The Film Experience™ was created by Nathaniel R. All material herein is written by our team.
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Wednesday, September 20, 2017 at 9:20PM We've got a a few more adventures from TIFF to get through. Here are two pictures Euphoria and Zama that I was greatly looking forward to for disparate reasons (the lead actors and the director, respectively). But neither one did it for me and I sincerely hope other future eyeballs will enjoy them more...
Wednesday, September 20, 2017 at 4:00PM by Nathaniel R
Sally says "Hi!" (I apologize profusively that my camera cut off her cute wave to all of you via this TIFF photo)It's getting hot up in the Best Actress race. The fall festivals have thrust a dozen or so women toward potential red carpet glory but how will time and general reviews and audience response and campaigning sort them out? It's nail-biting! At least until the first awards are handed out at which point things always narrow down too quickly.
But for now -- and it's early still (our annual refrain) -- it's appearing like it might be a battle between Sally Hawkins in The Shape of Water (which has won consistently strong reviews and the Golden Lion in Venice) and Frances McDormand who stars in Three Billboards Outside Ebbing Missouri, the surprise winner of the Oscar bellwether "audience award" at TIFF. It's fun to think about the performances in tandem since Sally plays a literally mute woman and Frances a foul mouthed woman who will not be silenced...
Sunday, September 17, 2017 at 7:00PM by Chris Feil
One of the most heartening things about Greta Gerwig’s directorial arrival Lady Bird is how naturally it feels like an extension of her previous acting work. The film is modest, unpretentious in its intelligent character study of a high school senior facing the near-adulthood pressures of the end of high school and living in a poor family. Christine, redubbing herself Lady Bird, is just at the beginning of her own reinvention and the other one that the world has waiting for her whether she likes it or not.
Saturday, September 16, 2017 at 6:30PM by Chris Feil
Amid screening global cinema and the odd Oscar contender or two, I was able to cram in some horror films to my TIFF lineup. The festival is so large that it doesn’t just limit its horror entries into the genre-centric Midnight Madness program. My sampling was not only a mini European tour, but also a trip through different genre tropes: the French extremity of Revenge, a gothic ghost story with The Lodgers, and a surprising psychological chiller with Thelma.
Horror, Joachim Trier, Revenge, TIFF, The Lodgers, Thelma 
