Sunday, January 27, 2019 at 8:00AM A+ usage of fav Addams Family Values quote
— Bryan Fuller (@BryanFuller) January 25, 2019
After the jump, searching for hobbies post Filmstruck, post-Oscar nomination giggles, and several tidbits from Sundance Film Festival featuring Selma, Children of Men, Shia Labeouf, Annette Bening, Julianne More, and more...
Sunday, January 13, 2019 at 1:16PM by Nathaniel R
Nadine Labaki is three-for-three. Lebanon's most prominent filmmaker has seen all three of her films premiere at Cannes to considerable acclaim and go on to represent her country as Oscar submissions. The first two Caramel (2007) and Where Do We Go Now? (2011) became international arthouse hits. Her newest feature Capernaum, distributed by Sony Pictures Classics, recently began its platform release in the US and will hopefully see the same warm reception. It's her best shot yet at an Oscar nomination, having made the finals in foreign film. Her Cannes jury prize winner looks at the refugee crisis in Lebanon by focusing on one Syrian boy named Zain (played by Zain Al Rafeea) who is trying to survive on his own. It's a visceral must-see and should elevate Labaki's already healthy reputation as a world class director.
To my surprise, she isn't sure what she's doing next, admitting that this one has been particularly hard to let go of...
Thursday, January 10, 2019 at 10:20PM by Abe Fried-Tanzer
It’s not uncommon for documentaries and narrative features about the same subject to be released around the same time. In some cases, the impetus for a narrative film comes from the success of a documentary, as with recent Robert Zemeckis' movies the The Walk and Welcome to Marwen, which told the same stories as the hit docs Man on Wire and Marwencol, respectively. 2010 saw concurrent releases of documentary Casino Jack and the United States of Money and the feature Casino Jack.
This season's double feature is undeniably inspired by the need to champion strong women in the face of divisive times. Who better than civil rights icon Ruth Bader Ginsburg, the second female justice appointed to the Supreme Court, to serve as the figurehead for two very different movies in 2018?
Thursday, January 3, 2019 at 9:10PM by Eric Blume
Adam McKay’s film Vice has been out in theaters for two weeks or so now, and as we head into Golden Globe weekend where it leads the nominations, we ought to discuss it a bit more. Here are some thoughts about the film, which do carry SPOILERS, not about story points (as unfortunately these things really happened), but about just how truly odd this film is in so many ways...
Thursday, December 27, 2018 at 8:41PM John and Matthew are watching every single live-action film starring Meryl Streep.
#52 — Katharine “Kay” Graham, pioneering Washington Post publisher who authorized the printing of the Pentagon Papers.
JOHN: Since it was first announced in March of 2017, deep into the first hundred days of the Trump presidency, The Post moved at a breakneck speed from rewriting to shooting to post-production before it quickly arrived in theaters in December of that year. Spielberg had paused production on his historical drama The Kidnapping of Edgardo Mortara and after reading a spec script by Liz Hannah, set the gears into motion on The Post, assembling his usual team (cinematographer Janusz Kaminski, composer John Williams, editor Michael Kahn, among others), along with two screen legends who had never before shared a single frame. This urgent sense of timeliness is palpable in The Post, which is both a riveting period piece about a landmark historical moment and a rousing paean to the free press in our distressing present...
