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Entries in The Apartment (8)

Sunday
Mar292015

Shirley MacLaine talks "The Apartment" at TCMFF

Anne Marie here in Hollywood, reporting the way it crumbles. TCMFF-wise, that is.

Shirley MacLaine knows how to command a room. TCM Classic Film Festival honored the Oscar winner's 6 decade career with a screening of The Apartment last night, but when MacLaine  made her entrance to a standing ovation at the TCL Chinese stage, it was clear that the honor was all ours. Dressed in red & black sequins (reminiscent of Doris Mann), MacLaine sparkled with charm. But it's not just her incredible charisma. When a sound glitch caused feedback, she turned with a mischievous gleam in her eye and called out,

"Whoever's in charge of that: Fix it!"


Much of that no-nonsense professionalism Shirley MacLaine attributed to her friend, legendary director of The Apartment, Billy Wilder...

Click to read more ...

Thursday
Sep132012

just another linking ol' dirty birdy!

Bleeding Cool Heathers, Psycho and The Apartment (yes, The Apartment) all receiving TV spin-offs soon. Weirdly the Heathers series is supposed to be about the daughters of The Heathers. Um, they died as teenagers, stupids #23YearOldSpoiler
HitFix reviews Quartet and says Pauline Collins, not Maggie Smith, actually has the best part 
Awards Daily interviews the man behind the visual effects in Snow White and the Huntsman. Oscar bound? 
Unreality Tom Hanks cracks audience up at Michael Clarke Duncan's funeral 

The Hollywood Reporter looks at the way the awards race is shaping up: Argo, Silver Linings Playbook and The Master up front, Best Actress still anyone's game (for nominations)
Stale Popcorn spots an odd critic's pullquote on the Holy Motors quad 
MNPP pic of the day. Thor 2 ... literally
Unreality five lessons learned from Pee Wee Herman from a lifelong fan. I love this article alot but i strongly object to the intro which states:

I was born in 1983. I am currently straddling the border between old enough to know what “cool” is and too old to be writing for a pop culture site.

You're never too old to be immersed in pop culture. Pop culture is culture. It's ageless if you're doing it right. The real world is not Logan's Run ferchrissakes. Are people over 30 not supposed to enjoy anything or have any feelings about anything that's for entertainment? Boo!

Finally...


Please send out your warmest get-well wishes and prayers to Ms Kathy Bates who announced yesterday on Twitter that she had just had a double mastectomy. I personally miss her breasts more than "Harry's Law" (About Schmidt!) but I'm happy she has a sense of humor about it all, laughter being the best medicine. Our thoughts go out to the Oscar winning Misery star and all of her #1 fans.

Thursday
Dec082011

Distant Relatives: The Apartment and Sideways

Robert here w/ Distant Relatives, exploring the connections between one classic and one contemporary film.
Nice Guys Who Don't Finish At All
Consider the Romantic Comedy as made for men. In this day and age, the genre is so associated with being poor in quality and aiming only for a female demographic, you could easily forget that they used to make 'em good and with male protagonists. Of course, Hollywood making movies by men for men shouldn't be a surprise. And even today, most romantic comedies made to appeal to women are made by men (which is one small part of why they're so bad). That said, the male hero of a Romantic Comedy is quite different from the male hero of any other kind of movie. "Nebbish" is the word that comes to mind. Possibly also "schmuck." Both 1960's The Apartment and 2004's Sideways subscribe to this setup. Both Jack Lemmon's C.C. Baxter and Paul Giamatti's Miles are serious sad sacks, and both films play hard with the "nice guy finishes last" dilemma painting our heroes as upstanding men smeared merely by the actions of their peers, those cads who would seek to give all men a bad name. But the reality in both cases isn't as simple, and these films know it.
 
As The Apartment opens, C.C. Baxter is one of many nameless office clerks. But what sets him apart is a sly deal he's cut for himself. By lending out his apartment for the affairs and liaisons of his superiors, he's set himself up to ascend the corporate ladder with ease. The rub comes when he discovers that Miss Kubelik (Shirley MacLaine) the adorable lift operator for whom he pines has been regularly visiting his apartment with his boss, cad of cads, Mr. Sheldrake. In Sideways, Miles too is one of the nameless lonely who trips through life toward increasingly vanishing dreams. He's a writer but not quite fit for success. He's a wine connosieur but not quite enough to be a pro. When his friend Jack suggests he open a wine store, he scoffs. When Jack compliments his writing, he shrugs it off. By comparison, Jack isn't particularly talented in anything other than picking up women which he does... lots. Jack and Miles head for California wine country on a two-man Bachelor Party for Jack where Jack anticipates and finds plenty of tail. Miles, not anticipating it, finds Maya (Virginia Madsen), perhaps his perfect woman.
Turning a Blind Eye to the Not-So-Nice Guy
So what happens to our nice guys? Does C.C. Baxter steal Miss Kubelik away from Sheldrake? Does Miles woo Maya without complications from Jack? First they must overcome a truth of themselves that the women in their lives are sure to discover, and that we the audience slowly come to realize after their charming patheticness wears off. These two nice guys aren't all that nice, not really. Oh they're not terrible people or anything. Theirs are sins of omission. Heck, theirs are lives of omission. Miles and Baxter don't do anything bad because they don't do anything, period. If they seem like nice guys it's often only by comparison. Under the looming shadow of Jack and Sheldrake, Miles and Baxter seem perfectly gentlemanly, but they are really enablers of the behaviors of the men whose lives they seem to eye with jealousy. Not that they want to lie to and betray women. They'd just prefer to not finish last. But they've given up the race, conceded victory to the cheaters and stopped caring about who gets used up on the way to the finish line.
 
With both of these films ending on an ambiguous note, it can't definitively be said that these are stories of the guys who get the girl. More accurately perhaps, these are stories of guys who, with the help of the women they want, come to understand and overcome their own timid failings. They realize that their inaction is in fact approval of all the action being gotten around them. In what may be a telling difference of expectations after forty-four years of cinema, Baxter is asked by his film to make major alterations to his life and abandon his sly apartment deal. Miles isn't expected to overtly reject Jack or any element of his life, just to understand, and to make a choice. Whether the choices these men make eventually finish them ahead (or at least not last) in the race of life is unknown. But at least they come to learn the difference between being a good person who fails and being an ambivalent person who fails to try.
 
Other Cinematic Relatives: Cyrano de Bergerac (1950/1990), The Graduate (1968), Broadcast News (1987), The 40-Year-Old Virgin (2005)
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