AFI Fest: Guillermo Del Toro dazzles with his take on “Pinocchio”

by Eurocheese

One of the most exciting debuts of the festival was Guillermo Del Toro’s Pinocchio. The first thing that stands out about his adaptation, unsurprisingly, is the stunning visuals. Imagine a puppet show with a lush background where frames are so beautiful, singled out shots could easily serve as postcards. Well known characters such as the cricket (given the name Sebastian here) and the Blue Fairy mix deep blues with the monsters that always seem to lurk in Del Toro’s imagination. Think of it this way: If you crossed the animals from Isle of Dogs with the radiance of a stained-glass window, you’d get images like this. 

Del Toro came to present the film and spoke to having total control over the project, not allowing studio notes to mess with his vision (he used stronger language than "mess with")...

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AFI Fest: Jafar Panahi’s stark portrait of Iran in “No Bears”

by Eurocheese

Director/Writer Jafar Panahi is currently sitting in an Iranian prison cell. By way of introduction at the AFI Fest, currently taking place in Los Angeles, our audience was reminded of this. That's not all. We were also informed that he has told his wife that this prison stay has been his most difficult – a shocking statement considering his arrest in 2010 led to him to a hunger strike. This set the backdrop perfectly, as the film portrays Panahi’s take on the current state of affairs in his country. 

Within the first few minutes, the fourth wall is broken as we learn Panahi (playing himself) is using a stand-in director to film his new feature, presumably because he is not allowed to direct himself. Meanwhile, he is staying close to his cast and crew in a small town close to Iran's border for a few days...

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AFI Fest: “Selena Gomez: My Mind & Me” shows the star up close

by Eurochees

This year’s AFI Fest opened with a spotlight on pop star Selena Gomez under the direction of Alek Keshishian, who famously brought us Madonna: Truth or Dare (1991). The film kicks off promoting Gomez’s music and telling the audience her backstory, walking us through a career she began at 7 years old on the show Barney & Friends. She has been consistently working since that time, turning 30 this past summer. We learn about the physical toll lupus took on her, an emotionally exhausting period which led her to a breakdown stemming from her bipolar disease. Her decision to go public with her diagnosis ties into her statement later in the film that she is driven by her focus on what to do next when facing hurdles... 

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Review: 'Soft & Quiet' is anything but

by Matt St Clair

Soft & Quiet, the feature directorial debut from Beth de Araújo (a newly minted Gotham Award nominee), is the most anxiety-inducing experience you’ll have watching a movie this year. Taking place over the course of one stressful afternoon, this depiction of a group of like-minded women involved in a harrowing chain of events is bound to leave viewers squirming in various ways. 

When the women first meet up, it seems like a casual get-together. But, as they’re taking out refreshments, group leader Emily (Stefanie Estes) unwraps her pie with a swastika carved in the middle. It's a sudden revelation that this gathering is a meeting for their group called the Daughters for Aryan Unity...

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Review: All Quiet on the Western Front

By Christopher James

Paul Bäumer (Felix Kammerer) heads into World War I in "All Quiet on the Western Front," the German submission this year for Best International Feature.

It’s daunting to remake a Best Picture winner. Steven Spielberg was able to breathe new life and vitality into West Side Story, making it a companion to the timeless original. But, more often than not, filmmakers buckle under the weight of expectations and self importance (like the failures of, say, Steven Zaillian's star-studded rendition of All the King’s Men or Timur Bekmambetov's Ben-Hur).

The Lewis Milestone adaptation of Erich Maria Remarque's anti-war novel All Quiet on the Western Front in 1930 struck new ground for realism, brutality and anti-war sentiments. It earned Oscar wins for Best Picture and Best Director. It's been regarded as a classic ever since, later receiving citations on AFI’s list of best films and best epics and inclusion in the National Film Registry. How could a new film pack a similar punch? Director Edward Berger doesn’t reinvent the story, but his 2022 re-telling of All Quiet on the Western Front is loaded with enough technical panache to make it a worthy, additive remake and a great time at the movies...

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