Friday, December 16, 2016 at 12:09PM The Academy's complicated process in nominating for Best Foreign Language Film is nearing completion. Last night they winnowed down the 85 film list to a more manageable 9 films. Those 9 will screen for selected panels in multiple cities and 5 nominees will be determined. A few observations and trivia notes about the list after the jump...
Thursday, December 15, 2016 at 9:20AM 
Tonight or tomorrow -- depending on how quick they are with the press release -- we'll learn which foreign film submissions made the finals for the Oscar nominations. There are always nine. We don't know why they settled on that number as 10 makes more sense (in a 50/50 kind of way) and 15 would make this category more symmetrical with the other specialty category of Documentary Feature. But if you're curious about how the process of whittling all this down works, you should check out Anne Thompson's breakdown.
One thing that's easy to forget about this complex process is that the actual five Oscar nominations that come from this nine-wide finalist list are decided on by yet another panel, one that changes each year and usually includes a few big names: Florence Foster Jenkins co-stars Streep & Grant were both on that final nominating committee last year for example.
Wednesday, December 14, 2016 at 4:29PM 
We warned everyone to not "lock" up any screenplay predictions too early, especially when the provenance of a screenplay is confusing, and our warnings were not in vain. The Academy has rejected the campaigns of Loving and Moonlight as "Originals" and they have been moved to the "Adapted" category. Both had made no secret that they were inspired by other works, despite their Original campaigns. Loving is partially based on the documentary The Loving Story (2011) and Moonlight on an unproduced play (of sorts -- though now the playwright is saying it never was intended as a play... which makes the situation yet more confusing) called "In Moonlight Black Boys Look Blue". Regardless, the murkiness was enough for the Academy to cry foul on their preferred Original designations. (If only the Academy's acting branch would play this kind of interference when obviously lead acting roles like Rooney Mara in Carol or Hugh Grant in Florence Foster Jenkins or dozens of others in recent years claimed "supporting" designation.)
Prior to this Academy ruling, the Original Screenplay competition looked enormously competitive with a nail-biting battle between Manchester by the Sea and Moonlight for the gold. Now both movies -- arguably the two biggest critical darlings of the year -- have a clearer shot at a win but it does make the competition for the other four nominations in each category more exciting and open. Both charts have been updated accordingly. Which screenplays do you think benefit from this ruling?
Wednesday, December 14, 2016 at 11:35AM 
As we've noted several times in the past, SAG nominations are often among the most surprising for two reasons. First, the nominating committee changes each year, drawn randomly from the Screen Actor's Guild enormous body of dues paying members. Second, because the members are randomly selected and (presumably) spread out more geographically than the easier to target Academy and Globe members, their nominations can often feel like they were voted on earlier and that's the case this year with more summer films nominated than other awards bodies went with.
The nominees with commentary are after the jump...
Tuesday, December 13, 2016 at 8:30PM 
Oscar's music branch has sorted through all the tuneful submissions and made two gigantic lists. They've deemed 145 original film scores eligible for "Best Original Score" and 91 songs eligible in Oscar's most divisive category "Best Original Song". As long as I've been alive people have objected to this category even existing (when far more prevalents crafts like "casting" and "stunts" don't have Oscar categories) but without it we wouldn't get all those memorable musical performances on the show. Please note the word "memorable" comes with no connotations as to quality. You can be memorable for all sorts of reasons from brilliance to embarrassing yourself!
This year has the usual array of films you've never heard of, plentiful documentary and cartoon theme songs, songs from movies you saw but didn't realize they had a song (Sully anyone?!), and a whole lot of Sia from multiple movies though her best shots are probably the theme song from The Eagle Huntress or Zootopia's "Try Everything" (people think of it as a Shakira song but Sia wrote it so she'd get the nomination). Since single movies are only allowed two nominees in this category (the rule was changed after the 2007 Oscar race with 3 nominations from Enchanted), you'll find that most movies don't submit more than that, now. Pop Star: Never Stop Never Stopping only went with one, Sing Street narrowed their plentiful options down to two and La La Land submitted three. Sadly Hail Caesar either didn't submit or they deemed "No Dames" ineligible, we're guessing the former. The 91 songs are listed after the jump with their videos so you can hear them where we could find them...
