What do you think of when you think of Jean Luc-Godard (1930-2022)?

by Nathaniel R

In the Manhattan apartment that I spent 10 years of my life in, my then-boyfriend and I chose three movie posters framed for the living room. When we were making the choices the requirements were as follows..

1. The poster had to be a color or colors that would go well with both the room and the other 2 posters
2. One of us had to be a mega fan of the movie
3. The other one had to also like the movie enough to have it on the wall.

Despite loving literally hundreds of movies we settled on the posters quickly...

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Tweetweek

Stuffed with easter dinner so let's share random amusing bonmots of tweets that made us lol or make you go hmmm.

Happy Easter from Fonda, the Easter Bunny ❤️🐰 pic.twitter.com/CAEzn4mBGG

— Jane Seymour Fonda (@Janefonda) April 12, 2020

Why is Jean-luc Godard dressed as Wallace? pic.twitter.com/GfzmJMj3A5

— Andrew Power (@andrewpower_) April 7, 2020

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Doc Corner: Fyre Festival, Jean-Luc Godard and Eureka in First-Quarter Round-Up

By Glenn Dunks

We sometimes get so carried away with Oscar and all things award season adjacent that we forget there are very real movies being released in those first couple of months of the year. After last week's very topical Leaving Neverland review, we're going to back back into January and February and pluck out a few titles we have seen: Fyre, The Image Book, and The Gospel According to Eureka. 

FYRE 
It's not very often that Shoah comes up in conversation at a party, but there we were when somebody asked me about Fyre, the new documentary from the director of American Movie, Chris Smith. I had said I would rather watch all nine and a half hours of Holocaust testimonials than I would watch another 90 minutes of Fyre (including the adjacent Hulu documentary Fyre Fraud that I have no endured). I may have been several margaritas down and it may come off as unnecessary flippant, and yet here I am weeks later and it is a sentiment I would stand by...

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Cannes Day 5-6: "Killing of a Sacred Deer" and "Happy End"

by Nathaniel R

Previously Day 1 and Days 2-4

How's that hunt for our Palme d'Or and runner up prizes coming? Here are the five latest in competition films to screen.

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National Society of Film Critics Swings French for 2014

The NSFC has announced its "Best" and we have another treat for glum Marion Cotillard. She may have been fired from her job in Two Days One Night but the world's critics would love her to be gainfully employed for years to come.

The NSFC is composed of "many of the country’s most distinguished movie critics" and were once the third holy in the critical trinity (with NYFCC and LAFCA) before the days when every single city in the nation was naming their best a development which has significantly dulled the power of critics awards altogether... or  at least confused what it is about critics awards that anyone pays attention to anymore.

The most interesting thing is that though this critics society has "National" in its name, the members were just not that into American films this year. They've crossed the Atlantic for their major prizes handing Jean-Luc Godard's 3D experiment Goodbye to Language the year's best film (in a narrow one point victory over Boyhood), Marion Cotillard wins Best Actress (by a huge margin for her Belgian feature with the Dardenne brothers as well as The Immigrant). The other mild statement this weekend is two prizes for the British Mike Leigh film Mr Turner with wins in Best Actor and Cinematography.

This last burst of recognition for Timothy Spall (interviewed right here) in a very tight Best Actor race and for Marion Cotillard who remains a longshot for Best Actress since the precursors roundly favored the exact same five women (Julianne, Reese, Felicity, Jennifer, Rosamund) keeps things exciting. At least a little bit. If AMPAS is still asking for recommendations at all, mind you. Still, we know of at least one über famous Academy member who is rooting for Marion. 

Nobody's saying it--yet-- but Marion Cotillard deserves Oscar nod for TWO DAYS, ONE NITE https://t.co/S3Bo2OpBAB

— Jane Seymour Fonda (@Janefonda) December 31, 2014

Thanks, Jane! 

Otherwise the NSFC prizes were the standard winners you've seen everywhere else: Linklater, Simmons, Arquette, Citizenfour, and Budapest for Screenplay. All this agreement has been bizarre for such a rich film year but what can you do? (If you're interest in voting data, I've included it after the jump... and you can also visit their official site here.)

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