Hug it Out!

🔥 Look, it's Nicole and P!nk at the American Music Awards this weekend. We must forever express thanks to Keith Urban for insuring that Nicole Kidman didn't just show up at acting awards shows, but music awards shows, too. To celebrate this lovely hug a truly unecessary list.

10 P!nk Song Titles That Could Be Mistaken For Odes to Kidman

1. Fuckin' Perfect
2. Just Like Fire
3. Beautiful Trauma
4. Trouble
5. Glitter in the Air
6. Lady Marmalade
7. You Get My Love
8. M!ssundastood
9. Split Personality
10. Do What U Do

Nicole Kidman Honored by Los Cabos & Glamour Magazine

By Ilich Mejia

As if being Australian wasn't celebratory enough, this past week has forced Nicole Kidman to vacate two more spots on her already-crowded mantel.

First, she was honored at Los Cabos' 6th Annual Film Festival with a Lifetime Achievement Award. There representing Yorgos Lanthimos' The Killing of a Sacred Deer, Kidman accepted her award on behalf of all the filmmakers and film festivals that have supported her career. While in Cabos, Kidman also lamented the industry's dearth of working female directors and joked about how some certain Mexican directors keep turning her down (the nerve!). This is only the second year the Mexican festival gives out a Lifetime Achievement Award. The honor was first given out last year, during the festival's fifth celebration, to Italian actress Monica Bellucci.

Only a day after picking up her silver whale at Cabos, Kidman was off to New York to receive her next shiny thing... 

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The Furniture: A Plaster Haze in The Beguiled

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail.

Sofia Coppola’s The Beguiled is no sprawling epic of the Civil War. The Farnsworth Seminary for Girls, where Miss Martha Farnsworth (Nicole Kidman) presides, is no Tara. There are no ballgowns or battlefields. There is only a big lonely house, the seat of a plantation that has decayed into an isolated finishing school for an especially isolated handful of girls.

Corporal John McBurney (Colin Farrell) is thrust into this setting, his leg wounded and his uniform bloodied. The resulting tension simmers for days, weeks even, before exploding in nocturnal chaos and violence. All the while the house stands silent, forcing these emotions up and down the stairs and into small, dimly-lit corners. There is a forever haze about this place, though never quite hot enough to break into a sweat.

This tightly-knotted mood owes a great deal to production designer Anne Ross, a frequent collaborator of Coppola’s, as well as art director Jennifer Dehghan and set decorator Amy Beth Silver...

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Björk's "Danish Director" Statement

By Nathaniel R

Catherine Deneuve, Björk, and Von Trier at Cannes (2000)

The floodgates have opened post Weinstein and now everyone wants to speak out. This morning Björk issued a statement about her experience working with "a Danish director," a hilariously coy non-naming of names since she's only starred in one movie, Lars von Trier's Dancer in the Dark (2000) after which she never appeared in a movie again, unless you count her performance art collaboration with her then-boyfriend Matthew Barney on Drawing Restraint (2009). Which, well, the sexual violence was onscreen in that one with Barney and Björk carving each other up while naked underwater and turning into whales or some such. You know how that happens.

Here is her statement which is worth parsing due to its unexpected Dogville allusion...

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TIFF: The Greek Theatre of "Sacred Deer"

by Chris Feil

Is it better to have good friends or a large number of friends? It’s a question asked casually in Yorgos Lanthimos’s The Killing of a Sacred Deer that hosts some of its more loaded themes: social connection, the difference between acquiring and appreciating, the futile pursuit of a nuclear unit. As discussed between odd teenager Martin and adult Steven, played by Barry Keoghan and Colin Farrell, it carries even more terrifying subtext for their unsettling relationship.

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