New Linklater Film to Open NYFF

Chris here. You may think it's a little early to start prepping for fall film festival season, but New York Film Festival wants to prove you wrong. The festival just announced its opening film and it's one we've heard surprisingly little about: Richard Linklater's Last Flag Flying.

The film will be a spiritual sequel of sorts to Hal Ashby's The Last Detail, with Bryan Cranston taking over Jack Nicholson's reins. Cranston stars with Laurence Fishburne and Steve Carell, and the men head off on a coastal road trip after Carell's son dies while serving overseas in Iraq. If this sounds on the treacly side, we can count on Linklater to give it some verve. Plus if NYFF has the confidence in the film to announce its major placement several months away, the Texan filmmaker could have something special coming our way.

The film will open in the Thanksgiving corridor on November 17, so distributor Amazon is likely gunning for Oscar consideration. Previous NYFF openers range from last year's nominated 13th to all-around dud The Walk, so we'll be curious to see how the film lands. Could this be Linklater's post-Boyhood return to Oscar graces?

Cate Blanchett gets a new sparring partner, Kristen Wiig

by Murtada

Cate Blanchett always manages to get sizzling chemistry with her female co-stars, whether the story they are in is sapphic or not. She had it with Judi Dench playing the architect of her destruction in Notes on a Scandal (2007). And with Sally Hawkins as her curtseying worse gened adoptive sister in Blue Jasmine (2013). Most famously, she had it with Rooney Mara as the girl flung out of space in Carol (2015). In the same movie she etched a believable and palpable friendship with Sarah Paulson. We assume she’ll do it again with Paulson next year in Ocean’s Eight (and with Sandra Bullock, Rihanna et al).Those set pictures don’t lie. And now we can add Kristen Wiig to the list.

They already make each other laugh

In the adaptation of Maria Semple’s bestselling novel Where’d You Go, Bernadette, to be directed by Richard Linklater, Cate and Kristen will be at odds with each other. Cate is Bernadette, a once world renowned architect turned recluse who is overwhelmed by her fellow private-school mothers in Seattle. Kristen is Audrey, one of those intense mothers who annoy Bernadette. Shades of Renata and Madeleine in Big Little Lies? If you've read the novel, you know that the Bernadette-Audrey relationship goes into some unexpected but very funny places. Can’t wait to see Blanchett and Wiig sparring.

There are two other great roles in the novel. Bee, Bernadette's 15 year old daughter who puts the pieces together of her mother’s elusive previous life. And Elgin, the husband and father, a genius computer scientist who leads a design team at a very famous tech company. Linklater was seen catching Cate’s final Broadway performance in The Present, just a few days ago. He brought along a friend, Ethan Hawke. Hmmmm. This could mean nothing but it could be a sign. No matter, let's play casting director. Who would you cast as Bee and Elgin?

Director Richard Linklater Fights Against Anti-Transgender Bathroom Bills With PSA

If you thought the gorgeous cadre of jocks in Everybody Wants Some!! was the extent of what Texan ally Richard Linklater had to offer in all things LGBT this past year, be sure to take a look at his recent PSA: "Taking A Seat, Making A Stand." Acting in solidarity with the transgender community, he steps up his game with his most recent project in a major way. Linklater teamed up with the I Pee With LGBT campaign to produce this bright and sharp comic short in response to the anti-transgender bathroom bill that’s currently awaiting a vote in the Texas legislature – S.B. 6, for those keeping track of the insidious discrimination measures spreading across America’s statehouses. As President Trump reverses course on establishing federal protections for transgender minors, this urgent, inclusively common sense message speaks to our shared humanity in the face of hate, and deserves to be loudly repeated more and more by the day.

What role do you think players in the motion picture industry should take within the climate of today’s increasingly omnipresent political landscape?

Links: Movies (and TV) Matter, Garrel Picks Pics, Oscar's Centennial

Thrillist "Why everyone was wrong about Warcraft" - the summer's most underrated movie?
MNPP great moments in movie shelves hits Young Frankenstein
The Wrap looks at Colton Haynes winning an HRC award. Why Colton, exactly?

Criterion Louis Garrel chooses movies from the Criterion closet. He likes Jacques Tati, Loves of a Blonde, and Amarcord among others
FlavorWire looks back at Madonna & Sean's Shanghai Surprise in its Bad Movie Night column
Telerama (in French) Alain Guirardie talks about his filmography - he thinks he can do better than Stranger by the Lake! 
SBS hilarious satire video on White Fragility in the Workplace
Slate pits Bad Moms against Ghostbusters because women have to be pitted against each other!
NY Times on current film restoration anxiety asking the following question which I swear is going to give me regular nightmares:

What happens to an art when its foundational medium disappears? 

Today's Must Read
Richard Brody at the New Yorker wrote a great piece called "Why Movies Still Matter?" that examines the critical circularity that leads people to write things like "Could This Be the Year Movies Stopped Mattering?” We're all inside this ororborus! Help. My favorite part is his contention that the rise in popularity of serial television is actually emulating the college experience. Interesting.

The experience that the watching and the critique of new serial television resemble above all is the college experience. Binge-watching is cramming, and the discussions that are sparked reproduce academic habits: What It Says About, What It Gets Right About, What It Gets Wrong About. There is a lot of aboutness but very little being; lots of puzzle-like assembling of information to pose particular kinds of questions (posing questions—sounds like a final exam), to explore particular issues (sounds like a term paper). For these reasons, television’s actual competition isn’t movies or museums or novels but nonfiction books, documentary films, journalism, radio discussions, and general online clicking. Serial television is designed to gratify the craving for facts to piece together and analyze. The medium seems created for the media buzz that’s generated by the media people who are its natural audience, and to whom the shows owe their acclaim, their prestige, and their success.

Then he goes on to investigate the personal versus the public in our cinema experience. Love this piece. So much to think about and not judgmental about those film or television! Or to quote another great writer...

TV and movies have been coexisting for decades, yet the number of people insisting one must vanquish the other remains constant.

— Farran Nehme (@selfstyledsiren) August 29, 2016

  

News
EW Emily Blunt hears what Julie Andrews says about her casting as Mary Poppins Returns
Guardian Anne Hathaway to star in Live Fast Die Hot  the adaptation of a bestseller about new motherhood and responsibility
Variety Richard Linklater is making a sequel (of a sort) to The Last Detail (1973) called Last Flag Flying
/Film early photos from Woody Allen's Crisis in Six Scenes, his new streaming series
Towleroad Matt Bomer has signed on to play a trans sex worker in a new film called Anything. They're still not casting trans actors for trans roles which is a shame. Especially since we actually have famous trans actors now, proof that there's no reason to not cast them or think they can't win media attention themselves 
Variety Stranger Things renewed for Season 2. (I liked Season 1 but a continuation of that story seems like a mistake to me. Better an anthology template!)
Comics Alliance Stranger Things' breakout "Barb" (Shannon Purser) will guest star on CW's Archie adaptation Riverdale
Awards Daily Warren Beatty's Rules Don't Apply will open the AFI Fest this year in November 

FINALLY
In case you haven't heard ABC and Oscar have extended their contract. The Oscars will now be held on ABC through 2028 now. In extremely related news: 2028 is when the 100th Academy Awards will be held so imagine that centennial. If you'd like TFE to be around for that (so far away) please consider joining our monthly donaters --see sidebar -- because it's so not easy to keep making this site work each year, financially speaking. 

The Furniture: The '70s Sitcom Style of Everybody Wants Some!!

Daniel Walber's series looks at Production Design in contemporary and classic movies

A very loud lamp from Everybody Wants Some!!College freshmen are usually a bit confused. Sometimes they even have trouble figuring out what kind of movie they’re in. But not Jake (Blake Jenner), the well-adjusted protagonist of Everybody Wants Some!! He’s got it all figured out by the film’s second half, when which he lets out the following pearl of wisdom: “Like most things with these guys, it’s total bullshit. It’s more about seeing how witty they can be.”

And he’s dead right. This movie is about a bunch of dudes who live from joke to joke, bouncing around town with an unceasing attitude of breezy, sex-charged humor. This isn’t one of those Linklater movies with big, yet simultaneously narrow ideas about what it means to be human (or married, or young, or male). Instead, like most of his best work, it’s content to soak in the sun and have a good time.

Now, if Jake had been paying attention to the production design, he probably would have picked up on this vibe even faster. Every set could be from a 1970s sitcom. Production designer Bruce Curtis and art director Rodney Becker, both of them Linklater regulars, and set decorator Gabriella Villarreal (American Crime) have crafted a perfectly playful atmosphere out of a silly, occasionally garish interpretation of the period.

It kicks off in the kitchen of the “baseball houses,” the team’s unconventional dorm...

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