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Just what I needed.

Animated Feature Contender: Rio 2096

Tim Brayton will be looking at several of the contenders for Oscar's Animated Feature race. He previously reviewedThe Wind Rises, Ernest & Celestine, Frozen, and Letter to Momo. This week: Rio 2096: A Story of Love and Fury.

At times, one is reminded to despair for the English language. We have before us a certain Rio 2096: A Story of Love and Fury, named in the original Portuguese Uma História de Amor e Fúria, a superior title on two levels. One is that the “Rio 2096” business is an inelegant distraction. The other and more important thing is that in almost every Romantic language, the words for “story” and “history” are the same, and plenty of writers have gotten mileage out of that fact through the years. At any rate, describing Rio 2096 as something that’s both story and history at the same time is merely accurate. Whereas describing it as something that takes place in Rio de Janeiro in 2096 is accurate-ish, though it reeks of marketing to an audience that remembers when “adult animation” and “used-up future” were basically synonymous, back in the 1990s.

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Interview: Asghar Farhadi on Globe Nominee "The Past"

Amir and Asghar Farhadi @ TIFFAmir here, to share with you my fantastic experience of interviewing the director of The Past, A Separation and About Elly. About a decade ago, when Asghar Farhadi made his first feature film after years of successful theatre and TV work, even the most optimistic fan of Iranian cinema could not imagine his stratospheric rise to International Auteur status in such a short span of time. It is heart-warming for an industry that has only gained international prominence in the past two decades to see one of its sons holding an Oscar statue. Farhadi’s popularity comes at a critical point for Iranian cinema, when festival presence is not as regular as it was in the nineties and several major filmmakers have had their careers stalled for political reasons.*

Farhadi's follow up to the Academy Award-winning classic A Separation, The Past will be representing Iran in the Best Foreign Film Oscar competition and was just nominated for the Golden Globe for Best Foreign Film. Farhadi's latest is a Paris-set melodrama starring two recognizable stars in The Artist's Berenice Bejo (Cannes Winner Best Actress) and Tahar Rahim as well as Iranian superstar Ali Mosaffa.** In the film, Bejo plays Marie, a French woman married to Ahmad (Mosaffa) who is in custody of their children after a breakup. When Ahmad receives a letter from his wife to return to Paris to finalize the divorce, he is confronted with Samir (Rahim), Marie’s new boyfriend, himself married with a son to a woman in a coma. And that’s just the beginning of the complications in this romantic triangle.

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Oscar's Documentaries: Tales from the Shortlist (Part 2)

Glenn continues his 3 part look at the 15 finalists for Best Documentary. (Here is part one if you missed it). Watch along with us!

Blackfish
Synopsis: How do you solve a problem like SeaWorld? Animal cruelty is exposed at SeaWorld theme parks and others associated with it around the globe. Particularly of interest is that of Tilikum, a 5,400kg orca responsible for multiple deaths including trainer Dawn Brancheau.
Director: Gabriela Cowperthwaite (City Lax: Un Urban Lacrosse Story)
Festivals: AFI Docs, Athens, Hamburg, Hot Docs, Kosovo, Melbourne, Miami, Moscow, Rio de Janeiro, Seoul, Sitges, Sundance, True/False
Awards: Best Documentary 2nd Place (Boston Film Critics), Best Documentary (Washington DC), Best Feature (Nominee, International Documentary Association)
Box Office: $2.07mil (max. 99 screens), out now on DVD/Blu-ray/VOD
Review: From my review back in July:

Its mission is similar to that of Oscar-winning eco-doc The Cove, and would make a curious companion to Jacques Audiard’s Rust & Bone. All it needed was more “Firework” by Katy Perry, obviously. … The secrecy surrounding [Brancheau’s death] forms the backbone of Cowperthwaite’s engaging documentary; inarguably an important and illuminating one that will hopefully lead to positive action against the torturous conditions that killer whales face in captivity. As a piece of filmmaking it’s traditionally assembled, but the topic and access to disturbing video footage makes for a potent and powerful indictment.

Oscar? Good to go! Animals and animal activism are popular in this branch with nominee Winged Migration and past winners March of the Penguins and the aforementioned The Cove. It’s proven successful in forcing change, plus we already know it has fans in Academy members like Kim Basinger and the folks at Pixar. If nominated I’d be tipping it for the win. They will be very impressed with themselves.

Dancing gangsters, wannabe Olympians and more after the jump...

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Late Night Link

The Wrap the new triangular Oscar logo
French Films About Trains "Category is: 2013 Realness" 
i09 Paul Rudd to play Hank Pym aka Ant Man in the future Marvel movie for Edgar Wright
Digital Spy... and Edgar Wright shares his ten favorites of 2013 (and Short Term 12 is on it so I love him even more now)

Cinema Blend Hugh Jackman to play the villain in the new Peter Pan film for Joe Wright... but he's not Captain Hook
Deep Cuts the best music scenes in movies this year
Film School Rejects 3 films getting Oscar rereleases and 3 that deserve to get the same treatment
Variety 'how American Hustle conned the critics' a scathing review of... um... either the movie or its reviews. 
Vanity Fair David O. Russell's last minute decision to cast Jennifer Lawrence
Vulture Taylor Kitsch on The Normal Heart, Lone Survivor and his resistance to doing a Friday Night Lights movie
Cinema Blend Superman heirs still seeking back the rights. So much drama with superman. (Shouldn't he be in the public domain soon anyway? Damn corporate America and its perversion of copyright laws!) 

National Film Registry
Finally, the Library of Congress announced the 25 new titles they're adding to their list of culturally important films. The honor is mostly symbolic since nothing actually happens to the films in question. It doesn't grant them funding for cleaning of their negatives or restoration or guarantee a Blu-Ray release or any some such but it's still a lovely tradition. Mary Poppins is included this year which only prompted "that wasn't already in there?!?" from me followed by a 'well, that's suspiciously good timing for its 50th anniversary Blu-Ray release and the Oscar campaign of Saving Mr Banks." But I love Mary Poppins (here is evidence) so i'm thrilled.

The 25 Films:  Bless Their Little Hearts (1984), Brandy in the Wilderness (1969), Cicero March (1966), Daughter of Dawn (1920), Decasia (2002), Ella Cinders (1926), Forbidden Planet (1956), Gilda (1946), The Hole (1962), Judgment at Nuremberg (1961), King of Jazz (1930), The Lunch Date (1989), The Magnificent Seven (1960), Martha Graham Early Dance film (1931-44), Mary Poppins (1964), Men & Dust (1940), Midnight (1939), Notes on the Port of St. Francis (1951), Pulp Fiction (1994), The Quiet Man (1952),The Right Stuff (1983), Roger & Me (1989), A Virtuous Vamp (1919), Who’s Afraid of Virginia Woolf (1966), and Wild Boys of the Road (1933)

Which ones that you haven't seen are you most curious about? I'm thinking I should finally get around to The Quiet Man because Maureen O'Hara. And though I've seen it already I should probably revisit / write up The Right Stuff because it's so good and people just don't talk about it enough.