Regional Critics Round 2: Power of the Dog x 3

by Nathaniel R

If you're keeping track you'll know that NBR chose Licorice Pizza and NYFCC selected Drive My Car as best of the year while Washington DC, Sunset Circle, and Detroit Film Critics threw in Belfast, Dune, and Cyrano as their top picks. We knew we'd have a repeat winner soon and so it has come to pass: Drive My Car and Licorice Pizza are both cited again. But we also finally get The Power of the Dog in the top spot, thrice over (that took long enough given all the Best Director kudos already!) After the jump 5 more critics groups: Boston, Philadelphia, Atlanta, and New York (Online), and Boston (Online).

The winners and a few comments after the jump... 

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The AFI Top Tens are here - what does it mean?

by Nathaniel R

One of the hit and miss traditions of year-end hoopla is the American Film Institute's Top Ten List. This list, which has a rotating jury, began as something kind of unpredictable but it's been veering towards straight up Oscar Best Picture frontrunners mirroring for some years now. The ten titles they've cited this year are...

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Regional Critics Groups Round 1: Belfast, Cyrano, Dune

by Nathaniel R

First three regional critics groups to announce follow. Washington DC, Detroit, and some California critics have now had their say with Belfast, Cyrano, and Dune picking up Best Film prizes. Since NBR went with Licorice Pizza and NYFCC with Drive My Car we're off to a wild start with no repeats for the top prize. This is the way we always hope it will be since there's no point in multiple orgs and associations if they all agree. The full list of winners from three groups after the jump...

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"Licorice Pizza" it is for NBR

by Nathaniel R

The National Board of Review has spoken naming Paul Thomas Anderson's Licorice Pizza, the best of the year. The meandering 'California in the 70s' romantic comedy between a directionless 25 year old woman and a 15 year old child star/entrepeneur has delighted critics since it started screening and the NBR (though they're not a critics group) also felt the vibes. It's still shocking to me, personally that the internet isn't outraged about the plot alone (even though the film is careful about not really going there) while at the same time the internet loves to harass fully-grown adult stars with age differences. But... that's a distraction since social media outrage is a very different thing than awards organization proclivities.

The full list of winners, Oscar stats, and more NBR history including their 'recency bias' problems follow after the jump...

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"The Lost Daughter" reigns at the Gotham Awards

by Nathaniel R

Peter Sarsgaard, Maggie Gyllenhaal, and Dakota Johnson at the Gotham Awards

Last night, while many film journalists were at one of the several West Side Story premieres, the Gotham Awards were held celebrating much less expensive but also captivating cinema.  Maggie Gyllenhaal's feature directorial debut, The Lost Daughter  reigned winning four of its five categories. This was bad news for Passing, another Netflix film (which we like even more though they're both fine films) which received 5 nominations but lost in all of its categories. Other multiple nominees who took home no prizes included A24 films like Red Rocket, The Green Knight, and C'mon C'mon, 

Outside of  The Lost Daughter the biggest awards season boost was definitely for CODA. The family drama about a child of deaf adults who wants to be a professional singer won prizes for both its leading lady Emilia Jones and her onscreen father Troy Kotsur. Kotsur really should be more competitive in Best Supporting Actor discussions so perhaps this will help!

THE WINNERS and more commentary are after the jump...

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