Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

COMMENTS

Oscar Takeaways
12 thoughts from the big night

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Sideways (5)

Thursday
Nov162023

The Apology Nomination

by Cláudio Alves

Sometimes, even the Academy thinks they messed up. That's how you get what I like to call "apology nominations," crucially different from "career nominations" because they come in response to one or more specific slights in the recent past. They are the honors that resound with an echoing sorry if you ring them just right, and there's no better example than Paul Giamatti's 2005 Best Supporting Actor nomination for Cinderella Man. After his shocking Sideways snub, one feels he would have been included for anything remotely Oscar-friendly.

It doesn't mean this reliable character actor didn't deserve it, of course, but there's a narrative quirk to how he got there, a faint sense that AMPAS was making up for a mistake. Now that Giamatti's back in the race with The Holdovers, it got me thinking about other cases of the phenomenon in the years since Cinderella Man

Click to read more ...

Friday
May032019

Links 

/Film RIP Peter Mayhew, Chewbacca actor in the original Star Wars films
Film Comment a wonderful anecdote-filled interview with the legendary casting director Juliet Taylor Dangerous Liaisons, The Exorcist, Close Encounters, Schindler's List, and Broadway Danny Rose are among her many classics.
Deadline It's official: Michelle Pfeiffer, Lucas Hedges and Tracy Letts to headline French Exit...
TFE ...our earlier report about Michelle's interest in doing this movie
Slate thinks the romcom Long Shot is actually pretty feminist (though it's initially strange to hear that claim about yet another movie where the schlubby guy gets the hot girl)

More after the jump including Lucy Liu, an 80s singer coming out, the Karate Kid, the German Oscars, upcoming stage musicals based on movies, and more...

Click to read more ...

Sunday
Jun152014

Podcast: 2004 Anniversary Party w/ Top Ten Lists

For this hour long special edition of the podcast, we took Joe Reid's suggestion and are having ourselves a theme party. The theme is 2004, and on its tenth anniversary Nathaniel, Nick and Joe marvel at what a rich cinematic year it was and how well the highlights have endured. 

We begin with movies we think we should revisit or have shifted in our memory and then compare top ten lists. Movies discussed include but are not limited to: Dogville, Bad Education, Eternal Sunshine of the Spotless Mind, Tarnation, Before Sunset, Blissfully Yours, Shaun of the Dead, Sideways, House of Flying Daggers, Primer, Vera Drake, and Maria Full of Grace among others. 

You can listen to the podcast here at the bottom of the post or download the conversation on iTunes. Continue the conversation with your own 2004 memories and revisits in the comments.

 

2004 Top Ten Party

Tuesday
Jul102012

Linkrise Blogdom

Rex Pickett, the author of Sideways, writes an open letter to Virginia Madsen. As a writer I get why he's pissed but I do think he's undervaluing the depth of her contribution to that movie.
Playbill Peter O'Toole is retiring from acting, on both stage and screen. 
Ginger Haze awesome Spider-Man vs. Lizard cartoon
Variety Chris Cooper has joined the August: Osage County. It's an Adaptation reunion... let's just pray that Mr. Cage doesn't show up. 

Movie|Line Robert Pattinson talks bullshit about playing James Bond. Wouldn't it be so weird if your every wandering train of thought spread all over the internet? 
The Cooler beautiful essay on Wes Anderson's Noah Ark motif in Moonrise Kingdom 
The Film Stage a preview Nathan Johnson's futuristic Looper score.  
Encore Entertainment Clothes Horse. Can you guess where these costumes are from?
Shock Til You Drop displays the Carrie (2013) banner from San Diego's Comic Con. The hashtag the P&A team is pushing is #WhatHappenedToCarrie ... um, well... She got pointlessly dug up from her grave for starters. To be played by the least meek least shy least awkward teenager on the planet.

Oh and yes, I heard about all the Catching Fire casting news and the splitting Mockingjay into two movies and all of that but I do not care.  I was mildly interested in the Hunger Games franchise until today. I mean, I definitely didn't hate it like that other YA franchise. Now I think I'm done. Now it proves, like too many franchises before it, that it has no interest in storytelling, only an interest in feeding Hollywood's gaping maw. I think, no exaggeration, that this split up final books into two movies to make an extra billion even if it means barely anything happens in the movie is the worst thing that's happened to mainstream cinema in the past five years. Even worse than 3D!

Tweet o' the Day: This Games of Thrones funny is from Scott

Thursday
Dec082011

Distant Relatives: The Apartment and Sideways

Robert here w/ Distant Relatives, exploring the connections between one classic and one contemporary film.
Nice Guys Who Don't Finish At All
Consider the Romantic Comedy as made for men. In this day and age, the genre is so associated with being poor in quality and aiming only for a female demographic, you could easily forget that they used to make 'em good and with male protagonists. Of course, Hollywood making movies by men for men shouldn't be a surprise. And even today, most romantic comedies made to appeal to women are made by men (which is one small part of why they're so bad). That said, the male hero of a Romantic Comedy is quite different from the male hero of any other kind of movie. "Nebbish" is the word that comes to mind. Possibly also "schmuck." Both 1960's The Apartment and 2004's Sideways subscribe to this setup. Both Jack Lemmon's C.C. Baxter and Paul Giamatti's Miles are serious sad sacks, and both films play hard with the "nice guy finishes last" dilemma painting our heroes as upstanding men smeared merely by the actions of their peers, those cads who would seek to give all men a bad name. But the reality in both cases isn't as simple, and these films know it.
 
As The Apartment opens, C.C. Baxter is one of many nameless office clerks. But what sets him apart is a sly deal he's cut for himself. By lending out his apartment for the affairs and liaisons of his superiors, he's set himself up to ascend the corporate ladder with ease. The rub comes when he discovers that Miss Kubelik (Shirley MacLaine) the adorable lift operator for whom he pines has been regularly visiting his apartment with his boss, cad of cads, Mr. Sheldrake. In Sideways, Miles too is one of the nameless lonely who trips through life toward increasingly vanishing dreams. He's a writer but not quite fit for success. He's a wine connosieur but not quite enough to be a pro. When his friend Jack suggests he open a wine store, he scoffs. When Jack compliments his writing, he shrugs it off. By comparison, Jack isn't particularly talented in anything other than picking up women which he does... lots. Jack and Miles head for California wine country on a two-man Bachelor Party for Jack where Jack anticipates and finds plenty of tail. Miles, not anticipating it, finds Maya (Virginia Madsen), perhaps his perfect woman.
Turning a Blind Eye to the Not-So-Nice Guy
So what happens to our nice guys? Does C.C. Baxter steal Miss Kubelik away from Sheldrake? Does Miles woo Maya without complications from Jack? First they must overcome a truth of themselves that the women in their lives are sure to discover, and that we the audience slowly come to realize after their charming patheticness wears off. These two nice guys aren't all that nice, not really. Oh they're not terrible people or anything. Theirs are sins of omission. Heck, theirs are lives of omission. Miles and Baxter don't do anything bad because they don't do anything, period. If they seem like nice guys it's often only by comparison. Under the looming shadow of Jack and Sheldrake, Miles and Baxter seem perfectly gentlemanly, but they are really enablers of the behaviors of the men whose lives they seem to eye with jealousy. Not that they want to lie to and betray women. They'd just prefer to not finish last. But they've given up the race, conceded victory to the cheaters and stopped caring about who gets used up on the way to the finish line.
 
With both of these films ending on an ambiguous note, it can't definitively be said that these are stories of the guys who get the girl. More accurately perhaps, these are stories of guys who, with the help of the women they want, come to understand and overcome their own timid failings. They realize that their inaction is in fact approval of all the action being gotten around them. In what may be a telling difference of expectations after forty-four years of cinema, Baxter is asked by his film to make major alterations to his life and abandon his sly apartment deal. Miles isn't expected to overtly reject Jack or any element of his life, just to understand, and to make a choice. Whether the choices these men make eventually finish them ahead (or at least not last) in the race of life is unknown. But at least they come to learn the difference between being a good person who fails and being an ambivalent person who fails to try.
 
Other Cinematic Relatives: Cyrano de Bergerac (1950/1990), The Graduate (1968), Broadcast News (1987), The 40-Year-Old Virgin (2005)