New Movies for Penelope Cruz, Robert Pattinson and more

by Murtada Elfadl

TIFF is not only about the films that are playing there. It’s also about the deals for the films that we might see next year or the year after. Or maybe never hear of again if they don’t secure financing. We’ve already told you about the Matthias Schoenaerts-Margot Robbie starrer Ruin. Here are three other film - or packages if we were to use the vulgar industry term - that are at TIFF looking for financing:

Phyllis Nagy directing Gemma Arterton as Dusty Springfield

The film is titled So Much Love and Carol’s screenwriter is also writing it. Set in 1968, when at the peak of her popularity, Springfield travelled to Tennessee to record the album Dusty in Memphis. An official synopsis reads:

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Happy Birthday Herzog

by Jason Adams

Film director Werner Herzog is marking three quarters of a century on this planet today - a planet that he has probably explored the weirdness hidden away at every single obscure corner of. We should cherish him while we have him, people - even if some of his more recent efforts have been iffier than most. Go see every damn one, reviews be damned.

Funnily enough last night I was reading a review of the Twin Peaks finale (no spoilers here, don't worry!) that called that series mastermind David Lynch "American pop culture's answer to Werner Herzog," and I got to thinking about these two directors in relation to each other. Besides Herzog and Lynch easily making my list of Top Five Greatest Living Film-makers I don't usually think about them in relation to each other, but it's not an invalid point.

So here, for Werner's birthday, let's latch him onto the zeitgeist's momentarily hottest art-house auteur, and list three similarities, with one glaring dissimilarity...

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Review: "Good Time"

By Spencer Coile 

2017 has quietly become the post-Twilight year of Pattinson & Stewart. After Kristen Stewart dazzled in Personal Shopper, Robert Pattinson was given a leading role worthy of his talent in the Safdie Bros. film, Good Time. Taking place throughout the span of one night, Pattinson's Connie scrambles to get his brother Nick (Benny Safdie) out of jail after a fumbled bank heist. 

As far as plot is concerned, that is all you need to know. The Safdie brothers then let this story unfold in such quick, confident ways that all you are left to do is sit back and grip the sides of your chair...

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Cannes Day 9-10: A Gentle Creature, In The Fade, L'Amant Double

Cannes wraps this weekend. Only one competition film, Lynne Ramsay's You Were Never Really Here, is yet to screen before the jury makes their decisions for the history books (er, what do we say now that the history books aren't how you look up history?). 

Previously: Day 1, Days 2-4, Days 5-6, and Days 7-8
Fashion: French Divas and Kidmanifestations 1, 2, and 3

So let's check in with the four latest premieres including a new erotic thriller from François Ozon, a revenge drama from Fatih Akin, and a buzzy Robert Pattinson performance...

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Review: "The Lost City of Z"

by Chris Feil

A sprawling, formally immaculate epic like James Gray’s The Lost City of Z is a rare enough to seem like a novelty these days, and Gray’s rendering makes the film feel no less precious. It plays almost like a delicate jewel box on the screen, as if any minute it will crumble to our modern touch. Z looks and breathes of a bygone era.

Charlie Hunnam stars as Colonel Percival Fawcett, an unheralded military man who rises to prominence for exploring the uncharted Amazon in the early 20th century. His first expedition leads to an obsession when he discovers signs of an ancient ruins, suggesting a developed civilization previous undiscovered by western eyes. Fawcett’s three increasingly less successful journeys could be seen as indicative of the virtue or punishment of an obsessive goal, depending on your vantage.

While the film’s trajectory is familiar to epics over the most recent decades, what sets the film apart is its complex emotional terrain...

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