Doc Corner: The Compelling 'Roll Red Roll'

By Glenn Dunks

“She is so raped right now… this is the funniest thing ever.”

That’s one of the callous lines that opens Nancy Schwarzman’s debut feature documentary, Roll Red Roll. Played against misty images of an otherwise seemingly peaceful hamlet, the opening minute is not the last time we will hear those words, spoken as they were by a male high schooler as a young girl lay drunken and unconscious on the floor of his friend’s rec room. The words return later, this time in video form, as the boy in question laughs and smiles, his face radiating with some sort of queasy pride for his friends, two fellow high schooler students who would eventually be found guilty of rape.

It’s important to not beat around the bush here – after all, Schwarzman’s film doesn’t...

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Doc Corner: Orson Welles x2

By Glenn Dunks

It has been suggested that Mark Cousins is a very unique brand of filmmaker. In that regard, he makes a perfect filmmaker for a project about another very unique brand of filmmaker: Orson Welles. I have not seen Cousins’ much-loved The Story of Film: An Odyssey nor any of his other film-centric documentaries so I can’t speak to how his latest fits into his oeuvre, but I do know that I was pleasantly surprised to discover that The Eyes of Orson Welles was not a typical bio-doc about Welles.

Instead, it takes the novel approach of using his work in another medium, his love of drawing and painting, to approach his cinematic output and his character as a man more broadly...

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Doc Corner: Fyre Festival, Jean-Luc Godard and Eureka in First-Quarter Round-Up

By Glenn Dunks

We sometimes get so carried away with Oscar and all things award season adjacent that we forget there are very real movies being released in those first couple of months of the year. After last week's very topical Leaving Neverland review, we're going to back back into January and February and pluck out a few titles we have seen: Fyre, The Image Book, and The Gospel According to Eureka. 

FYRE 
It's not very often that Shoah comes up in conversation at a party, but there we were when somebody asked me about Fyre, the new documentary from the director of American Movie, Chris Smith. I had said I would rather watch all nine and a half hours of Holocaust testimonials than I would watch another 90 minutes of Fyre (including the adjacent Hulu documentary Fyre Fraud that I have no endured). I may have been several margaritas down and it may come off as unnecessary flippant, and yet here I am weeks later and it is a sentiment I would stand by...

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Review: Captain Marvel

An abridged version of this review was previously published in Nathaniel's column at Towleroad

by Nathaniel R

Captain Marvel‘s “Vers” (Brie Larson) can’t remember a thing about her past life. She has only known this: training with her mentor Yon-Rogg (Jude Law) and fighting with her fellow Kree warriors in Starforce. 

Their mission is to wipe out the evil shape-shifting alien race known as The Skrulls. Though Vers can’t recall her origins, Marvel Studios has their origin template memorized by now, 21 films into their world-conquering juggernaut franchise. It’ll involve:

• comic sidekicks (☑️☑️☑️)
• training sequences (☑️)
• losing an early battle (☑️)
• questioning old beliefs (☑️☑️)
• forming new alliances (☑️☑️)
• and the hero/heroes finally coming into their own, more powerful than they were before (☑️)

Cue end credits. But we'll get to those in a minute...

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Doc Corner: 'Leaving Neverland'

By Glenn Dunks

Please note this review discusses topics that will be upsetting to some readers.

How long is too long for a film like Leaving Neverland? Not long enough, it would seem. Don’t get me wrong – watching Dan Reed’s four-hour document of the physical and psychological abuses heaped onto two underage boys in the 1990s by the most famous man in the world, Michael Jackson, is rough-going. It’s sickening, it’s confronting, and its hard to sit through. It’s also compelling and I, for one, believe them. --  I figure I should get that out of the way right at the top.

Reed does something great with with this material, which could so easily have been sensationalized or turned into cheap, ghoulish true crime fodder. His approach is elegant, refined and simple and yet holds the weight that such a discussion deserves...

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