Will "Anatomy of a Fall" sweep the Césars?

by Nathaniel R

a snapshot from "Anatomy of a Fall"

The nominations for the 49th annual César Awards came out nearly simultaneously to the Oscar nominations so we accidentally missed them. Je suis désolé. As you would surely expect, Justine Triet's Oscar nominated Anatomy of a Fall is also a big deal across the pond. But it didn't top the nominations. That honor went to Thomas Cailley's mutant adventure The Animal Kingdom. Perhaps the biggest surprise / disconnect for those of us viewing from overseas is that France's unfortunately not-nominated Oscar submission The Taste of Things shows up in only two craft categories; if it wasn't well-loved at home, why did they submit it? But also: why didn't they love it? It's exquisite.

The ceremony will be held on February 23rd this year in Paris. The nominations, some trivia, and a few comments are after the jump...

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Eva Green is Evergreen

by Jason Adams

A very happy 42nd birthday to the queen Eva Green today! I was going to take this opportunity to do what I usually do whenever Eva Green comes up -- complain about her being under-used and under-appreciated, because she is! -- but she does actually have several big projects lined up to come out possibly this year, so let's try to be positive and celebrate those...

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Showbiz History: The Help, Madame Butterfly, and the first superhero comic?

7 random things that happened on this day, February 17th, in showbiz history...

1904 Puccini's beloved opera Madame Butterfly premieres in Italy in what was essentially rough draft form. After audiences booed, he revamped it for four months and the streamlined version became a global success. The opera was based on the play by David Belasco. The story has made it to the big screen six times beginning with the silent film era. Two of the subsequent films were versions of the opera itself, one a Japanese film in 1954 and the other a French film in 1995. Have you seen any film version of this or the opera itself?

1936 The daily newspaper comic strip The Phantom launches (and is still running if you can believe it) essentially giving rise to the superhero genre...

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Links: French Exit, Barb and Star, and More...

• Sundays with Cate Murtada on Michelle Pfeiffer in French Exit which has finally been released
• ...TFE and my own take in case you're finally seeing the movie (which I'm hoping to watch again very soon now that I'm acclimated as a huge fan of the novel)
• Vogue on Pfeiffer's expensive wardrobe in the picture
• THR "Searching for Shelley Duvall" -someone we missed this profile from Seth Abrahamovitch. Duvall, who has been absent from the public eye for years and years talks with him about fleeing Hollywood and The Shining.
• AV Club revisiting a musical number from Muppets Treasure Island that speaks to the now “Cabin Fever”
•  Coming Soon speaking of musical numbers. A new musical animated short called “Us Again” will premiere before Disney’s Raya and teh Last Dragon in its theatrical run next month.

More after the jump including Bridgerton news, Barb and Star Go to Vista Del Mar, Frankenstein movies, and yet another remake of The Three Musketeers...

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George Sidney Centennial: "The Three Musketeers"

by Nathaniel R

After looking at three popular musicals Anchors Aweigh (1945), Kiss Me Kate (1953), and Bye Bye Birdie (1963), in our mini George Sidney Centennial celebration, we're closing up with his other primary mode: the adventure flick. Curiously those films also feel like musicals even when they aren't. Case in point is The Three Musketeers (1948) and the subliminal feeling that at any moment a song and dance number might break out. That's not only because glorious Gene Kelly is the star. This feeling radiates outward from the ebullient movement of all of the swordsmen. It's also firmly embedded in the swooning romantic overtures that happen instantaneously between Gene Kelly and each of the women. Lana Turner is the devilish Lady de Winter and June Allyson is the saintly Constance and, in case you're wondering, no one will ever accuse this movie of subtlety or evolved gender politics. Still the love scenes are memorable for their queer duet of completely earnest and purposefully comic registers.

While The Three Musketeers, MGM's second biggest hit of the entire decade, never abandons its swashbuckler adventure commitments to make room for the theoretical song and dance number, it does make quite a few overtures to other identities. This treatment of the Alexander Dumas story is also a romantic comedy, a slapstick farce, and even a stylized melodrama...

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