TIFF Review: Céline Sciamma’s ‘Petite Maman’

Abe is covering a few selections from the Toronto International Film Festival remotely.  

By Abe Friedtanzer 

Expectations play a big part in the experience of watching any movie. One of the major factors I consider when selecting what I’m going to see at a film festival is whether I’ve seen (and liked) the director’s previous work. I was fully intrigued by the concept of revisiting the mind of Céline Sciamma, whose last feature was Portrait of a Lady on Fire, which I think may be one of the few films that everyone at Team Experience can agree that we loved. Well, let’s start by clarifying that her follow-up, Petite Maman, couldn’t be any more different…

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"Nomadland" wins TIFF's People's Choice

by Nathaniel R

This year's TIFF has wrapped. Normally we cover it extensively, as you know, but they cut out a big swath of press this year including us... *cries*. Hopefully we'll return next year and if not we'll have to find a new favourite festival to obsess over. Herewith the winners and some Oscar stats, and if we've already discussed the movies, there's a link...

AUDIENCE PRIZES

People's Choice: Nomadland dir. Chloé Zhao.
(First runner up: One Night in Miami... dir. Regina King; Second runner up: Beans dir. Tracey Deer.)
People's Choice, Documentary: Inconvenient Indian dir. Michelle Latimer. 
People’s Choice, Midnight Madness: Shadow in the Cloud dir.  Roseanne Liang. 

That's right ALL of the audience prizes this year went to female filmmakers! Even the runners up were directed by women. The People's Choice Award is major bragging rights since it often signals kind Oscar fates down the road. Basically it would be a shock if Nomadland misses the Best Picture nomination at this point afterwinning TIFF and Venice though One Night in Miami has less convincing stats on its side. The stats go like so... 

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Doc Corner TIFF Special Edition: Werner Herzog's 'Fireball'

By Glenn Dunks

We're not covering TIFF more broadly this year, but I was lucky to snag a screener or two so we'll be writing about them in a couple of additional Doc Corner columns.

One of my favourite bits of movie trivia is that Werner Herzog is the only filmmaker to have ever directed feature-length films on every single continent. He completed that unique party trick with his 2007 Oscar-nominated documentary Encounters at the End of the World. I’m sure that if he could, he would make a movie in space. For now, however, his latest feature doc about the elements of space will have to suffice.

Fireball: Visitors from Darker Worlds begins in the terrestrial outback of Australia and ends in the shimmering blue plateaus of Antarctica with just about every other continent in between (he just can’t help himself). Herzog traces the history of meteorites with regular collaborator and first-time co-director Clive Oppenheimer...

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TIFF Jury of One - Chris Feil

Chris here, giving my own quick rundown of TIFF! Overall, I was able to see 33 films in total, including some under-the-radar thrills and more Midnight Madness films than ever before. As ever, closing out the festival is always quite bittersweet - but I'll have a little pick me up sharing what I loved most (and a few misses). Climb in my fur, and recap TIFF with me...

Best Film: Portrait of a Lady on Fire
Best Director: Marielle Heller, A Beautiful Day in the Neighborhood

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TIFF Jury of One - Nathaniel R

by Nathaniel R

We've given TIFF two days to settle and it's time to pass out awards (they're invisible but real to us) as we are prone to do and because we must move on --though we have two reviews in progress so they'll pop up soon and we'll be sure to return to some of these films soon as they emerge in movie theaters. Herewith personal favourite things from the 29 films devoured at TIFF. I got sick during the last few days so as medicinal comfort I'm allowing myself ties (gasp!) and lots and lots of categories. Ready? Here we go.

Best Film: Parasite (second runner up for the People's Choice prize)
Best Director: Bong Joon-ho, Parasite
 

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