Can You Ever Retweet Me?

Tweets!

The dog in Widows is named Olivia. The real, credited name of the dog in Game Night is Olivia. Is it... is it the same dog? pic.twitter.com/zU787tQhwG

— kateyrich (@kateyrich) November 16, 2018

 A semi-weekly curated collection of tweets for your seconds-long amusement. After the jump Julianne Moore, Tom Hardy, Alexandria Ocasio-Cortez memes, Widows, Can You Ever Forgive Me?, Gone Girl, Fantastic Beasts 2, Beetlejuice and more...

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Months of Meryl: The Iron Lady (2011)

John and Matthew are watching every single live-action film starring Meryl Streep. 

#43 —Margaret Thatcher, the polarizing British prime minister.

MATTHEW: After decades of heavy speculation about when, not if, Meryl Streep would finally win her third Academy Award, the most widely admired actress of all time picked up another trophy for a performance that may best be remembered as a textbook study in How to Win an Oscar. Despite stiff, down-to-the-wire competition from The Help’s eminently deserving Viola Davis, who transcended lackluster material in much the same way that Streep herself did in her most acclaimed tour de force, the actress sailed to victory after a season’s worth of ovations and exposure. The months preceding Streep’s first Oscar win in nearly 30 years found the acting legend accepting her eighth Golden Globe, her fourth New York Film Critics Circle Award for Best Actress, her second BAFTA Film Award, her very first Vogue cover story, a Kennedy Center Honors lifetime achievement tribute, and endless publicity concerning one of the most challenging roles of her late career, that of Margaret Thatcher in what should rightfully be called Phyllida Lloyd’s The Iron Lady, but might just as suitably be described as Meryl Streep’s The Iron Lady. And when one truly considers the sheer size and notoriety of the role, who could have possibly topped Streep that year? Conversely, when truly considering the actual performance that returned Streep to Oscar glory, away from all the myth/history-making hubbub that surrounded it, one could be forgiven for wondering, Is that all there is?

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Tweetweek

A collection of random tweets for your (hopeful) amusement...

"One for the new Dianne Wiest, please!" — me at AMC on opening weekend of The Mule pic.twitter.com/dXcb91KudI

— Matthew Eng (@Eng_Matthew) October 4, 2018

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Links

• IndieWire a brief interview with Steven Yeun about life after The Walking Dead -- strangely there are no questions about his new Korean movie Burning despite the fact that he's amazing in it
• THR Bradley Cooper getting an award from PETA for casting his own dog Charlie in A Star is Born. I mean.... the dog is perfection, so why not?
• Vanity Fair Fan Bingbing has broken her silence after disappearing. She is said to owe more than $100 million in backtaxes to the Chinese government

• /Film Trailer for The Conners series, essentially Roseanne without Roseanne
• The Guardian a wonderful interview with Samantha Morton about choices she made in her career, her new part on The Walking Dead, and why she was dubbed "difficult" in her early years of stardom.
• Playbill Emmy & Oscar winner Christine Lahti now starring in a play Off-Broadway about Gloria Steinem called Gloria: A Life. Steinem is quite the hot topic at the moment since there's also a biopic in the works
• Pajiba on the Bullseye rumors around Daredevil season 3
• Decider a Jeopardy moment that will go viral involving drag superstar Alyssa Edwards
• /Film Netflix will be releasing Paul Greengrass 22 July in 100 theaters (they're also rumored to be trying to buy movie theaters, which is odd considering how much they've worked to diminish the moviegoing habit)
• MNPP Luke Benward nine times
• Daily Beast and director Catherine Hardwicke reflect back on Twilight's success and the sexist aftermath

This Week's Must Read (s)
Wesley Morris has an amazing challenging essay about the new ways we discuss art and how they've come to center more on the artist and that person's perceived moral or representational correctness then the quality of the art.  I loved reading this because so much of what he's saying I've seen happening and whenever I tried to put my finger on why it was frustrating me, I couldn't quite locate the target. 

The essay also prompted this interesting discussion at Vulture among a panel of mostly female critics. I love the point raised that there's a way to discuss art in this new way while also balancing aesthetic discussion but a lot of younger critics haven't been trained in that way or encouraged to learn that skill in the charged political time we're living in.

Yes No Maybe So: Christian Bale is "Vice"

by Nathaniel R

click to embiggenThe major Oscar hopeful that's played things closest to the vest this season is Vice. The trailer and poster (to your left) have both finally dropped today and other Oscar campaigns are probably shivering a bit. The film, from writer/director Adam McKay of The Big Short fame, is a comedy telling the true story of how Dick Cheney came to rule the world (albeit behind the curtain as the Vice President) and set the US on a sorry new course.

It's an all-star affair with Oscar winners Christian Bale (Dick Cheney) and Sam Rockwell (George W Bush), Oscar darling Amy Adams (Lynne Cheney), and Oscar nominee Steve Carell (Donald Rumsfeld) in political drag as figures we know and love hate. Alison Pill and Tyler Perry are also in the film (though they aren't featured in the trailer) as Mary Cheney and Colin Powell respectively.

After the jump the trailer and our Yes No Maybe So breakdown...

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