Soundtracking: 2018's Original Song nominees

by Chris Feil

Best Original Song always gets its fair share of side-eye among Oscar snobs and agnostics alike. Granted, some recent nominees have made a decent enough case for their argument - Alone Yet Not Alone, you are lost but not forgotten (or... alone in terms of being a bad nomination). But does this year's crop of tracks continue the category's uptrending in quality? I would argue it does and then some.

While our most expected nominee ("Shallow" obviously) provides the lineup a genuine hit song, we also have idiosyncratic picks as well as musicals and major artists nominated. This leaves the telecast with no rational choice but to allow all numbers to perform on the show, as they have been hesitant to do with lesser known nominees. So in addition to ranking the nominees, I have some suggestions on how to present all of them...

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Soundtracking: Connie and Carla

by Chris Feil

These days, the act and art of fandom is self-reverentially chasing its own tail. But tell that to quietly minted cult classic Connie and Carla, one of our few musicals ABOUT musicals. Or at least about the love of the art form. In this jukebox musical repurposing other musicals, Broadway fandom shines because of its capacity for endless streams of references and ouroboros devotion.

It’s flop status ensured that the film got buried fast but it is primed for a revival to a new generation of musical lovers...

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Soundtracking: Dumplin'

by Chris Feil

Much to our surprise when Dumplin’ arrived on Netflix last month, the film is stealthily a Dolly Parton jukebox musical. The heartwarming film is a collection of Dolly songs old, new, and (crucially) reimagined, shot straight out of the heart of its heroine. Add in a few appearances by drag queens, and the film is the kind of unassumingly big-hearted self-love anthem to make the music legend proud.

And its no mere cashing in on a famous songbook either - Dolly’s music anchors the emotional backbone of the film...

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Soundtracking: The Best Musical Moments of 2018

by Chris Feil

We have had another banner year for cinematic variants of musicals - from the classic (A Star is Born, Mary Poppins Returns) to the modern (Hearts Beat Loud, Vox Lux) to the unfortunate (Bohemian Rhapsody). But there's more than just musicals that have made an impact! As ever, I've had my ear towards all sorts of needle drops and clever cues where movie music has been concerned this year. You know, the kind of stuff that makes Soundtracking tick.

We've already discussed what Oscar might hold for the Original Song category this year, but 2018 was largely defined for me by songs familiar and unexpected. Join me like Charlize Theron doing Carly Rae Jepsen karaoke in Tully and sing along to the year's best musical moments...

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Soundtracking: When Harry Met Sally

by Chris Feil

“It’s very clear / Our love is here to stay...”

When Harry Met Sally is a love story of then and now, both in action and in spirit. As it jettisons us across the years with once tense acquaintances, to then friends, to eventual lovers, the narrative’s timelessness is undercut by contemporary observation of its era. To break up its chapters, we’re given testimonials from long-married couples that intensify the feeling of inevitability that Harry and Sally will finally come together. 

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