Sundance: Choose Your Own Interpretation of "Luce"

Abe Fried Tanzer reporting from Sundance

People walk through this world with different levels of privilege. It’s a concept that’s become more widely understood of late, and certainly featured prominently in numerous films in recent years. In fact, 24 year-old actor Kelvin Harrison Jr. has starred in a handful that have played at Sundance, including both Monster and Monsters and Men just last year. This year, he stars opposite Naomi Watts in two films. One is The Wolf Hour, a dreary tale of agoraphobia in 1970s New York City that mildly touches on race and class. The other, which tackles the notion of privilege and prejudice, is Luce.

Harrison Jr. stars as the title character, who was adopted from Eritrea at age 7 by Amy (Watts) and Peter (Tim Roth), and, with the help of considerable therapy to overcome his violent childhood, has excelled incredibly and become the class valedictorian...

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Sundance: Keira Knightley has "Official Secrets"

Abe Fried-Tanzer reporting from Sundance

As if there wasn’t enough going on in today’s American and international politics, events that happened a decade and a half ago seem to be coming into focus again. The start of the Iraq war and its implications were covered in the Best Picture nominee Vice and are the subject of two new films premiering at Sundance. Murtada just shared his thoughts on The Report, which focuses on the investigation into torture practices used by the United States. Official Secrets takes place across the pond, following the fallout of one British intelligence translator’s decision to leak an NSA memo detailing plans to blackmail United Nations security council members into voting to go to war in Iraq...

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Sundance: Great acting in "Clemency," an education in "The Report"

Murtada Elfadl reporting from Sundance

Should we react to movies based on content or artistic merit? I struggled with two movies at Sundance this week which had incendiary, important content and tackled either a crucial part of history or provided necessary social commentary. Artistically, however, I found both Clemency and The Report lacking...

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Tweetweek @ Snowy Sundance

A+ usage of fav Addams Family Values quote

pic.twitter.com/KO9D1o0dYj

— Bryan Fuller (@BryanFuller) January 25, 2019

After the jump, searching for hobbies post Filmstruck, post-Oscar nomination giggles, and several tidbits from Sundance Film Festival featuring Selma, Children of Men, Shia Labeouf, Annette Bening, Julianne More, and more...

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Interview: Nadine Labaki on directing children in her riveting Oscar contender "Capernaum"

by Nathaniel R

Nadine Labaki is three-for-three. Lebanon's most prominent filmmaker has seen all three of her films premiere at Cannes to considerable acclaim and go on to represent her country as Oscar submissions. The first two Caramel (2007) and Where Do We Go Now? (2011) became international arthouse hits. Her newest feature Capernaum, distributed by Sony Pictures Classics, recently began its platform release in the US and will hopefully see the same warm reception. It's her best shot yet at an Oscar nomination, having made the finals in foreign film. Her Cannes jury prize winner looks at the refugee crisis in Lebanon by focusing on one Syrian boy named Zain (played by Zain Al Rafeea) who is trying to survive on his own. It's a visceral must-see and should elevate Labaki's already healthy reputation as a world class director.

To my surprise, she isn't sure what she's doing next, admitting that this one has been particularly hard to let go of...

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