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Entries in Russell Crowe (40)

Friday
Mar282014

Posterized: Russell Crowe

What was the precise moment that Russell Crowe became a superstar? Here's my guess. The moment LA Confidential introduced him, with that piercing stare (you can count the number of times he blinks in the movie on one hand) with his character name punched out on screen like a case file report.

They might as well have typed out

R-U-S-S-E-L-L C-R-O-W-E

...in giant letters right then. But enough about L.A. Confidential which we've been discussing a lot this week. His film career started 7 years earlier than that with Australian pictures in 1990. With Noah opening today his name is back on marquees.

I tried to find the earliest poster of each of his films since a lot of the posters have been retrofitted to put his face and name huge as the only selling point, even if he was a supporting characters. It's better to see the slow rise of his marketability with original posters. He's made 38 films thus far. How many of these have you seen? 

Click to read more ...

Tuesday
Mar252014

Visual Index ~ L.A. Confidential's Best Shot(s)

It's Tuesday night, time for another Hit Me With Your Best Shot. This week we're looking at Curtis Hanson's 1997 Best Picture nominee L.A. Confidential, which was nominated for 9 Oscars including Best Picture and Best Cinematography (Dante Spinotti) both of which it lost to the 52,000 ton Titanic. But it's a lot of people's idea of a modern masterpiece so I was fascinated to read what others had to say about the movie.

See it through multiple sets of eyeballs, in this case 17 of them by clicking on any of the thirteen shots selected ... and please do comment if you like something you read. The series only works properly when people participate. 

BEST SHOT(s)
Arranged in rough chronological order

Making news just like they make movies...
-Coco Hits NY 

Opened up and unnervingly close at one and the same time...
-Timothy Brayton, Antagony & Ecstasy

At its heart, Curtis Hanson's stylish exercise in film noir tropes is a reflection on manhood and masculinity...
-RJ, Home Film Schooled 

A clever tip of the hand, although not an overly obvious one...
-Allison Tooey 


A turning point for the character...
- Andy Hall, Three Pounds Lost 


The birth of Shotgun Ed reveals a confident directorial eye...
-CineMunch 

Just as I became disillusioned, my shot would reflect the disillusionment of Ed Exley...
-abstew, The Film's The Thing 

Is it possible to pinpoint the exact moment when a performance wins an Oscar?...
-Michael Cusumano, Serious Film 


Despite the cool dusky warmth, Bud still walks in haunted noir shadows... 
-Nathaniel R, The Film Experience


One of my favorite moments in Kevin Spacey’s career...
 - Robert Hamer, Awards Circuit 


The rain pours as Bud’s hard-boiled mask crumbles... 
-Derreck Johnson 

That's how you die when you're in close-up...
-Cal Roth 


I'm just the guy they bring in..."
-Intifada 


A live wire, always ready to brawl when necessary...
-Shane Slater, Film Actually 


At any given point, any of them could be on either side...
-Jason Henson, The Entertainment Junkie

After all his moralizing, Exley has rolled in the dirt...
-Margaret, We Recycle Movies 


One of the reasons I love this shot is that it really fleshes out the character of Bud White...
-A Fistful of Films 

 

 

NEXT THREE FILMS - THE SCHEDULE

Tuesday
Mar252014

Hit Me With Your Best Shot: "L.A. Confidential"

When L.A. Confidential premiered in 1997 I was one of the few cinephiles that wasn't overcome with passion for it. I thought it too warm, actually. The happy(ish) ending threw me since most of the noir I was familiar with (not a wide sample I'm afraid) was much more nihilistic, rarely leaving the compromised heroes alive or free. It was the clear critical favorite in its year, though, so I've long wanted to reassess it and spend more time with it. I'm happy to report that I underestimated it the first time around. The screenplay with its hardboiled broad strokes dialogue and characterizations made more sense now that I'm more familiar with its tropes. But above all else it's a "wow" in execution from every department (but yes we're here to talk cinematography).

My clearest memories of the film were three: the smarmy gossip opening "on the QT and very hush hush", that I was enamored of both Russell Crowe and Kevin Spacey's performances, and the (literal) head-turning introduction of Lynn Bracken (Kim Basinger in her Oscar winning role) though it should surprise virtually no one who reads the Film Experience that the subplot of the Fleur de Lis girls "whores cut to look like movie stars" was the storyline I was initially most drawn to.  

Whatever you desire.

More after the jump...

Click to read more ...

Thursday
Nov142013

Yes No Maybe So - Noah

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JA from MNPP here, taking a look at the first trailer for Darren Aronofsky's bible-epic Noah, giving us the titular tale of one man, one god, two of every animal, and a whole bunch of water. There have been whispers of a battle between the studio and the director over the film's tone - they want it to play straight for the church crowds and that Passion of the Christ money, while Darren Aronofsky, well, is Darren Aronofsky, and I think he probably doesn't have a lot of interest in not complicating Ye Olde Tale a little bit. Well now we've got an inkling, two and a half minutes of inkling, what's what.
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.
So let's break that sucker down into Nat's patented three-tiered system.

YES

-- Darren Aronofsky, of course - I might be more pro-Aronofsky than a lot of you, so perhaps you should take my opinion on this knowing that fact; I've loved deep in my bones every single film he's made (yes including The Fountain). His last film Black Swan might be my favorite even, but it was shamelessly playing right to my wheel-house so I could hardly help myself.

-- Emma Watson and Logan Lerman reunited! Let's hope they stick their heads out of the sunroof of the Ark while a David Bowie song plays.

-- You can already see the magic touch of Matthew Libatique all over it - some of that quick flashing nature photography is stunning. Speaking of...

-- Whatever this guy is! He's a big creepy plus. Do you think he's supposed to be Satan in the Garden? There's also a flash of an apple being picked, so I think I might be onto something. Anyway I hope there are all kinds of fanciful creatures mixed in with the usual elephants and giraffes and zebras we see in Noah stories.

-- The flaming sword scorching the Earth is kick ass!

NO

-- The CG animal stampede is kind of cheesy here in our first glimpse of it. Of course I don't know how you play that without it coming off cheesy. Hopefully by the time the movie's out in March they'll have made the CG a little bit more convincing, at least.

-- Similarly that shot of the Ark rocking in the waves at the end is some 2012 slash The Perfect Storm cheese. And way to give away the ending!

-- The fight scenes all look really monochromatic and good god we've seen that enough by now haven't we?

-- I never thought I'd be sick of Anthony Hopkins, but I'm sick of Anthony Hopkins.

MAYBE SO

-- Jennifer Connolly hasn't worked with Aronofsky since she gave that wonderful performance in Requiem For a Dream, which kind of kicked off her serious career. (Hey I love Labyrinth as much as the next guy.) - let's hope that the role of Noah's Wife is more than just the noble suffering "I'm With Stupid tee-shirt" role and she's got something to play. I've missed her lately.

-- I'm not the world's biggest Russell Crowe fan, and it's obvious that the studio wants us to think this is Gladiator 2: God's On His Side Now, but he looks pretty commanding with that shaved head and beard inside a tasteful yet butch rough-hewn cotton ensemble, and I'll admit, he's pretty perfect for the part.

So what say you people? Will you be boarding the ship with Darren and company on March 28th 2014, or are you feeling agnostic about this storm?
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Wednesday
Jul242013

Man of Steel Post-Script

Release dates are no Kryptonite for me. I can't be bound or weakened by them! I rejoined Panel Culture, a weekly comic book podcast, as their special guest for a discussion of Zach Snyder's Man of Steel five weeks into its successful run. Why did they wait this long to discuss it? They'll tell you.

 

Listen in and join the conversation about...

  • Whether this Superman is successful as icon, hero and performance
  • If this Lois Lane dynamic (or lack thereof) works
  • How Michael Shannon's General Zod measures up to Terence Stamp's
  • That surprising first half hour on Planet Krypton with Russell Crowe
  • Tornados, mass destruction, and whether or not to save a life or keep on fighting
  • What the sequel should fix or keep or jettison

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