Showbiz History: Grand Hotel's win, Robert Pattinson's Debut, Delroy Lindo's first Spike Lee joint

7 random things that happened on this day, November 18th, in showbiz history...

1932 The fifth annual Academy Awards are held at the Ambassador hotel honoring the films released between August 1931 and July 1932. Grand Hotel wins Best Picture. It's the only Best Picture ever to win the top prize that was only nominated for that one Oscar and won of only three top winners to win only one statue (the others were Broadway Melody at the 2nd annual Oscars and Mutiny on the Bounty at the 8th Oscars). As we've said multiple times, it's too bad there weren't supporting Oscars back then because Joan Crawford sure was more than worthy in the all star ensemble. The only film to win multiple Oscars that night was the pre-code relationship drama Bad Girl which took Best Director and Best Adapted Screenplay. (The next ceremony would have a long eligibility period because Oscar wanted to move to the full January to December calendar year system)...

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Review: The Devil All The Time

by Juan Carlos

“Delusions.” 

 That is probably what you would say when you see people calling themselves Christians while raising half a million dollars for a domestic terrorist. Or when they continue to support a president that has no respect for human rights unless the human being in question is straight and white and male.

That is also Robert Pattinson’s most memorable line delivery in The Devil All The Time, a recently debuting Netflix original. Telling the sprawling story of religiosity and violence set in post-WWII and pre-Vietnam War America, the film attempts to trace a chain of events which branch out into several storylines which ultimately merge in tragic ways...

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Beauty Break: Batman's Smokey Eye

by Nathaniel R

Behold the first tease of Robert Pattinson as The Batman (2021). Who knew the Dark Knight loved a smokey eye (and some spiky bangs)? Then again who doesn't? Even if these smokey eyes are less lancome than practical how-to-blend-your-eyes-with-your-black-mask, we love them. After the jump an impromptu Beauty Break with other smokey-eyed movie classics...

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Oldies but Linkies

• Indiewire Waiting for Chris Nolan's Tenet -  Hollywood hopes summer can be saved
• Rick's Real Reel remembering Doris Day and Cary Grant in That Touch of Mink
• Slate fun short piece on the absurd thrill (in a vacuum) of the Ben Affleck / Ana de Armas romance as witness by paparazzi

Today's roundup continues after the jump and is a mix of new and old (i.e. past couple of weeks) stuff since we haven't hit you with a link in a bit: Robert Pattinson profiled, a rift at the César awards, Dear Evan Hansen couplings, Drama League nominations, Peabody Awards, RIPs and more...

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Year in Review: Horror Actoring of 2019

by Jason Adams

Since it's the second to last day of 2019 and we already named our "10 Favorite Horror Actresses of 2019" last week I figured I'd give us a last second bonus and shed some affection on the best fellas of the year. I know, I know, we're all all more inclined towards favoring the actresses... well, so's the genre to be frank. Horror really does favor female stories and experiences, and it was I will admit much easier to come up with last week's list. Besides the magnificent duo that anchors my favorite movie of the year I had to dig a little deeper for this one. But once I began rifling around I managed to uncover some gems...

Willem Dafoe & Robert Pattinson in The Lighthouse 

When forced to choose between the two (and no thanks to Awards Season I have had to here and there) I tend to choose Dafoe, but only because his magnificent to-the-moon work is more straightforward... as straightforward as anything is in this topsy-turvy madhouse of a movie, at least. Pattinson's work is trickier -- his accent and behavior is all supposed to be wobbly, as his character's unformed; a liar trying to pour himself into a new shape. But make no mistake these are the two best male performances of 2019 slapping against each other in slippery tandem.

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