The box office is open again. What did you see this week?

Been back to the movie theaters yet? We're so thrilled to be able to post a full top ten weekend box office report again. It's been ages since there were enough theaters open and movies in play. We've just barely gotten there of course. But the box office results to date (especially overseas) with the world starting to turn again suggest that Disney and Warner Bros have left a lot of money on the table by making things available to stream simultaneously or ONLY; they're betting their entire futures on streaming. Which might be wise but some decisions still feel foolhardy especially the decision to not release Pixar's Luca in theaters, given that it's already winning raves and might have been a perfect summertime bet in airconditioned theaters since it's a summertime tale and Pixar movies generally make hundreds of millions in movie theaters. Strange decision especially since they gave Raya the traditional release! When viewed in broader context of what gets a theatrical release versus what doesn't it's like pissing directly on Pixar when something like Dreamworks Spirit Untamed gets a theatrical release and Luca doesn't. Ugh.

Anyway. Here is the chart. What did you see this past week/weekend?

Weekend Box Office June 4th-6th 🔺 = new or expanding / ★ = recommended
WIDE RELEASE	PLATFORM TITLES
The Conjuring: The Devil Made Me Do It	Undine

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Streaming Roulette (April Pt 1): Clive Owen's breakthrough, a Marvel dud, and the Rocky franchise

And the state didn't even think to verify it just once? To check on this madman who got into every hospital. Just once to check this stuff used by all the hospitals!

Reminder: Collective, which is up for Best Documentary Feature AND Best International Feature is now streaming on Hulu.

Yes it's time for another round of streaming roulette where we point out titles that are new(ish) to streaming or about to leave and just for fun, freeze frame them at totally random places in the scroll bar and whatever comes up we share. Let's go...

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93rd Academy Awards: A strong Adapted Screenplay race

by Eric Blume

We have our strongest list of contenders for the Best Adapted Screenplay Oscar that we’ve had in years…I’d argue one of the strongest ever.  These five films represent vastly different stories and emphasize different screenwriting strengths, and involve an array of intelligent decisions from the writers in delivering the best cinematic experience possible based on their source material...

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Links, Lists, and RIPs

• Vulture perceptive piece on how Ryan Murphy's Netflix deal has amplified his worst tendencies
• THR The Gotenborg Film Festival -- which we've always wanted to go to -- is conducting a bizarre experiment in social isolation and cinephilia
• No Film School Hollywood is shutting down production again

more after the jump including the confusing reporting on the death of Tanya Roberts...

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Review: Wonder Woman 1984

By Lynn Lee

Heading into this strange winter holiday season, Wonder Woman 1984 faces a daunting double challenge even for one of the world’s most iconic superheroes.  First, as a movie, does it live up to the widely acclaimed first Wonder Woman?  Second, will its performance – by whatever metrics apply in COVID times – justify Warner Bros’ decision to release the movie simultaneously in theaters and on its newly controversial streaming platform HBOMax?

The jury’s still out on the second question, but the answer to the first, alas, is no.  Wonder Woman 1984 is a mess.  Despite that fact, it’s also surprisingly enjoyable, due to the charisma of its cast and residual goodwill from its 2017 predecessor.  But as the movie that may shape the future not only of the Wonder Woman franchise but of movies as we know them, it’s a worryingly slender reed to bear such pressure...

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