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Entries in TIFF (330)

Wednesday
Sep142022

TIFF Diary #3 -'Glass Onion' plus comebacks for JLaw and Tanya Tucker

by Baby Clyde

Kate Hudson is the standout in "Glass Onion: A Knives Out Mystery"

The day had finally come. My most anticipated film of the whole festival. The one we’ve all been waiting for. A veteran star on the comeback trail. A critical darling steering the ship. There’s talk of awards but will the public and pundits be on board?  I for one couldn't wait to find out, but The Return of Tanya Tucker featuring Brandi Carlisle was in the evening. I had other movies to see first.

And it started early. To my horror the screening of Glass Onion started at 9am. NINE AM!!! What was I thinking?  It was worth the effort, though...

I wasn’t a big fan of the first Knives Out. Too convoluted by far. Too pleased with its own cleverness. Having been totally confused on first watch I saw it again earlier this year and still came away just as befuddled. Glass Onion, though, is a meticulously plotted and a huge improvement. The all-star cast are uniformly great. The relentless Elon Musk/Joe Rogan ribbing is a bonus delight. Great start to the day. It certainly woke me up. 

Brian Tyree Henry & Jennifer Lawrence in "Causeway"

 

Next up was Causeway, JLaw’s return to serious acting after three years off and some dud of a comedy from last year I’ve done my best to forget (did you?). She’s pretty great in this small-scale character study but ironically it may be that her star power unbalances the tiny, understated indie. Very smart career move even if it seems unlikely to garner her another Oscar nod. Then again she got in for Joy so anything’s possible.

From there I went straight into Living a very subtle, quiet period drama with the great Bill Nighy making a serious bid for awards. To be honest I nodded off for a while in the middle and think I may have missed some crucial plot points. This is no reflection on the film, I was just tired (9am remember!). I suspect Academy voters may be taking more notice than I.

Now we come to the main event. As a Black man from London, I don’t think I’m her usual audience, but I adore Tanya Tucker. Although she’s barely known in the UK for soe reason I’ve been obsessed with her for decades. Many years ago, when Iived with my twin brother Jompy and best friend Kitty Supreme we played her songs to death. We loved every tale of revenge and heartbreak all being sung by a teenager who sounded like she smoked 40 a day.

In 2019 I flew straight from Toronto to NYC to see her in concert and then crashed the Meet and Greet (There was no way I was leaving without getting a photo with my heroine). Kitty Supreme was well jel. I can’t be objective about this doc. I loved every minute of it. My face hurt from smiling. It’s a behind the scenes look at her triumphant comeback after 17 years away from the recording studio. Shepherded by current Country superstar it’s beautiful to watch her coaxing a clearly nervous Tucker back to doing what she does best, with sensational results.  

A notorious 70’s wild child who acquired drink and drug problems to go along with her forty Top 10 country hits. A pioneer who’s never received the respect she deserves is finally getting her due.

A lot of people are talking abou The Whale but I'm waiting to see it at the London Film Festival in a few weeks. The last time I saw a Darren Aronofsky film at TIFF it gave the man sitting next to me a nosebleed. 

Film of The Day: My girl Tanya wins this one to go along with her 2 overdue Grammys!

 

Oscar Buzz: Academy Award nominee Bill Nighy has a nice ring to it, but will voters take to a very subtle performance in the very quiet film that is Living?   Glass Onion could definitely repeat its predecessor and score a Screenplay nomination. It would be wonderful to see the stand-out Kate Hudson back in the Supporting Actress race after 22 years away from that party. Meanwhile Academy Award nominee Bill Nighy has a nice ring to it, but will voters take to a very subtle performance in a very quiet film?  

Star Spot: The entire cast of Glass Onion was in attendance this morning with Daniel Craig’s horrendous hangover causing much hilarity. I also randomly saw Jordan Peele getting out of a car and most importantly I was able to apologise to Tanya for crashing her Meet & Greet three years back. I offered to pay the $50 she was owed but she graciously declined.

Tuesday
Sep132022

TIFF: Shekhar Kapur’s ‘What’s Love Got to Do with It’

By Abe Friedtanzer

 

It’s fun to see a director known for a particular kind of film try something new. At the premiere for his film What’s Love Got To Do With It, Shekhar Kapur, best known for Elizabeth, joked about how he responded to being told that he doesn’t do rom-coms: “Watch me.” His latest is a joyous celebration of culture and heritage and the way they can serve to both unite and divide, offering many genuine laughs and some heartfelt commentary on what it means to stay true to family… 

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Tuesday
Sep132022

TIFF: Melissa Barrera and Paul Mescal in the Dazzling ‘Carmen’

By Abe Friedtanzer

There have been many films recently about young women crossing the border from Mexico to the United States and coming across someone whose attitude towards illegal immigrants softens considerably after the chance meeting. But Carmen is something different entirely, an update of much older material, based on a Seville-set novella and opera from the 1800s by Prosper Mérimée. This time the setting is present day in surroundings that will be more familiar to audiences but just as enchanting…

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Monday
Sep122022

Baby Clyde's TIFF Diary #2: "The Woman King", Oprah, and "Sidney"

by Baby Clyde

You think I’m just here enjoying myself, don’t you? You think it’s all World Premieres and swanky parties, hobnobbing with the stars and swilling champagne. Unfortunately, that is not quite the case. My trip so far has been somewhat more mundane. Saturday, I had 5 films to see but spent most of my time visiting various electrical shops trying to find a US/UK travel adapter (I idiotically left the half dozen I own back in London). Instead of sipping Mimosas over a leisurely breakfast I was in Best Buy at 10am perusing plug sockets. At time of speaking, I still haven’t found one. I didn’t eat anything until 6.30pm. I’m now home and hastily throwing together this dispatch before my laptop dies. I’ve got about 20 minutes. Here goes.

First film of the day was a particular treat for this Brit after all who needs a Queen when we have The Woman King...

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Monday
Sep122022

TIFF: Noémie Merlant in ‘Baby Ruby’

By Abe Friedtanzer

 

It’s only been a few years since Portrait of a Lady on Fire, that visually stunning and deeply engaging French romance starring Adèle Haenel and Noémie Merlant. The latter had a starring role in a low-key film that showed at AFI Fest in 2020, Jumbo, and she’s sure to become even more well-known with Tár which next shows at the New York Film Festival ahead of its October release. But Merlant is in Toronto this week to debut another film, which marks her second English-language role, the parental horror film Baby Ruby… 

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