gay or at all discomfited by his suburban nuclear family life is his inner monologue in which he tells us about his “huge-ass secret”...

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