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Entries in The Box (3)

Saturday
Dec102022

Best International Film Reviews: Colombia, Ecuador, and Venezuela

by Cláudio Alves

Sometimes, it feels as if Latin-American cinema is doomed to be forever underappreciated. Earlier this month, the Sight & Sound list notably ignored films from the Americas beyond US-made pictures. At the Oscars, the situation isn't much better. Since 2010, one can only find six Latin-American nominees out of sixty in Best International Film. (Sadly, the problem persists, though Argentina, 1985 and Bardo both might make the shortlist this year.) In no way does this reflect the realities of international cinema or even the quality of Latin submissions for the 95th Academy Awards. There are plenty of outstanding achievements to appreciate once you look beyond the buzzy titles…

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Friday
Sep102021

Venice Diary #06 - A comedian, a captain, and multiple torturers

by Elisa Giudici

A lot of movies to discuss today (the festival ends tomorrow) including two potential Golden Lion winners....

Reflection (Valentyn Vasyanovych)
A major theme in this edition is torture, as experienced by both victims and torturers. It is common to see movies on such brutal acts of violence revolving around the need to give a voice and a spotlight to the forgotten victims and their true stories. Some of the movies shown this year in Venice prefer to focus on the torturer, asking the audience if it is really possible to atone for such a crime?

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Thursday
Sep092021

Nathaniel in Venice: It's a brutal world but men sure make it worse!

Nathaniel reporting from Venice, final days...

On day one Parallel Mothers set the theme that Venice would be about death. Not Death in Venice, mind you (different movie). And now the death of my Venice trip as I'll be flying across the Atlantic as you read this back to NYC. Power of the Dog  (also on the first day of the fest) also revealed that you would not be able to escape films examining toxic masculinity. So here are three more doing the latter, one from Italy and two from Mexico.

The Catholic School (Stefano Mordini)
This mainstream Italian film which premiered out of competition belongs to the ever popular “true crime” genre. It seeks to analyze the environment that led to an infamous rape/murder committed by three upper class school boys in 1975 that set the Italian nation on edge...

 

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