Revisiting Rebecca (Pt 1) Off to Manderley

A 75th Anniversary Special
Alfred Hitchcock's Best Picture winner Rebecca (1940), based on the novel by Daphne Du Maurier, is 75 years old this month. To celebrate, Team Experience is experimenting with something entirely new: a baton pass viewing of sorts. We don't even know how it will turn out so we hope you'll stick with it and enjoy. Five of us will be watching Rebecca in shifts. So we each get about 26 minutes of it to write about. As your host, Nathaniel, it's my duty to start running when the gun goes off. In this case perhaps lighting an Olympic flame and starting to jog is a more fitting analogy?

Flames... Breathing.... on the side of Mrs Danvers face...

Part 1. By Nathaniel 

00:01 How I do love the MGM Lion roar. First some loud David O. Selznick fanfare in the form of a title card and then a Selznick pictures tag and later another Selznick credit. Guess who's paying the bills? And then a silhouette of trees, which hey, Isn't that how GWTW's title cards begin, too? Bragging much, Selznick?

Opening credits in old movies are always over so quickly. This one names only 35 people, and 5 of them are the writers. Can you imagine?

35 names wouldn't even cover the visual effects department credits on a remake of Rebecca from the fire sequence alone (this sentence was not intended to give Hollywood any ideas). Once Pandora's Box of Credits was unlocked, credits got longer and longer.

02:00 We begin on wrought-iron gates with one of the most famous of opening movie lines. 

Last night I dreamt I went to Manderley again. 

(Something no one ever said about Lars von Trier's Manderlay.)

In her dream state opening monologue our protagonist (Joan Fontaine's Mrs de Winter) mentions the supernatural. She drifts like a spirit through those gates, winding through fog and trees until she conjures up a silhouette of Manderley, "secretive and silent," which is just as well because the lies begin immediately thereafter. She tells us that "Time could not mar the perfect symmetry of those walls" but that's the end of any notion of immortality. More...

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A Year with Kate: Love Among The Ruins (1975)

Episode 41 of 52: In which Katharine Hepburn does a TV movie with Laurence Olivier and George Cukor, which might have been disappointing if it wasn't so good.

Whew! What a nice change of pace this breezy little comedy is after so many dramas. Don't get me wrong, I love Great Actresses performing Great Roles in Great Films, but sometimes you just want to curl up on the couch with a glass of wine and laugh with your friend Katie, y'know? It's been 2 months since our last comedy (or less, depending on whether you laugh as hard as I do during The Lion in Winter), and I for one was cautiously excited to see Kate return to comedic form in Love Among The Ruins.

I say "cautiously excited" because even though so many of you pointed out how good this movie is, its existence a TV movie (albeit an Emmy Award-winning one) depressed me. The fact that three giants of the Studio Era - George Cukor, Katharine Hepburn, and Sir Laurence Olivier - were forced to make their triumphant reunion on the small screen, when only a decade before they had commanded CinemaScope and roadshow releases, proved to me once and for all that by 1975, Old Hollywood was dead. And while I by no means begrudge the birth of New Hollywood and the waves of startling creativity that came from the auteurs of 70s counter culture, I nonetheless mourn the way we did (do?) treat our aging giants. So it was with bittersweet feelings that I turned on the television.

Kate delivering some quality sass to dumbstruck Olivier

It turns out that there is such thing as worrying too much.

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Cinema's Greatest On-Screen and Off-Screen Couples

Here's abstew with a Valentine special!

In the dark of the movie theatre is where we fall in love. Romantic films have influenced our lives and how we love since the dawn of cinema. And as we watch–perhaps on a first date–the actors fall in love on the silver screen, we swoon. More often than not, if you believe location rumors, that passion on-screen finds its way into the real-life relationships of the actors involved. In honor of Valentine's Day, let's celebrate those cinematic couples who's love burned bright on and off the big-screen.

Here are five of Hollywood's most iconic lovers...

Laurence Olivier and Vivien Leigh

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Vivien Leigh in "Waterloo Bridge"

TFE's Vivien Leigh Centennial Celebration continues with Abstew on Leigh's own favorite

Even if Vivien Leigh had only created Scarlett O'Hara and Blanche DuBois on film, her place as a Hollywood legend would be unquestionably well secured. Her portrayals of those two Southern Belles are so iconic that the rest of her modest filmography tends to get overlooked (she made only 19 films in her career, more than half of them British films before her star-making performance in Gone With the Wind). It certainly doesn't help that many of the films are not easy to find and some, like the 1955 film version of Terrance Rattigan's play The Deep Blue Sea (another film version of the play was released last year with Rachel Weisz which, incidentally, earned her many comparisons to Vivien Leigh), have never been made available for home viewing (although you can watch the entire film on youtube here. Not the best quality, but worth it for die-hard Vivien Leigh fans). But if there's one film that she should most be remembered for past GWTW and Streetcar, it's the film that Leigh, herself, claimed as her personal favorite of all her films, 1940's Waterloo Bridge. 

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Interview / Giveaway: "Vivien Leigh: An Intimate Portrait"

TFE's Vivien Leigh Centennial Celebration (November 2-6) 
Here's David with an interview and book giveaway 

Vivien Leigh was only nominated for two Oscars, but she won both of them. More impressively, both of her winning performances are still frequently said to be among the finest of all-time. If she’d done nothing else in her career, that would be a legacy to be proud of. It’s even more extraordinary when you consider the personal struggles that the actress went through: constantly striving to feel worthy of acting alongside the love of her life, Sir Laurence Olivier, and an undiagnosed and mistreated bipolar disorder that increasingly overtook her. In Vivien Leigh: An Intimate Portrait, Leigh scholar Kendra Bean digs into the actress’ dramatic life story, using a myriad of photographs both legendary and rare to imbue Vivien’s life with the vulnerability of her delicate beauty.

book contest and interview after the jump

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