Ava DuVernay's "The 13th" Gets A Trailer

NYFF is about to officially kick off this Friday, and one of the festival's biggest question marks is Ava DuVernay's documentary The 13th. The opening night selection explores our current prison-for-profit system's exploitation of African Americans and its ties to the 13th Amendment, which abolished slavery except under terms of punishment for crimes. The festival was something of a surprise opener for the fest (and rare doc to do so) and here is our first glimpse of what DuVernay has in store for us:

Expect an expansive and passionate timely critique from one of out most vital filmmakers. What's more is that you won't have to wait much time past its debut to see it if you're not lucky enough to attend - Netflix will make the film available to stream October 7 as well as giving it a limited theatrical run. Netflix has had some luck breaking through in the Documentary Feature race at the Oscars, so we'll also be waiting to see if DuVernay's added cache could make it a contender this year.

NYFF: I, Daniel Blake

Here's Jason reporting from the New York Film Festival on Ken Loach's Palme D'or winning drama

Having come from childhood poverty myself I'm always ready to side-eye a movie that directly tackles the subject - for instance I wasn't a fan of Beasts of the Southern Wild because it felt (I know I was in the wilderness on this one) as if it too romanticized Hushpuppy's home-life. But that's just one pitfall for a subject I'm probably overly picky about - if a film's too preachy, if it turns its subjects into ciphers of suffering for its noble cause, well I don't want to go to that place either.

Ken Loach's I, Daniel Blake walks the line. It's very much a Message Movie all capital letters, but as you can tell by its title it does matter to Mr. Loach who these people are...

Click to read more ...

Team Experience's Most Anticipated Fall Festival Films

Oscar season is upon the horizon, dear readers. And the (un)official starting siren for the race ahead is the fall festivals. Venice kicks off tomorrow, overlapping with Telluride and Toronto in September, the comes New York and Chicago before the AFI Fest in November.

Our host Nathaniel will be heading out to Toronto in a few short days, so expect to see his responses during those days. While we can't all take in the glut of a major film festival, the fun of watching from home is hearing how the films on your radar are being received. So to let you know what we'll be waiting for, Team Experience has rallied our:

Top 15 Most Anticipated Films of the Fall Festivals

Films narrowly missing the list included Una, Voyage of Time, Loving, American Pastoral, and The Salesman. On our list you'll find five films directed by women and nine from non-US directors. We weren't at Cannes or Sundance, so not everything on our list is a world premiere (and we know you're still looking forward to those as well). Let's just say our #1 made like Katie Ledecky at the Olympics or Mo'Nique at the Oscars, but the list is still bursting with enticements. You can see previous posts on the festival lineups here and here. Chicago is just beginning to announce and Telluride doesn't announce their lineup until the start of the festival.

See what made our list and the festivals they will play after the jump...

Click to read more ...

Oceans 8. Links 16

• Variety we now have seven of the names for the Oceans Eight gender flipped movie: Blanchett, Bullock, Hathaway, Bonham Carter, Kaling, and two musicians who moonlight as actors Rihanna and Awkwafina 
• NYFF the 54th annual festival has released the main slate titles - Opening Night: The 13th (Ava Duvernay); Centerpiece: 20th Century Women (Mike Mills); Closing Night: The Lost City of Z (James Gray); plus their usual array of buzzy titles from other festivals only this time there are a lot of female leads (which is a huge change) including Aquarius, Toni Erdmann, Personal Shopper, and an Isabelle Huppert double in L'Avenir and Elle.
• Pajiba debates Suicide Squad's interpretation of Harley Quinn
• Variety a new lawsuit about Out of Africa's profits. That's timely! (People forget that it was a giant hit at the time)
• Deadline David O. Russell pitching a TV series with Robert De Niro & Julianne Moore. What the what now?

 

• Variety FX executive on Peak TV, Netflix and when the "Peak TV" bubble will burst
• Vulture Matt Zoller Seitz on the problems with serial-dramas on TV right now -- the model is shifting yet again
• Pride Source Meryl Streep talks her discomfort being imitated (!), Florence Foster Jenkins, sequels, and her connections to the LGBT community 
• IndieWire Greta Gerwig writing another screen version of Little Women - we get one every generation it seems
• /Film a Ghostbusters sequel with the ladies seems unlikely as the film will record a theatrical loss due to that ginormous budget
• Comics Alliance breaks down the Luke Cage trailer
• i09 Black Manta will be the villain in Aquaman 

Off Screen
• Playbill Tony Danza names his favorite stage performances. Somewhat surprising but cool list featuring Mare Winningham, Mark Rylance, Faith Prince and more...
• GQ "Stop trying to get perfect abs." Love this -  Define your personality instead.  
• The Adequate Man "Steve Martin is My Body Icon" on looking like the same exact person for ages 

Today's Must Read
Todd VanDerWerff has a gorgeous personal essay up on Vox called "Hamilton isn't perfect. But it's *perfect." I couldn't write for a month after I saw it". That's a mouthful but cozy up and be moved. It's on seeing Hamilton, the power of who is telling your story, and Todd's birth parents. 

New York Film Festival Selects Mike Mills' 20th Century Women for Centerpiece Film

Sound the alarms: there's a fresh new reason to celebrate Annette Bening. Following in the footsteps of last year's selection of Steve Jobs, the New York Film Festival has chosen Mike Mills' 20th Century Women as its 2016 Centerpiece, which stars The Bening as a single mother raising her son in 1979 Santa Barbara, co-habiting with a Bowie-cut Greta Gerwig, nomadic carpenter Billy Crudup, and frequent house guest Elle Fanning. We've been anxiously awaiting Mills' follow up to the intimate, structurally adventurous tone poem that is Beginners for a few years now, and NYFF's programming pick (and description of the film as a vibrantly alive time capsule, plus taste-maker A24's acquisition) signals a strong indication that it's been worth the wait. Imagining The Bening caught at the crux of cultural, decade-splitting identities, and strapped into denim overalls to boot, would be enough reason to anticipate the film, but the thought of another story stripped from the personal headlines of Mills' own life and translated into pure cinema has us downright salivating. I can smell the burnt sage from here.