NYFF: "Isabella"

by Sean Donovan

As part of their series of drive-in events, the New York Film Festival programmed Matías Piñeiro’s latest Shakespeare-influenced drama Isabella alongside Pedro Almodóvar and Tilda Swinton’s delicious queer treasure The Human Voice (previously unpacked by Nathaniel). In some ways this choice makes sense: both films relish in vivid expressions of color, the kind of experiences you would want to have in as close to a theatrical environment as we can get right now. But in terms of intensity and impact the films could not be more different, Human Voice’s sledgehammer playfulness is a misplaced introduction to Piñeiro’s foggy and ultimately disappointing drama.    

Isabella is named after the main character of Shakespeare’s Measure for Measure, one of the bard’s ‘problem plays’ positioned awkwardly between comedy and drama. Isabella displays no proclivities towards the comedic, but it may have internalized the problem play position of being stuck between choices and controlled by doubt...

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Showbiz History: Dev Rises, Emma Wins, Walken Dances

8 random things that happened on this day in showbiz history. Does this bring back any memories for you? 

1616 Playwright William Shakespeare dies. 400+ years later his work is still constantly performed.

1928 Shirley Temple born in Santa Monica...

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Stage Door: Bernhardt/Hamlet

by Dancin' Dan

It's a tall enough order to write a play about one of the greatest actresses the world has ever known. It's quite another to write a play about that same actress taking on one of the most famous plays ever written. But Theresa Rebeck has never been one to back away from a challenge. Her delightful new play Bernhardt/Hamlet imagines what it must have been like for the great Sarah Bernhardt to assay the role of none other than Hamlet, all the way back in 1897. To say the least, it was difficult.

Bernhardt (Janet McTeer), in her fifties, was past the point where she could believably play the dying ingénues that made her famous (and also far past the point where she wanted to). Out of money but full of ambition, she decides that Shakespeare's melancholy Dane will be her vehicle for a comeback after her last play, written by Edmond Rostand (Jason Butler Harner), flopped with audiences despite love from critics. But she is having difficulty "finding" the Prince, frustrated by his ease with flowery verse and his inability to take action.

Can a powerful woman play a powerful man? Bernhardt is absolutely sure of it. She says...

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Stage Door: "Teenage Dick" and "Boylesque Bullfight"

Stage Door is our intermittent theater column because there is more to live than cinema and also because cinema and the stage frequently interact...

Teenage Dick (Public Theater)
This very cheekily titled show -- so embarrassing to say or type! -- is actually Shakespearean. (What isn't when it comes to theater? We'd love playwrights and directors to leave Shakespeare behind for a few years and discover vast untapped realms, but they're all Bard addicts who perpetually need a fix.) If you're going to riff on the Bard, please have as much fun with it as Teenage Dick does! This comic interpretation of Richard III recast the disabled king as a teenager in hate with his boring high school and the jock star and Christian activist classmates he aims to take down via an upcoming student election...

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Stage Door: The Hilarious Cast of "Desperate Measures"

by Nathaniel R

Before we plunge into the deep end of movie awards season, which tends to consume our every waking moment from right now through Oscar night each year, a wee theater break.

Though we love movies with all our hearts, the one thing live-action movies don't really have an equivalent of is the grand theatrical tradition of the musical comedy. I'm talking inspired silliness as goddamn raison d'etre. I recently fell hard for Desperate Measures, a hilarious wild west riff on Shakespeare's Measure for Measure. The show has now been extended three times at the York Theatre in Manhattan and will close on New Year's Eve so get to it! (The York specializes in helping develop new musicals and I'm happy to call attention to this noble cause as a bonafide fanatic of the genre.)

I sat down recently to talk to with two of the musical's stars, strapping Peter Saide and rockstar feisty Lauren Molina, who both really "outta be in pictures" as they say though we're happy they're killing it on stage, don't misunderstand! The interviews are after the jump... 

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