Blueprints: "The Shape of Water"

On the last week before the Oscar nominations are announced, Jorge takes a look at another of the potential screenplay contenders. This week, he explores a fight, in which one person has to speak both sides of dialogue.

Guillermo del Toro’s The Shape of Water is a fairytale about the forbidden love between a mute woman and a captive fishman. But as much as the film is about their romance, it is also about the unique friendships and relationships made by those that society has pushed to its margins for being “different”. 

Let’s take a look at one of the most memorable scenes in the film, between Sally Hawkins’ hopeful and infatuated Elisa, and her closeted gay neighbor and best friend, Giles, played by Richard Jenkins. It’s a fight where Elisa not only begs him to help her save the creature, but also to be seen and understood...

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Ding Dong! "Las Culturistas" Calling...

The TFE podcast will be back soon, but until then, here's a detour to another listen!

I had the pleasure of being this weekend's guest on "Las Culturistas". Matt Rogers (no relation) and Bowen Yang take you to the cultch each week. They've been making all sorts of lists of best comedy podcasts (Vulture, Esquire, TimeOut New York) and so I was getting my Lyft on to the studio, honey, as soon as they asked. Lists are life and to be consulted with when making life decisions like 'to guest or not to guest?')

I was terrified but they put me at ease immediately with Rule #1470 of Culture ("Kirsten Dunst makes it look easy"). And from there we talk about Oscar, actresses, Michelle Pfeiffer, who's going to win Best Picture, things that are pissing us off at the moment, and so on.

US Scripters Nominations (Gloriously) Add to the Adapted Screenplay Confusion

by Nathaniel R

Lost City of Z finally makes a precursor markOne of the funniest developments this awards season is how weirdly empty the Adapted Screenplay became in the wake of so many top contenders being "originals". The balance is way off. Even the 'true' stories, the ones adapted from history or people's lives this year were mostly originals (Some have argued in the past should be considered for the Adapted category since they're not originating the stories and characters... though we've never come to a definitive conclusion as to whether or not we agree).

Today the US Scripters chaired by USC professor and past president of the Writers Guild of America, West, Howard Rodman, and a selection committee chose the nominees from a field of 91 film and 28 television adaptations. Because of a three way tie in voting they have SEVEN film nominees this year. Which is hilarious since most people though the category "weak" in terms of Oscar candidates. In spreading their net so wide they've done little to clear up the confusion as to which five films will receive Oscar nominations. More after the jump...

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FYC: Michael Stuhlbarg for "Call Me By Your Name"

by Chris Feil

It’s the final day of Oscar voting before the nominations are announced before the nominations are announced on Tuesday January 23! Who knows if most Oscar voters have their nomination ballots in or not, but that doesn’t stop the rest of us from screaming last moment FYC hosannas for the procrastinators that mights be listening. My last minute plea would be for one performance that I find shocking to have received so little traction over the season: Michael Stuhlbarg in Call Me By Your Name...

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'The Shape of' the Critics Choice Winners List

by Nathaniel R

The Critics Choice Movie and Television Awards voted on by the BFCA members were held last night in California with Olivia Munn hosting. Aside from the color of the dresses and the Best Picture winner (Shape of Water) the night was faithful to the template set by the Golden Globes on Sunday in terms of the winners list and the political slant. Wonder Woman herself, Gal Gadot,  even got to make a speech with a special award (now that they've axed the acting in action film prizes).

In the night's most predictable turn of events, James Franco was a no-show (despite winning Comedy Actor again) after this past week of sexual misconduct claims. In the night's most upsetting development Lady Bird was entirely shut out of the winner's circle. In the night's "Biggest Waste of a Prize" moment, for some reason the group chose Three Billboards for Best Ensemble despite awarding McDormand and Rockwell trophies. (Aside from Woody Harrelson does anyone else in the cast demand a kind of "well, we gotta give this an ensemble prize, too!" enthusiasm? Especially when they had Mudbound, The Post, Dunkirk and Lady Bird right there as the other options!). Winners and a few more comments are after the jump...

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